978968 · 54.1.4.5Hexagram 54

Held back—breaks forth.

Line image

There is contradiction in this structure. We accept what is inactive innerly (lines 6 and 5) and reject what is active outside (line 4), so all movement is held up and nothing can be done. Such restraints on change cannot last for long because without change there is atrophy and the structure gives way to another; commonly the danger signals of being contained cause identity to break out of the restraint in some way.

It is an awkward structure because anything we do will be to relieve our feelings of being trapped without really changing our situation. While held thus by circumstances we will benefit by witnessing our reactions to it; it is always identity that traps itself—outer identity (line 4) cannot recognize activity as valid, it may, indeed, have been afraid for a long time, and then activity becomes awkward and undisciplined.

Trigram image

The flow is self-restricting, starting with hope (Tui) and then tentative in the world (Li) and sluggish in identity (K’an), but then with great force in our inner being (Chên). We hope for release of pent-up energies, but realizing their difficulties we are hesitant to let them out, so our activity is full of plans but very little outer action is possible. When energy cannot flow outwards it moves in our inner being and then awaits another chance of expression; when this chance comes the feeling that comes with it is “emotional”—charged with a purposeful need for expression.

The Chinese Oracle

The maiden seeks marriage.
Active undertakings bring misfortune.
No direction is favoured now.

Comments

The maiden (feeling) seeks the “other”, seeks definition and sense of purpose; a goal or direction is other to feeling, it is the male element to the female element. This goal or direction is to express the feeling in outer activity but this need is now out of phase with the tao—against the circumstances we are now in—and we usually get into such a situation by having experienced frustration of action at some earlier time and that action still needs expression. At present the circumstances of that challenge do not exist so if we act we are out of context.

Manifestations

The pattern
Young and joyful
but shy to venture.
Jumps with both feet;
becomes an active force.
For humans
His natural flow,
too long held back,
accepts any course for action.
Desire long unfulfilled
breaks forth.
How else could it become?
In nature
The lake flows out.
A young river, reluctant to flow,
comes to an abyss
and turns into a torrent.
In forms we make
When great force
overcomes unmoving friction
it is suddenly unopposed.

Changing Lines

Line 1 goes yin

life force shows more change

A change to greater activity of the life force cannot be fully used in this tao where we are without a feeling of it and not identifying in outer action.

The Chinese Image
The maiden marries as a concubine.
A lame man can walk.
Active directions bring good fortune.

She marries but not fully, he can walk but not fully; it is better to have this partial movement than none, it is better to participate in what is on offer than to live in our images of what ought to be on offer.

Line 2 goes yin

intuitive feeling more active

As the emerging life force is tending to become active in this tao (the trigram Tui) and everything is slow in our outer world, it is natural for our feelings towards activity to turn to this line which feels the life force. Feeling seeks the “other”, something to feel, but in these circumstances there is nothing available so we can only feel our own responses.

The Chinese Image
The one-eyed man can see.
Continuance of the solitary man brings advantage.

Feeling “looks” both inwards and outwards, but here vision is only on offer inwards so continuing in this is the way to proceed.

Line 3 goes yang

outer world changes less

We do not properly take part in the outer activity of this tao; we long to share but we cannot (sometimes dare not) give ourselves up to it. When the activity decreases we are able to take some part in it, an entrance into a world we wish to share.

The Chinese Image
From being a servant
she becomes a concubine.

A servant does not participate, a concubine does; a servant has separate quarters, a concubine co-inhabits. Here we become a participator, we enter the world of others and our energies have some outlet.

Line 4 goes yin

accepting the outer state more

In this moving line we are involved, we are interested or even dedicated to becoming involved; but this tao is a result of a long time of denial of outer flow and of acceptance of inner inactivity, so becoming interested in feelings of flow does not cause a torrent of activity, it prepares for movement.

The Chinese Image
The maiden does not marry at the usual age, she delays and makes a late marriage.

Line 5 goes yang

less awareness of intuition

In this tao we have been accepting that feeling is inactive; here we no longer accept this and so create a mind-feeling, a feeling stimulated by mind rather than the life force.

The Chinese Image
The emperor’s daughter was married in a gown less impressive than that of the serving maid.
The moon is nearly full, good fortune.

Our feeling is, in this symbol, the serving maid of our identifying, supplying the experience that is then identified, and this moving line 5 is about what identity does with feeling, how it dresses it up. The emperor is the ruler and our ruler in identity is the identifying process; this dresses up the experience in a way that is less beautiful than its original natural self. But the moon is nearly full, the growth of the feeling influence is waxing and about to reach its full radiance, so this opening to feeling will allow natural feeling to show itself again and this is good fortune.

Line 6 goes yang

our inner being accepts less

Here we cease to accept the life force as it emerges into manifestation and act as though we could create activity; but the life force is not active so our actions become gestures only.

