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868886 · 2.2.6Hexagram 2

Choices amongst activity.

Line image

Here all is activity and acceptance. Everything moves according to its place and there is no question, no complication of hesitation or aim, no attitude is taken up and no stance is maintained. This is a symbolically female mode, not shown in relationship with male as in trigram Li but the elemental female itself of K’un, which flows according to the forces within it in a spontaneous acceptance of movement as its reality.

Structure is not very real to this element, its reality is in the changing flow of the moment as identity experiences where it is but never _knows_ it; to know where you are, you have to stop the movement with an idea, knowing takes an extension of time whereas the purely yin element rides reality in the present, which is time but has no time sequence.

Identity in this mode does not abstract ideas from its experience so it has no structure of idea to confront the experience. We go from one thing to another as it happens, participating in primary manifestation.

Trigram image

Manifestation is all flow and for this to be so, there has to be acceptance of all the circumstances in which we find ourselves. When we accept everything, nothing is held up in the flow and it remains in dynamic balance without stress. Identity does not know itself; it experiences itself but has no concept of what that means—it means only what is experienced

This flowing mode is nearer to our inner source of manifestation than the mode of concepts—we know without knowing why we know—it is an unencumbered way to be and intensely real, being so near to the source of manifestation.

We meet the paradox here that this source of manifestation which we approach in feeling has the male symbol of the creative—the ultimate extreme of idea that arrives at idealessness or non-manifestation. The paradox is resolved when we see the dynamics of yin and yang where the energy flows in and out between the male and female modes; it is one mode really, which manifests in a cyclic form.

The patterns which we humans choose in this flow by our individual natures are the 64 qualified tao or hexagrams. This hexagram of K’un trigrams bears these particularly deep symbolisms because it is one of the extremes of the cyclic movement, but it is nevertheless one of the 64 patterns that we make, and it refers to minor happenings in our lives as well as our very existence itself. We need sometimes to allow ourselves its influence.

The Chinese Oracle

The receptive element brings sublime success. The symbol of a mare.
At first he leads and loses the way, then he follows and is supported.
Friends in the west and south, not in the east and north.
Peaceful continuance is beneficial.

Comments

As in hexagram 1 there is inevitable success in the receptive, but if we start to lead, we lose this tao of being receptive. To be receptive is to allow the self to resonate with the other (the friend). To befriend the height of activity (south, midday, warmth) gives life to the resonance whereas to seek passivity of action (north, night, cold) kills the resonance.

A mare bears the foal, carries man, and is one with nature in a natural and gentle manner—in the receptive, we reject nothing.

Manifestations

The pattern
Simple flow of activity:
unquestioning,
moves unjudged
accepting all things.
For humans
Born from the earth
of its elements.
Return sometimes unprotesting,
resting in the flowing juice of life.
In nature
Onto the earth
warm and chill.
Into the earth
seed, root, love
moving in the magic of water.
In forms we make
The only form he can make
is an empty tube.
The only government
the will of the people.

Changing Lines

Line 1 goes yang

life force shows less change

The life force itself is going into a quiet phase and this will become more evident to us as its manifestation grows outwards. We need to accommodate this, to accept it in this tao of the receptive.

The Chinese Image
Hoarfrost underfoot, ice then comes.

Cold is symbolic of inactivity, so this is to say that inactivity will become more manifest.

❦

Line 2 goes yang

intuitive feeling less active

In this tao, change occurs whether we are feeling it or not—if we feel it, we are aware of our involvement and may even think that we cause the activity, but it is not so except in a very narrow sense; the great tao moves us and accomplishes itself.

The Chinese Image
Straight, wide, great.
Purposeless yet it achieves.

There is no choice of ways so our way is straight, awareness is not limited so it is wide (has a lot of scope) and it is the great tao that is purposeless, yet it achieves (manifests) in everything.

❦

Line 3 goes yang

outer world changes less

In this tao which is all activity there is no chosen coming and going—it encompasses all coming and going. The activity is seen rather as a flow of energy from one part to another—a wider view of many cycles operating. The outer reality expressed by line 3 is our outer world, however, and here in this line the activity is felt as being withdrawn; withdrawn from us and continued elsewhere. We are receptive in this tao, so we are not concerned so much with our part as the activity of the whole.

