Without the attention of our inner being (line 6 is yang) the emerging energy becomes quiet. This, in the context of decay, means a disconnection between an activity and the one following (the sixth line is our inner structure absorbed from activity and the first line is the next emerging energy).

For an internal interpretation the father is our past distinguishing which “fathers” our next response. The disconnection noted above is seen as a change of mode which, if a change in distinguishing (a son rather than a daughter which would be feeling) removes the old way of distinguishing (the father’s mode). Changing our way of being is going through instability (peril) but brings good fortune, a new way forward.

Here we are becoming less involved in the inactive feeling of line 2, less attached to it, and this is a turning point from decay to new growth. We prepare to take on a new cycle of activity, which in our usual progress is a development of what has gone before.

The praise belongs to the re-experience of our direction in a new way.

Here we accept the turning point from decay to re-birth as it refers to our own being. In this we can have no purposes.

This is the line of the inner being and as near to experience of the whole as our manifest part can reach. Kings and princes refer to the identifying process which is irrelevant here, where the turning point is in our own being.

This tao is about being in the flow and not manipulating it. Here the life force ebbs and this is not our doing, so if we just continue to be, the flow will come back.

By remaining alert amongst small activity we will not only see its first signs of regrowth but also experience awareness with no objective. This change in experience is itself progress although we cannot conceive it until it happens.

Our intuitive feeling of the life force diminishes while we are attached to progress outside in the world. In this tao outer activity is stilled (in trigram Kên) so looking for activity here is disappointing.

The grandmother symbolizes an old generation of feeling, past feeling, and past feeling coming into the present is emotion; so as we feel less of our present circumstances, past feelings find their release; they needed release so this is a blessing.

We normally make activity in order to control our circumstances; here we do not do this but trust in the tao of progress itself.

To live without manipulating requires giving up our hoping; we can only regret if we have been hoping for something.

The progress of being in the flow is towards balancing the inner and the outer; if we keep returning to our outer reality for a sense of realness we repeat habit tracks.

The rodents have typically quick, darting movements, running for cover, and here it is as though we were using the outer reality as safe cover. We feel unsafe when we cannot distinguish and identify our circumstances but the greater danger lies in our being trapped in distinguished reality as the only way of being that we can recognize.

In this tao progress is toward the balance of inner and outer (the non-defined and the defined), so in this moving line we are following the tao as we become less involved in identifying our feelings—we still feel but our mind does not take over the feeling.

The choice between gain and loss is something we experience by going out from our centre into definition; without this there is no regret, no hope to be dashed. When we act in the movement of the moment everything is furthered, not just that which would lead to a particular outcome.

In this tao the inner being holds back from identifying itself, but here it does accept responsibility for its circumstances, which has dangers in a tao of not having particular identification.

To move out of the centre to any identified state involves regret, but to deal with identified parts of our being, a stance is necessary—it is necessary and so correct and it is also dangerous in case we lose the centre again.

A change to greater activity of the life force cannot be fully used in this tao where we are without a feeling of it and not identifying in outer action.

She marries but not fully, he can walk but not fully; it is better to have this partial movement than none, it is better to participate in what is on offer than to live in our images of what ought to be on offer.

As the emerging life force is tending to become active in this tao (the trigram Tui) and everything is slow in our outer world, it is natural for our feelings towards activity to turn to this line which feels the life force. Feeling seeks the “other”, something to feel, but in these circumstances there is nothing available so we can only feel our own responses.

Feeling “looks” both inwards and outwards, but here vision is only on offer inwards so continuing in this is the way to proceed.

We do not properly take part in the outer activity of this tao; we long to share but we cannot (sometimes dare not) give ourselves up to it. When the activity decreases we are able to take some part in it, an entrance into a world we wish to share.

A servant does not participate, a concubine does; a servant has separate quarters, a concubine co-inhabits. Here we become a participator, we enter the world of others and our energies have some outlet.

In this moving line we are involved, we are interested or even dedicated to becoming involved; but this tao is a result of a long time of denial of outer flow and of acceptance of inner inactivity, so becoming interested in feelings of flow does not cause a torrent of activity, it prepares for movement.

In this tao we have been accepting that feeling is inactive; here we no longer accept this and so create a mind-feeling, a feeling stimulated by mind rather than the life force.

Our feeling is, in this symbol, the serving maid of our identifying, supplying the experience that is then identified, and this moving line 5 is about what identity does with feeling, how it dresses it up. The emperor is the ruler and our ruler in identity is the identifying process; this dresses up the experience in a way that is less beautiful than its original natural self. But the moon is nearly full, the growth of the feeling influence is waxing and about to reach its full radiance, so this opening to feeling will allow natural feeling to show itself again and this is good fortune.

Here we cease to accept the life force as it emerges into manifestation and act as though we could create activity; but the life force is not active so our actions become gestures only.

In both these images the action of the person is empty, nothing in the basket and no blood in the sheep. Whether we feel (the woman) or try to make identifying nourishment for identity (the man) there is nothing there and no direction we take, no action we make, will produce the result we desire at present. It is something to learn that we are not the creators.