Return and make new.

Line image

Our whole personal self is accepting and active in this tao where the outer is fully active but its source, line 1, is inactive. We are fully acting out and experiencing a phase of the life force which has now ceased to provide new impetus—we are carrying through something we have already begun. This heralds the end of a cycle of activity because all of our activity comes from the inner and is expressed outwardly. The hexagram is called “return” or “turning point”.

Trigram image

The impetus from the inner life force is great (Chên). It flows freely in our outer world, in our identity, and in our inner being (all K’un). The flow is fully outwards and fully accepted, a clearing out operation in which energy returns to its source, the inner, which makes it also a turning point in the cycle, an emptying out which makes room for the new to appear.

The Chinese Oracle

Return. Success.
Going and coming without distress.
Friends come without error
and he returns in seven days.
All directions are advantageous.

Comments

Here the cycle is pictured as a coming and going, its free flow being the success and harmony. He relates for the full cycle of identifying (7 symbolizes the cycle as seen in consecutive steps like the days of our week) and then returns to his centre, the inner, the non-identified state. When we go through the outer experience and allow it to finish when it has no more energy all directions are favourable because none are selected or grasped.

Manifestations

The pattern

That which arises
returns to its source.

For humans

To the place where we have been
we return.
To the mood we have lived
we return.
But returning is arising anew.

In nature

The nature of nature in the earth
at the moment of interchange.

In forms we make

Returning to a form we reform it
and make it new.
By this the form of society evolves.

Changing Lines

Line 1 goes yin

life force shows more change

As the top line of the hexagram is accepting this line, it is not we who see the life force as becoming active, it is itself returning to an active phase already and we do not have difficulty in making things anew.

The Chinese Image

A return from a short journey
No regret.
Great good fortune.

Life force activity returns from a short journey, a short time away; there was not a great trough of inactivity to cause us regret and our normal urge to activity is in keeping with the tao, which brings harmony to our actions and is the great good fortune.

❦

Line 2 goes yang

intuitive feeling less active

When we do not interpret the life force in feeling we are not separated from it by our selection; this is in keeping with the free flow we are in.

The Chinese Image

A quiet, blessed return.
good fortune.

We react to the tao without fuss or stress. Whenever we can be one with the tao we are blessed with good fortune.

❦

Line 3 goes yang

outer world changes less

In this situation of finishing off a cycle of activity it is necessary to completely finish or there are remainders, karma is made which will still need expression; these retained forms are habit.

The Chinese Image

Many returns. Danger.
No error.

The cycles come and go and if we are slaves to our habits we repeat ourselves; this is the danger. No blame because in habit we cannot see ourselves.

❦

Line 4 goes yang

accepting the outer state less

Here we project ourselves less into outer activity in a tao which is the end part of a cycle of the life force; this has the effect of centring us, making us more one in ourselves.

The Chinese Image

He moves in the midst of them
and returns alone.

By choosing the middle way, not identifying in the outer nor the inner, the multitude we are becomes a whole, returning alone is returning as one.

❦

Line 5 goes yang

less awareness of intuition

At the turning point where old activity of the life force is spent and new is about to arrive we remove our involvement from the old, now silent and gone. This is in preparation for a new cycle.

The Chinese Image

A noble return. No regret.

The nobleness of this return is symbolic of the withdrawal of self interest, of priority to the way we are feeling, allowing it to die away with a readiness to take on something new. As this opens out into new activity in the coming cycle there is no regret.

❦

Line 6 goes yang

our inner being accepts less

If we become less involved in the emerging tao when it is in an inactive phase we are likely to miss the next emergence of activity and be out of phase with it.

The Chinese Image

Confusion about return.
Misfortune.
Armies marching bring defeat.
Disaster for the ruler.
Ten years without return to order.

It is self-evident that if we do not recognize that we are at a turning point of the cycle and press on, we shall miss the changes that are taking place and all our responses will be inappropriate. We will be ruled by desire patterns of our already formed identity, so disaster is stated for the ruler (the identifying process is the ruler of identity). If the turning point of the cycle is completely ignored nothing can be done about it until the next turning point, a complete cycle away and symbolized by ten, the whole, and year, the cycle.

Secondary HexagramHexagram 28

Rigidity.

Line image

In our inner being, line 6, we accept the activity of change that is available in our circumstances (line 1 is yin), but our intuitive feeling in line 2 is inactive and so is our outer world in line 3; identity is not interested in changing any of this (lines 4 and 5 are yang). This is a picture of stress where there is inner pressure for change but no response from the outer, manifesting self. It is too still, too rigid, has no flexibility.