The Chinese Image
Concealing possibilities is correct.
Outer activities will eventually prosper.

Possibilities, or our own personal aims which we may exercise in the world, are not relevant here in this tao where all are equally received—in other circumstances we can attend to these and bring them to manifestation, but not now when we can experience without choice.

❦

Line 4 goes yang

accepting the outer state less

Cycles of free manifestation flow in phases of activity and tranquility. Our identity does this also and in this tao it does not indicate any manipulation on our part.

The Chinese Image
A tied up sack.
No praise, no blame.

There is no praise or blame because it is the natural state of affairs for cycles to have closed phases.

❦

Line 5 goes yang

less awareness of intuition

Here everything is seen carried in the great tao. We remove our attention from our feelings and they continue to affect the way we are but, as we say, unconsciously.

The Chinese Image
A Yellow undergarment.
Greatest good fortune.

Yellow is active (being near the middle of our visible range of light frequencies) and the undergarment is our unseen clothing or unconscious form; this is what carries us here, so we flow naturally without conscious effort.

❦

Line 6 goes yang

our inner being accepts less

Line 6 is about our inner acceptance of experience, and in this moving line we separate from the great flowing tao and identity believes that it creates and destroys. We have here a birth into identity in some way and we choose and take sides and enter mind reality with our being. We move into the contest between being active or passive and must choose.

The Chinese Image
Dragons fight in the wilderness.
Their blood is black and yellow.

Black is the colour of night and inactivity, while yellow is our most noticeable and so active colour, so this is the nature of the contest.

Secondary HexagramHexagram 4

Out of young ignorance.

Line image

When our intuitive feeling is not active (line 2) we do not have a gut knowledge of what the life flow is doing, and yet in this tao we are involved in outer activity (lines 4 and 3), without this feeling and without our inner being having awareness (line 6). The effect of this pattern is that we have to act in ignorance and learn from direct experience of the world by our “mistakes” when we take the world to be other than it is.

The common name for this hexagram is “youthful folly” because the young learn in this pattern; it has a spontaneous and dynamic flavor which is sadly lost when folly is not allowed.

Trigram image

There is no flow of our emerging energy (K’an) but a great flow outside (Chên) which continues in our accepting identity (K’un) while our inner being is watching (Kên) This trigram flow shows that our inner being is not merely unaware but is contemplating what is going on without involvement; the learning of our situation is out in the world, finding out what happens, not applying rules from our accumulated experience. We act, and learn from our actions, we may be clumsy and make mistakes but unless we act in this way, we cannot learn about an environment unknown to us.

The Chinese Oracle

Youthful, immature growth.
Good fortune.
I seek not the immature but if they come to me I answer them; if they continue with immature questioning I am silent.

Comments

The oracle wisdom is, like all religious exercises, about the sentient outer form of our being keeping in touch with its inner non-manifest counterpart. In this tao we face outwards (and are identified where we face) so that the wisdom is held in abeyance as we make a foray, so to speak, into this outer mode to fully experience it. We will be puzzled by the oracle and continue to try and make sense by further questioning, but it is not the time for making sense, it is time for trusting our senses. Few religious exercises allow us to be foolish and consider it to be good fortune.

Manifestations

The pattern
To reach from the fluid and unstable
for the heights
comes to a barrier,
or perhaps a peak.
For humans
Assuming ground beneath the feet.
Treading with confidence into pitfalls,
sometimes succeeds
with a grace and sympathy
it usually lacks.
In nature
Kittens catch shadows
knowing their solidity,
and learn.
In forms we make
Assumption of power
without humility
closes the gate of sympathy.

Changing Lines

Line 1 goes yang

life force shows less change

In this tao our inner being is not influenced (line 6 is yang) and our intuitive feeling is inactive (line 2 is yang) so we cannot be aware of the life force (this moving line 1) and it appears to dry up. We are being over-sensitive to the tao and we allow it to inhibit our impulse to experience; we should allow ourselves more curiosity and freedom; there is no advantage in being so cautious that we cannot move.