The Chinese Image
The woman’s basket is empty.
When the man stabs a sheep
no blood flows.
No direction is now favourable.

In both these images the action of the person is empty, nothing in the basket and no blood in the sheep. Whether we feel (the woman) or try to make identifying nourishment for identity (the man) there is nothing there and no direction we take, no action we make, will produce the result we desire at present. It is something to learn that we are not the creators.

Secondary HexagramHexagram 29

The unfamiliar.

Line image

The two lines to do with intuitive feeling, lines 2 and 5, are inactive while all the other lines are active about their business; we are not feeling intuitively and we are not aware of this lack. There is difficulty in changing this structure; the inner is active (lines 1 and 6) and the outer is active (lines 3 and 4) but there is no connection between them because it is feeling that connects. This leads to a pattern of continuing through the experience of polarity as we have not the means to change.

Trigram image

We can see that without a feeling of the life force, its energy is easily misjudged and the little flow (K’an) is quickly exhausted in outer activity (Chên) so there is little energy to create change in us (Kên seeks stillness and K’an at the top has little or no flow).

Continuing in this pattern does not itself get us out of it, but this is what we have to do until the pattern itself changes. Intellect cannot itself create feeling, it can only be alert to what feeling is there; this awareness is where our attention is most useful.

The Chinese Oracle

Abyss followed by abyss.
To maintain confidence and alertness promotes success.

Comments

The traditional image is a gorge with water running down it and it is as if we were the water confined by chosen polarity symbolized by the sides of the gorge. We have to keep the flow moving by keeping ourselves alert to different ways of moving, possibilities; if we lose confidence and give ourselves up for lost, the image turns into a pit without the outlet a gorge has. We are not really assailed by fate but by our ignorance of feeling the life force, our circumstances and possibilities. Alertness needs to be directed towards feeling our way rather than acting on our outer circumstances, although it is these which appear to be the problem.

Manifestations

The pattern
Downward flow resisted.
Fitful progress
must be passed through.
For humans
Away from the familiar.
Pitfalls and barriers
endanger the weary.
Continuing to flow out
and overflow them
passes danger by.
In nature
Water flows into low places
and overflows
and around rocks
and on.
In forms we make
Not recognizing a downward path
he promises a high place, and is confused.

Changing Lines

Line 1 goes yang

life force shows less change

Without awareness of what the life force is doing we will continue to act when it becomes still and our action will not be supported.

The Chinese Image
He falls into a pit in the abyss.
Misfortune.

The pit stops our progress through the gorge; we fall into it because we cannot see when to go on and when to stop.

Line 2 goes yin

intuitive feeling more active

When feeling awakens it awakens to the tao, feels the difficulties that we still have to pass through. Feeling the tao, the way through, will hasten the experience but feeling for escape will delay us.

The Chinese Image
The abyss is dangerous.
Only in small matters
can there be success.

Small matters are those to which we are not attaching importance; what seems to be important here is to change our circumstances, but to change our circumstances when we are unaware is dangerous.

Line 3 goes yang

outer world changes less

To decrease activity because of difficulty disconnects us further from what is going on, yet to identify ourselves in the struggle of decisions makes us less aware of possibilities; either way there is a problem.

The Chinese Image
Backwards or forwards
there is the abyss.
Stops, falls into a pit.

The only way out of the gorge is by flowing on; activity is necessary for movement but attaching importance to our activity, always choosing, creates always further polarity, not less. The art of flowing through an abyss is not to attach ourselves to either side.

Line 4 goes yang

accepting the outer state less

Here we become less involved in outer activity and this is a relief of stress; being less involved in activity means that we go with it and do not manipulate, thus we get relief and thus we follow the tao as well.

The Chinese Image
A jug of wine.
A basket of rice.
Vessels of clay.
Simplicity handed in through an opening.
There will be no blame.

This offering from the greater open reality into ours enclosed by polarity is for our basic needs; when we stop trying to manipulate our reality to get what we think we need, our basic needs are found to be there; if we do not manipulate there is no blame.

Line 5 goes yin

more awareness of intuition

Here we are able to involve ourselves in the feelings of this difficult time without being overwhelmed (when we shut off feeling).

The Chinese Image
The abyss does not overflow.
It is filled to the brim.
No error.

If we feel too fulsomely we are carried away in the overflow; if we empty ourselves of feeling, we are in a great empty chasm (abyss). Here there is a balance.

Line 6 goes yang

our inner being accepts less

Not accepting our circumstances, our confinement by polarity, we will not recognize changes that occur in it, not accept it as the natural state of affairs.

The Chinese Image
Bound by ropes of two or of three strands and surrounded by thorns.
For three years he fails to find a way.
Misfortune.

