888687 · 23.4Hexagram 23

Solitude.

Line image

The only yang line is in the place of our inner being where we are not accepting all the free flow of the other lines. Our inner being is standing apart, separated from outer experience. Outer identification is not accepted.

Trigram image

All is freely flowing (K’un) until we reach our inner being where Kên shows silence and meditation on events, not participation.

The Chinese Oracle

Splitting.
No objective is favourable.

Comments

It is not favourable to have objectives when identity is divided from the inner self because all the directions that can attract us involve us more in the separate outer reality which is not being accepted by the whole personal self; any identification we make causes us to split further. There are however important chances of change and discoveries to be made in this tao about the way we are identifying.

Manifestations

The pattern
When inner reality
forsakes all outer activity
We contemplate in solitude.
For humans
When there are no bonds
things do not remain together.
In nature
To spin a cocoon
heralds inner change
and chrysalis.
In forms we make
Each into himself,
each unto himself,
leaves nothing to share.

Changing Lines

Line 1 goes yang

life force shows less change

Because our outer identifications are not being accepted by our inner self, the source, the emerging life force, withers away.

The Chinese Image
The leg of the bed breaks.
Not continuing in the way
brings misfortune.

The bed is where we enter the great unknown and sleep. Here the leg of the bed breaks, which is its connection with the rest of reality. Our identifications, our conscious interests, are somehow at variance with the way or out of tune with our circumstances, too narrowly based.

Line 2 goes yang

intuitive feeling less active

Here we become separate from the flow by ceasing to feel it. Feeling is our meeting with the flow so if we lose feeling in this tao we do not identify in the whole but only in the outer part.

The Chinese Image
The bed frame or edge is broken.
No continuance in the way.
Misfortune.

Here it is the bed frame, its structure, that comes apart. Our feeling of the life force is the base construction of our world reality; without a feeling of manifesting whole reality, our personal reality becomes isolated fragments. This feeling of whole reality we are lacking is the continuance in the way of the great tao.

Line 3 goes yang

outer world changes less

By decreasing outer activity we become more in tune with our inner being which has rejected our identifications out in the world.

The Chinese Image
He separates from all.
No error.

All our identifications are out there in the world, and here we discard them. In this way we separate ourselves from the factors that divided us.

Line 4 goes yang

accepting the outer state less

The most obvious danger in this tao about how we identify is our becoming too externalized and here we seem to realize this and cut off our involvement outside. As our being is at present concentrated in identifying, however, this now slips into identifying the boundary of the inner and outer self.

The Chinese Image
The bed and skin is split.
Misfortune.

The surface of the bed is the layer or skin between the outer reality—where we (identity) lie—and the inner; if consciousness penetrates this boundary it damages the function of identity in manifestation.

Line 5 goes yang

less awareness of intuition

In this tao our identifying leads us astray and our intuitive feeling which is the basis of our identifying is rejected by our inner being. Here our identity gives up following the feeling, seeing it as being in error.

The Chinese Image
A string of fishes.
Favour alike to being at court.
All is advantageous.

Fish are often used to symbolize our identifications (which nourish identity) in the uncharted waters of the whole reality. Here is a string of fishes, on a common thread and the fish are caught, so our identifications threaded together are captured. A court is where the ruler is ruling, and the ruler of identity is the identifying process, so here this act of catching identifications brings favour and advantage in every way.

Line 6 goes yin

our inner being accepts more

Here is a change in the separation depicted by the tao. The inner self witnesses and we have a possibility of realizing the tao, the experience of our self as separate from any identification.

The Chinese Image
A ripe fruit is not eaten.
The superior man has a carriage.
The inferior man loses his habitation.

To see whole we have to leave what we were doing, our identifications, however incomplete they seem to be; this ripe fruit could be eaten but we leave it. Wide-seeing superior man is carried in this, and allowing ourselves to be carried in our circumstances we find that there is more order in our lives, not less; if we do not grasp at life our inner needs take care of themselves. The inferior or narrow reality of chosen identifications has no place to be after this realization, he is not needed.

Secondary HexagramHexagram 35

Primal forces create change.

Line image

The manifesting, lower, half of the pattern is active throughout and the upper, receptive half is manifested by feeling (line 5); so the tao is about activity of manifestation which we join in feeling but we do not attach ourselves either outwardly or inwardly (lines 4 and 6 are yang). This is developing our outer-inner relationship; we stand between them and feel.

Trigram image

We hesitate to identify our inner being in this tao (Li) and our identified self cannot take advantage of our circumstances (K’an). This slows our response and stills our outer flow of activity (Kên). The common name of the hexagram is “progress”; when we have doubt and hesitation in our being the question of progress arises.