The Chinese Image
Youthful growth requires disciplined experience.
Fetters should be removed.
Too much restriction is harmful.
❦

Line 2 goes yin

intuitive feeling more active

The opening of feeling in this tao means to become more sensitive to our immaturity in some respect; this makes for less errors of judgement, makes us more able to understand what is “other” to us, and by feeling our ignorance (this we have been ignoring) we become receptive to the experience we lack. By all this, we increase our dynamic experience of the tao.

The Chinese Image
To be gentle with the developing brings good fortune.
To understand the woman brings good fortune.
The son is able to run the household.

The son, elemental male offspring representing newly growing idea, takes over from the woman, elemental female representing our being in the flow of feeling. If he is to be successful, he needs to take account of feelings which he may not understand too well. In this tao, idea is growing out of experience but in this line feeling is opening, so gentleness and understanding is required.

❦

Line 3 goes yang

outer world changes less

Our outer activity is necessary for learning the ways of our environment, so if our outer activity is lessening, what are we putting in its place? Perhaps we are thinking there is someone or something that will do it for us. In this tao about young growth, _doing_ is essential, and nobody can do it for us. It is our personal growth; if somebody else provides, we shall have missed learning how to provide for ourselves.

The Chinese Image
Do not marry a girl who cannot resist a strong, wealthy (bronze) man.
No advantage comes.

To marry is to be become one with. We should not become one with this feeling (girl) who needs someone to protect and provide for her—there is no development for us in this way.

❦

Line 4 goes yang

accepting the outer state less

Outer activity is dynamic in this tao and necessary to the movement of learning. Here we are taking our interest away from this because it is not being attractive (pleasurable). In a sense, we are not accepting that we need to experience what our circumstances have provided—we are not accepting our ignorance and so do not see the paramount need to learn.

The Chinese Image
Bound by ignorance. This is harmful.

We are bound by our ignorance when we are not aware of it.

❦

Line 5 goes yang

less awareness of intuition

In this tao our intuitive state is not active. Our identity is more free to experience its life if it does not worry about this at this time because it needs to face its experience outwardly. This line shows us free to experience as separate identity, which is what the tao asks for.

The Chinese Image
Immature experience brings advantage.
❦

Line 6 goes yin

our inner being accepts more

Here the inner being accepts, and this is “learning from experience”; it is also applying past experience to our learning. In this tao learning is by folly, which is by exploration and needs risk; we need to act without working out the consequences. By applying past experience to our present activity we perpetuate our errors.

The Chinese Image
Committing folly to learn control of his folly brings no advantage.
Advantage comes from separating him from his folly.

Applying past experience interferes with our dynamic witnessing of the present. Only by witnessing as we act do we have a dynamic learning experience without the need for regretful afterthoughts and promises to do it better next time.

Nuclear HexagramHexagram 2

Choices amongst activity.

Line image

Here all is activity and acceptance. Everything moves according to its place and there is no question, no complication of hesitation or aim, no attitude is taken up and no stance is maintained. This is a symbolically female mode, not shown in relationship with male as in trigram Li but the elemental female itself of K’un, which flows according to the forces within it in a spontaneous acceptance of movement as its reality.

Structure is not very real to this element, its reality is in the changing flow of the moment as identity experiences where it is but never _knows_ it; to know where you are, you have to stop the movement with an idea, knowing takes an extension of time whereas the purely yin element rides reality in the present, which is time but has no time sequence.

Identity in this mode does not abstract ideas from its experience so it has no structure of idea to confront the experience. We go from one thing to another as it happens, participating in primary manifestation.

Trigram image

Manifestation is all flow and for this to be so, there has to be acceptance of all the circumstances in which we find ourselves. When we accept everything, nothing is held up in the flow and it remains in dynamic balance without stress. Identity does not know itself; it experiences itself but has no concept of what that means—it means only what is experienced

This flowing mode is nearer to our inner source of manifestation than the mode of concepts—we know without knowing why we know—it is an unencumbered way to be and intensely real, being so near to the source of manifestation.

We meet the paradox here that this source of manifestation which we approach in feeling has the male symbol of the creative—the ultimate extreme of idea that arrives at idealessness or non-manifestation. The paradox is resolved when we see the dynamics of yin and yang where the energy flows in and out between the male and female modes; it is one mode really, which manifests in a cyclic form.