Trigram image

The energy emerges formed and structured by the trigram Sun, is inactive throughout its manifestation as Ch’ien both for identity and the outer world, and has just a hope of change in Tui for our inner being. Here is a flow only at the very borders of our awareness, everything manifest is held rigid and cannot move, yet the activity of the inner is pushing it to move. When rigid structures are forced to change shape something gives way suddenly.

The Chinese Oracle

Excess.
The ridgepole sags.
Movement is favourable.
Success.

Comments

We recognize excess by the stress it creates, without stress excess is felt as abundance. So here we are in a situation of stress pictured as the ridge of a roof about to give way; the ridge is where the two sides of the roof meet, and the roof is what separates us from the elements—a picture of our duality which “protects” identity from being engulfed in the great unknown reality. This “protection” is threatened, and keeping the polarities of our choices apart is threatened when they become excessive, when we or our society becomes too polarized for the flow of manifestation to happen, for the flow of manifestation is interchange between polarities.

Manifestations

The pattern

From the inner there is no flow.
Action is all inactivity,
Making return a beginning.

For humans

When firm and inflexible,
the only way of moving is to break.
When so gentle it changes nothing,
the only way of living is to die
into a beginning.

In nature

The wood is too ripe for budding,
too rigid for change
until it returns to earth.

In forms we make

No longer supported, must fall.
Falling, finds support.

Changing Lines

Line 1 goes yang

life force shows less change

The stress in this tao is created by the force of the life energy from the inner acting upon rigid form in our lives (in ourselves). Here the activity is lessened and the stress limited.

The Chinese Image

Spreading white rushes underneath.
No error.

This is protection by the inner being, rushes are put under something to soften the contact, they are white because there is no selection in this action (white light is all-coloured light).

❦

Line 2 goes yin

intuitive feeling more active

Here the rigidity itself is loosening, we are starting to feel the life force again and this is the beginning of new feeling.

The Chinese Image

The wizened willow tree
puts out new shoots.
An old man has a young wife.
All is favourable.

The old finds a way to flow again, and it was the lack of flow that caused the excess of pressure.

❦

Line 3 goes yin

outer world changes more

In this tao identity has excessively structured duality; to act out from this projects the stress into our circumstances.

The Chinese Image

The ridgepole sags to breaking point.
Misfortune.

The ridgepole giving way is like our giving out the stress from within us, we give way to it and the consequences to our environment are unfortunate.

❦

Line 4 goes yin

accepting the outer state more

What we are accepting here in this moving line is the inactivity of our outer world, so there is less stress because we are not struggling with our rigidity. This does not change the rigidity but makes it more manageable and may mask the basic problem.

The Chinese Image

The ridgepole has support.
Good fortune.
Reliance on weak support
is unfortunate.

Reliance on masking the stresses we have would be a weak support.

❦

Line 5 goes yin

more awareness of intuition

Becoming aware of intuitive feeling that is inactive is to be more aware but not to have more feeling.

The Chinese Image

The wizened willow flowers.
The old woman takes a husband.
No praise. No blame.

This is widening awareness, opening up, flowering; then old feeling (from memory) comes to thought, to consciousness. These do not change things, the flowering does not change the tree and the old woman cannot have children, in other words there is no new growth.

❦

Line 6 goes yang

our inner being accepts less

Here we give up the struggle and become unaware of the activity pushing us towards change. When we become unaware of forces they overtake us.

The Chinese Image

Fording a river, the water rises over his head.
Misfortune. No error.

To give way to the flow is no error, only uncomfortable; it overcomes the rigidity and so changes us.

Nuclear HexagramHexagram 2

Choices amongst activity.

Line image

Here all is activity and acceptance. Everything moves according to its place and there is no question, no complication of hesitation or aim, no attitude is taken up and no stance is maintained. This is a symbolically female mode, not shown in relationship with male as in trigram Li but the elemental female itself of K’un, which flows according to the forces within it in a spontaneous acceptance of movement as its reality.

Structure is not very real to this element, its reality is in the changing flow of the moment as identity experiences where it is but never _knows_ it; to know where you are, you have to stop the movement with an idea, knowing takes an extension of time whereas the purely yin element rides reality in the present, which is time but has no time sequence.

Identity in this mode does not abstract ideas from its experience so it has no structure of idea to confront the experience. We go from one thing to another as it happens, participating in primary manifestation.

Trigram image

Manifestation is all flow and for this to be so, there has to be acceptance of all the circumstances in which we find ourselves. When we accept everything, nothing is held up in the flow and it remains in dynamic balance without stress. Identity does not know itself; it experiences itself but has no concept of what that means—it means only what is experienced

This flowing mode is nearer to our inner source of manifestation than the mode of concepts—we know without knowing why we know—it is an unencumbered way to be and intensely real, being so near to the source of manifestation.