The Chinese Oracle

Progress.
The prince who achieves tranquillity is given many horses.
He is granted audience three times in one day.

Comments

This image tells us what the progress is about. Our reality is ruled by what we distinguish or identify, so this process is the king and ruler and his progeny the prince is our identified self. Having audience with the king is being privy to the process of identifying, so our reality here is not in what we identify but in our being part of the cyclic process that rules our reality. The cycle is symbolized by “one day” and its changes by the number three; here is the progress, and without tranquillity we cannot be part of this; the many horses symbolize that many directions become available at one time when we do not identify in the process of the cycle.

Manifestations

The pattern
Formation.
Primal forces
in the making of things.
For humans
He makes himself anew,
his karma moving
into a new relationship
accomplishes his growth.
In nature
The earth heaves restlessly,
reshaped by its own power
of the depths.
In forms we make
Control of change
occurring of itself
is the hinge of power.

Changing Lines

Line 1 goes yang

life force shows less change

This tao is about being in the flow and not manipulating it. Here the life force ebbs and this is not our doing, so if we just continue to be, the flow will come back.

The Chinese Image
Progress is held back.
Continuance in the way brings good fortune.
Calm confidence in the face of disbelief is no error.

By remaining alert amongst small activity we will not only see its first signs of regrowth but also experience awareness with no objective. This change in experience is itself progress although we cannot conceive it until it happens.

Line 2 goes yang

intuitive feeling less active

Our intuitive feeling of the life force diminishes while we are attached to progress outside in the world. In this tao outer activity is stilled (in trigram Kên) so looking for activity here is disappointing.

The Chinese Image
Progress with sorrow.
Continuance in the way
brings good fortune.
Blessing is received
from the grandmother.

The grandmother symbolizes an old generation of feeling, past feeling, and past feeling coming into the present is emotion; so as we feel less of our present circumstances, past feelings find their release; they needed release so this is a blessing.

Line 3 goes yang

outer world changes less

We normally make activity in order to control our circumstances; here we do not do this but trust in the tao of progress itself.

The Chinese Image
All are trusting.
Regret disappears.

To live without manipulating requires giving up our hoping; we can only regret if we have been hoping for something.

Line 4 goes yin

accepting the outer state more

The progress of being in the flow is towards balancing the inner and the outer; if we keep returning to our outer reality for a sense of realness we repeat habit tracks.

The Chinese Image
Progress like the movements of a rodent.
Continuance brings danger.

The rodents have typically quick, darting movements, running for cover, and here it is as though we were using the outer reality as safe cover. We feel unsafe when we cannot distinguish and identify our circumstances but the greater danger lies in our being trapped in distinguished reality as the only way of being that we can recognize.

Line 5 goes yang

less awareness of intuition

In this tao progress is toward the balance of inner and outer (the non-defined and the defined), so in this moving line we are following the tao as we become less involved in identifying our feelings—we still feel but our mind does not take over the feeling.

The Chinese Image
Regret disappears.
Heed not gain or loss,
it is movement that brings good fortune.
Everything is furthered.

The choice between gain and loss is something we experience by going out from our centre into definition; without this there is no regret, no hope to be dashed. When we act in the movement of the moment everything is furthered, not just that which would lead to a particular outcome.

Line 6 goes yin

our inner being accepts more

In this tao the inner being holds back from identifying itself, but here it does accept responsibility for its circumstances, which has dangers in a tao of not having particular identification.

The Chinese Image
Progress with the horns
to overcome the rebels.
Correct. Dangerous.
There is regret.

To move out of the centre to any identified state involves regret, but to deal with identified parts of our being, a stance is necessary—it is necessary and so correct and it is also dangerous in case we lose the centre again.

Nuclear HexagramHexagram 2

Choices amongst activity.

Line image

Here all is activity and acceptance. Everything moves according to its place and there is no question, no complication of hesitation or aim, no attitude is taken up and no stance is maintained. This is a symbolically female mode, not shown in relationship with male as in trigram Li but the elemental female itself of K’un, which flows according to the forces within it in a spontaneous acceptance of movement as its reality.

Structure is not very real to this element, its reality is in the changing flow of the moment as identity experiences where it is but never _knows_ it; to know where you are, you have to stop the movement with an idea, knowing takes an extension of time whereas the purely yin element rides reality in the present, which is time but has no time sequence.

Identity in this mode does not abstract ideas from its experience so it has no structure of idea to confront the experience. We go from one thing to another as it happens, participating in primary manifestation.

Trigram image

Manifestation is all flow and for this to be so, there has to be acceptance of all the circumstances in which we find ourselves. When we accept everything, nothing is held up in the flow and it remains in dynamic balance without stress. Identity does not know itself; it experiences itself but has no concept of what that means—it means only what is experienced

This flowing mode is nearer to our inner source of manifestation than the mode of concepts—we know without knowing why we know—it is an unencumbered way to be and intensely real, being so near to the source of manifestation.