The patterns which we humans choose in this flow by our individual natures are the 64 qualified tao or hexagrams. This hexagram of K’un trigrams bears these particularly deep symbolisms because it is one of the extremes of the cyclic movement, but it is nevertheless one of the 64 patterns that we make, and it refers to minor happenings in our lives as well as our very existence itself. We need sometimes to allow ourselves its influence.

The Chinese Oracle

The receptive element brings sublime success. The symbol of a mare.
At first he leads and loses the way, then he follows and is supported.
Friends in the west and south, not in the east and north.
Peaceful continuance is beneficial.

Comments

As in hexagram 1 there is inevitable success in the receptive, but if we start to lead, we lose this tao of being receptive. To be receptive is to allow the self to resonate with the other (the friend). To befriend the height of activity (south, midday, warmth) gives life to the resonance whereas to seek passivity of action (north, night, cold) kills the resonance.

A mare bears the foal, carries man, and is one with nature in a natural and gentle manner—in the receptive, we reject nothing.

Manifestations

The pattern
Simple flow of activity:
unquestioning,
moves unjudged
accepting all things.
For humans
Born from the earth
of its elements.
Return sometimes unprotesting,
resting in the flowing juice of life.
In nature
Onto the earth
warm and chill.
Into the earth
seed, root, love
moving in the magic of water.
In forms we make
The only form he can make
is an empty tube.
The only government
the will of the people.

Changing Lines

Line 1 goes yang

life force shows less change

The life force itself is going into a quiet phase and this will become more evident to us as its manifestation grows outwards. We need to accommodate this, to accept it in this tao of the receptive.

The Chinese Image
Hoarfrost underfoot, ice then comes.

Cold is symbolic of inactivity, so this is to say that inactivity will become more manifest.

❦

Line 2 goes yang

intuitive feeling less active

In this tao, change occurs whether we are feeling it or not—if we feel it, we are aware of our involvement and may even think that we cause the activity, but it is not so except in a very narrow sense; the great tao moves us and accomplishes itself.

The Chinese Image
Straight, wide, great.
Purposeless yet it achieves.

There is no choice of ways so our way is straight, awareness is not limited so it is wide (has a lot of scope) and it is the great tao that is purposeless, yet it achieves (manifests) in everything.

❦

Line 3 goes yang

outer world changes less

In this tao which is all activity there is no chosen coming and going—it encompasses all coming and going. The activity is seen rather as a flow of energy from one part to another—a wider view of many cycles operating. The outer reality expressed by line 3 is our outer world, however, and here in this line the activity is felt as being withdrawn; withdrawn from us and continued elsewhere. We are receptive in this tao, so we are not concerned so much with our part as the activity of the whole.

The Chinese Image
Concealing possibilities is correct.
Outer activities will eventually prosper.

Possibilities, or our own personal aims which we may exercise in the world, are not relevant here in this tao where all are equally received—in other circumstances we can attend to these and bring them to manifestation, but not now when we can experience without choice.

❦

Line 4 goes yang

accepting the outer state less

Cycles of free manifestation flow in phases of activity and tranquility. Our identity does this also and in this tao it does not indicate any manipulation on our part.

The Chinese Image
A tied up sack.
No praise, no blame.

There is no praise or blame because it is the natural state of affairs for cycles to have closed phases.

❦

Line 5 goes yang

less awareness of intuition

Here everything is seen carried in the great tao. We remove our attention from our feelings and they continue to affect the way we are but, as we say, unconsciously.

The Chinese Image
A Yellow undergarment.
Greatest good fortune.

Yellow is active (being near the middle of our visible range of light frequencies) and the undergarment is our unseen clothing or unconscious form; this is what carries us here, so we flow naturally without conscious effort.

❦

Line 6 goes yang

our inner being accepts less

Line 6 is about our inner acceptance of experience, and in this moving line we separate from the great flowing tao and identity believes that it creates and destroys. We have here a birth into identity in some way and we choose and take sides and enter mind reality with our being. We move into the contest between being active or passive and must choose.

The Chinese Image
Dragons fight in the wilderness.
Their blood is black and yellow.

Black is the colour of night and inactivity, while yellow is our most noticeable and so active colour, so this is the nature of the contest.