The two strands are polarity choices and the three are how to change, the thorns are the discomfort of choosing amongst the uncomfortable. Three years stands for a long cycle of change; there comes a time in manifestation where it has become externalized and has to be settled, experienced, out there where it is felt to be real, and until the cycle is complete we cannot consider not choosing.

Nuclear HexagramHexagram 63

Completion.

Line image

Outer activity is quiet and this is accepted (lines 3 and 4), inner life force activity is also quiet and is accepted (lines 1 and 6); there is active feeling but we are not making this our sense of reality (lines 2 and 5). So here is a stillness which, in the Chinese oracle is called “after completion”; it represents a phase where an activity has come to an end and in this phase we just exist in undefined feeling and there is no ongoing activity. It is the state in which we find ourselves after a change is completed.

Trigram image

The emerging energy clings to its source (Li) and is inactive in the outer world (K’an); it starts again tentatively in our identity (Li) and is again quenched in our inner being (K’an). We can hardly speak of flow here because the flow has been completed and is no longer accepted innerly or outerly; it is an end which signals a beginning. The change may be just a small part of our activity or it may involve our whole mode of experiencing, but it is a clear transition; it is expressed by hexagrams 63 and 64 together (after completion and before completion) and is a very useful concept arising out of these trigrams Li and K’an which is discussed further in appendix one.

The Chinese Oracle

After completion.
Success of the small.
Continuing in the way is rewarded.
Good fortune in beginnings,
misfortune in endings.

Comments

The great movement of a cycle is over and we are re-born, we are small again in a new environment as we were small when born in the world. This is not an end so continuance is necessary and its success is the development of a new cycle of experience. We should concentrate on beginnings because the old, the ending, is in dis-order, dis-integrating.

Manifestations

The pattern
Fire enters water.
Water enters fire.
Mutually they change
each other’s reality
forming what is different
after they have changed.
For humans
He may be surprised
to find himself
without the thing he has made
with such care.
He can rejoice in passing
from one reality to another.
In nature
Under the sun.
Through the sea.
The reality of rock
is sand.
In forms we make
Complete change is an end
and a beginning.

Changing Lines

Line 1 goes yin

life force shows more change

Here is new activity developing from the inside; we need to await its development so that we act outside in phase with it.

The Chinese Image
He brakes the carriage wheels.
The tail is in the water.
No error.

The general rule when going through transition is to keep going, but here we are just in “after completion” and there are still parts which have not completed the change, or the tail is still in the water in the image of crossing the great water. It is no error to slow down so that these parts can catch up with the change.

Line 2 goes yang

intuitive feeling less active

In a new situation, after transition, there may be feelings of insecurity which cause us to feel over-exposed and withdraw our feelings.

The Chinese Image
The lady in a carriage loses the blind to her window.
It will return after seven days, she should not go after it.

She feels vulnerable as we do at this time, but as the cycle completes itself (the seven days) the protection of confidence returns. This vulnerability is actually an advantage if we accept it as natural to our situation and not an error to be corrected, it gives us additional sensitivity which we need in new surroundings.

Line 3 goes yin

outer world changes more

If we have outer activity increasing directly after completion it shows that we have not yet changed our external mode of being; transition does not occur through making changes out there in the world, it is by change in the way we ourselves are.

The Chinese Image
The illustrious ancestor subdued the province of Kuei Fang (the devil’s country) after three years.
Men of inferior ability would have been useless.

Three is the number of transition or change, so it is this that creates the success. A devil or evil one in a situation of change is the narrow view which will not change and allow enlargement, and this is also the inferior man—the opposite of the great man so often referred to.

Line 4 goes yang

accepting the outer state less

Our outer state (line 3) is inactive in this tao and we need to preserve that inactivity if we are to change out of our mind-desire mode of being—the mode of trying to make something “better”.

The Chinese Image
Amongst fine silks are ragged clothes.
Be careful all day.

Amongst our wide aspirations are narrow desires; all day is throughout conscious activity, and being always aware of them will itself change them.

Line 5 goes yin

more awareness of intuition

Intuitive feeling is the basis of our knowing our circumstance and this line 5 is about the conscious interpretation of that feeling; when we become more involved here we consider how to use the life force.

The Chinese Image
Someone in the east sacrifices an ox with less benefit than one in the west who makes a spring offering.

The ox is the strength of outer activity and this is sacrificed at the beginning (the east where the sun rises).
The spring offering is the sacrifice of beginnings (a giving up before we start and so an offering, not a killing); this is made at the end of a cycle (the west).
So it is more beneficial to give up starting new things, which arises when the old are ended, than to kill off the outside activity after it has developed.

Line 6 goes yang

our inner being accepts less

If our inner being does not accept the end of a cycle the transition cannot complete.

The Chinese Image
His head is submerged in the water.
Danger.

The head is the controller and here it is right in the liquifying process of change. For identity to emerge changed from transition it needs to flow in the momentum of being changed, not to get involved in controlling it.