We meet the paradox here that this source of manifestation which we approach in feeling has the male symbol of the creative—the ultimate extreme of idea that arrives at idealessness or non-manifestation. The paradox is resolved when we see the dynamics of yin and yang where the energy flows in and out between the male and female modes; it is one mode really, which manifests in a cyclic form.

The patterns which we humans choose in this flow by our individual natures are the 64 qualified tao or hexagrams. This hexagram of K’un trigrams bears these particularly deep symbolisms because it is one of the extremes of the cyclic movement, but it is nevertheless one of the 64 patterns that we make, and it refers to minor happenings in our lives as well as our very existence itself. We need sometimes to allow ourselves its influence.

The Chinese Oracle

The receptive element brings sublime success. The symbol of a mare.
At first he leads and loses the way, then he follows and is supported.
Friends in the west and south, not in the east and north.
Peaceful continuance is beneficial.

Comments

As in hexagram 1 there is inevitable success in the receptive, but if we start to lead, we lose this tao of being receptive. To be receptive is to allow the self to resonate with the other (the friend). To befriend the height of activity (south, midday, warmth) gives life to the resonance whereas to seek passivity of action (north, night, cold) kills the resonance.

A mare bears the foal, carries man, and is one with nature in a natural and gentle manner—in the receptive, we reject nothing.

Manifestations

The pattern
Simple flow of activity:
unquestioning,
moves unjudged
accepting all things.
For humans
Born from the earth
of its elements.
Return sometimes unprotesting,
resting in the flowing juice of life.
In nature
Onto the earth
warm and chill.
Into the earth
seed, root, love
moving in the magic of water.
In forms we make
The only form he can make
is an empty tube.
The only government
the will of the people.

Changing Lines

Line 1 goes yang

life force shows less change

The life force itself is going into a quiet phase and this will become more evident to us as its manifestation grows outwards. We need to accommodate this, to accept it in this tao of the receptive.

The Chinese Image
Hoarfrost underfoot, ice then comes.

Cold is symbolic of inactivity, so this is to say that inactivity will become more manifest.

Line 2 goes yang

intuitive feeling less active

In this tao, change occurs whether we are feeling it or not—if we feel it, we are aware of our involvement and may even think that we cause the activity, but it is not so except in a very narrow sense; the great tao moves us and accomplishes itself.

The Chinese Image
Straight, wide, great.
Purposeless yet it achieves.

There is no choice of ways so our way is straight, awareness is not limited so it is wide (has a lot of scope) and it is the great tao that is purposeless, yet it achieves (manifests) in everything.

Line 3 goes yang

outer world changes less

In this tao which is all activity there is no chosen coming and going—it encompasses all coming and going. The activity is seen rather as a flow of energy from one part to another—a wider view of many cycles operating. The outer reality expressed by line 3 is our outer world, however, and here in this line the activity is felt as being withdrawn; withdrawn from us and continued elsewhere. We are receptive in this tao, so we are not concerned so much with our part as the activity of the whole.

The Chinese Image
Concealing possibilities is correct.
Outer activities will eventually prosper.

Possibilities, or our own personal aims which we may exercise in the world, are not relevant here in this tao where all are equally received—in other circumstances we can attend to these and bring them to manifestation, but not now when we can experience without choice.

Line 4 goes yang

accepting the outer state less

Cycles of free manifestation flow in phases of activity and tranquility. Our identity does this also and in this tao it does not indicate any manipulation on our part.

The Chinese Image
A tied up sack.
No praise, no blame.

There is no praise or blame because it is the natural state of affairs for cycles to have closed phases.

Line 5 goes yang

less awareness of intuition

Here everything is seen carried in the great tao. We remove our attention from our feelings and they continue to affect the way we are but, as we say, unconsciously.

The Chinese Image
A Yellow undergarment.
Greatest good fortune.

Yellow is active (being near the middle of our visible range of light frequencies) and the undergarment is our unseen clothing or unconscious form; this is what carries us here, so we flow naturally without conscious effort.

Line 6 goes yang

our inner being accepts less

Line 6 is about our inner acceptance of experience, and in this moving line we separate from the great flowing tao and identity believes that it creates and destroys. We have here a birth into identity in some way and we choose and take sides and enter mind reality with our being. We move into the contest between being active or passive and must choose.

The Chinese Image
Dragons fight in the wilderness.
Their blood is black and yellow.

Black is the colour of night and inactivity, while yellow is our most noticeable and so active colour, so this is the nature of the contest.