We meet the paradox here that this source of manifestation which we approach in feeling has the male symbol of the creative—the ultimate extreme of idea that arrives at idealessness or non-manifestation. The paradox is resolved when we see the dynamics of yin and yang where the energy flows in and out between the male and female modes; it is one mode really, which manifests in a cyclic form.

The patterns which we humans choose in this flow by our individual natures are the 64 qualified tao or hexagrams. This hexagram of K’un trigrams bears these particularly deep symbolisms because it is one of the extremes of the cyclic movement, but it is nevertheless one of the 64 patterns that we make, and it refers to minor happenings in our lives as well as our very existence itself. We need sometimes to allow ourselves its influence.

The Chinese Oracle

The receptive element brings sublime success. The symbol of a mare.
At first he leads and loses the way, then he follows and is supported.
Friends in the west and south, not in the east and north.
Peaceful continuance is beneficial.

Comments

As in hexagram 1 there is inevitable success in the receptive, but if we start to lead, we lose this tao of being receptive. To be receptive is to allow the self to resonate with the other (the friend). To befriend the height of activity (south, midday, warmth) gives life to the resonance whereas to seek passivity of action (north, night, cold) kills the resonance.

A mare bears the foal, carries man, and is one with nature in a natural and gentle manner—in the receptive, we reject nothing.

Manifestations

The pattern

Simple flow of activity:
unquestioning,
moves unjudged
accepting all things.

For humans

Born from the earth
of its elements.
Return sometimes unprotesting,
resting in the flowing juice of life.

In nature

Onto the earth
warm and chill.
Into the earth
seed, root, love
moving in the magic of water.

In forms we make

The only form he can make
is an empty tube.
The only government
the will of the people.

Changing Lines

Line 1 goes yang

life force shows less change

The life force itself is going into a quiet phase and this will become more evident to us as its manifestation grows outwards. We need to accommodate this, to accept it in this tao of the receptive.

The Chinese Image

Hoarfrost underfoot, ice then comes.

Cold is symbolic of inactivity, so this is to say that inactivity will become more manifest.

❦

Line 2 goes yang

intuitive feeling less active

In this tao, change occurs whether we are feeling it or not—if we feel it, we are aware of our involvement and may even think that we cause the activity, but it is not so except in a very narrow sense; the great tao moves us and accomplishes itself.

The Chinese Image

Straight, wide, great.
Purposeless yet it achieves.

There is no choice of ways so our way is straight, awareness is not limited so it is wide (has a lot of scope) and it is the great tao that is purposeless, yet it achieves (manifests) in everything.

❦

Line 3 goes yang

outer world changes less

In this tao which is all activity there is no chosen coming and going—it encompasses all coming and going. The activity is seen rather as a flow of energy from one part to another—a wider view of many cycles operating. The outer reality expressed by line 3 is our outer world, however, and here in this line the activity is felt as being withdrawn; withdrawn from us and continued elsewhere. We are receptive in this tao, so we are not concerned so much with our part as the activity of the whole.

The Chinese Image

Concealing possibilities is correct.
Outer activities will eventually prosper.

Possibilities, or our own personal aims which we may exercise in the world, are not relevant here in this tao where all are equally received—in other circumstances we can attend to these and bring them to manifestation, but not now when we can experience without choice.

❦

Line 4 goes yang

accepting the outer state less

Cycles of free manifestation flow in phases of activity and tranquility. Our identity does this also and in this tao it does not indicate any manipulation on our part.

The Chinese Image

A tied up sack.
No praise, no blame.

There is no praise or blame because it is the natural state of affairs for cycles to have closed phases.

❦

Line 5 goes yang

less awareness of intuition

Here everything is seen carried in the great tao. We remove our attention from our feelings and they continue to affect the way we are but, as we say, unconsciously.

The Chinese Image

A Yellow undergarment.
Greatest good fortune.

Yellow is active (being near the middle of our visible range of light frequencies) and the undergarment is our unseen clothing or unconscious form; this is what carries us here, so we flow naturally without conscious effort.

❦

Line 6 goes yang

our inner being accepts less

Line 6 is about our inner acceptance of experience, and in this moving line we separate from the great flowing tao and identity believes that it creates and destroys. We have here a birth into identity in some way and we choose and take sides and enter mind reality with our being. We move into the contest between being active or passive and must choose.

The Chinese Image

Dragons fight in the wilderness.
Their blood is black and yellow.

Black is the colour of night and inactivity, while yellow is our most noticeable and so active colour, so this is the nature of the contest.