868666 · 2.2.4.5.6Hexagram 2

Choices amongst activity.

Line image

Here all is activity and acceptance. Everything moves according to its place and there is no question, no complication of hesitation or aim, no attitude is taken up and no stance is maintained. This is a symbolically female mode, not shown in relationship with male as in trigram Li but the elemental female itself of K’un, which flows according to the forces within it in a spontaneous acceptance of movement as its reality.

Structure is not very real to this element, its reality is in the changing flow of the moment as identity experiences where it is but never _knows_ it; to know where you are, you have to stop the movement with an idea, knowing takes an extension of time whereas the purely yin element rides reality in the present, which is time but has no time sequence.

Identity in this mode does not abstract ideas from its experience so it has no structure of idea to confront the experience. We go from one thing to another as it happens, participating in primary manifestation.

Trigram image

Manifestation is all flow and for this to be so, there has to be acceptance of all the circumstances in which we find ourselves. When we accept everything, nothing is held up in the flow and it remains in dynamic balance without stress. Identity does not know itself; it experiences itself but has no concept of what that means—it means only what is experienced

This flowing mode is nearer to our inner source of manifestation than the mode of concepts—we know without knowing why we know—it is an unencumbered way to be and intensely real, being so near to the source of manifestation.

We meet the paradox here that this source of manifestation which we approach in feeling has the male symbol of the creative—the ultimate extreme of idea that arrives at idealessness or non-manifestation. The paradox is resolved when we see the dynamics of yin and yang where the energy flows in and out between the male and female modes; it is one mode really, which manifests in a cyclic form.

The patterns which we humans choose in this flow by our individual natures are the 64 qualified tao or hexagrams. This hexagram of K’un trigrams bears these particularly deep symbolisms because it is one of the extremes of the cyclic movement, but it is nevertheless one of the 64 patterns that we make, and it refers to minor happenings in our lives as well as our very existence itself. We need sometimes to allow ourselves its influence.

The Chinese Oracle

The receptive element brings sublime success. The symbol of a mare.
At first he leads and loses the way, then he follows and is supported.
Friends in the west and south, not in the east and north.
Peaceful continuance is beneficial.

Comments

As in hexagram 1 there is inevitable success in the receptive, but if we start to lead, we lose this tao of being receptive. To be receptive is to allow the self to resonate with the other (the friend). To befriend the height of activity (south, midday, warmth) gives life to the resonance whereas to seek passivity of action (north, night, cold) kills the resonance.

A mare bears the foal, carries man, and is one with nature in a natural and gentle manner—in the receptive, we reject nothing.

Manifestations

The pattern
Simple flow of activity:
unquestioning,
moves unjudged
accepting all things.
For humans
Born from the earth
of its elements.
Return sometimes unprotesting,
resting in the flowing juice of life.
In nature
Onto the earth
warm and chill.
Into the earth
seed, root, love
moving in the magic of water.
In forms we make
The only form he can make
is an empty tube.
The only government
the will of the people.

Changing Lines

Line 1 goes yang

life force shows less change

The life force itself is going into a quiet phase and this will become more evident to us as its manifestation grows outwards. We need to accommodate this, to accept it in this tao of the receptive.

The Chinese Image
Hoarfrost underfoot, ice then comes.

Cold is symbolic of inactivity, so this is to say that inactivity will become more manifest.

Line 2 goes yang

intuitive feeling less active

In this tao, change occurs whether we are feeling it or not—if we feel it, we are aware of our involvement and may even think that we cause the activity, but it is not so except in a very narrow sense; the great tao moves us and accomplishes itself.

The Chinese Image
Straight, wide, great.
Purposeless yet it achieves.

There is no choice of ways so our way is straight, awareness is not limited so it is wide (has a lot of scope) and it is the great tao that is purposeless, yet it achieves (manifests) in everything.

Line 3 goes yang

outer world changes less

In this tao which is all activity there is no chosen coming and going—it encompasses all coming and going. The activity is seen rather as a flow of energy from one part to another—a wider view of many cycles operating. The outer reality expressed by line 3 is our outer world, however, and here in this line the activity is felt as being withdrawn; withdrawn from us and continued elsewhere. We are receptive in this tao, so we are not concerned so much with our part as the activity of the whole.

The Chinese Image
Concealing possibilities is correct.
Outer activities will eventually prosper.

Possibilities, or our own personal aims which we may exercise in the world, are not relevant here in this tao where all are equally received—in other circumstances we can attend to these and bring them to manifestation, but not now when we can experience without choice.

Line 4 goes yang

accepting the outer state less

Cycles of free manifestation flow in phases of activity and tranquility. Our identity does this also and in this tao it does not indicate any manipulation on our part.

The Chinese Image
A tied up sack.
No praise, no blame.

There is no praise or blame because it is the natural state of affairs for cycles to have closed phases.

Line 5 goes yang

less awareness of intuition

Here everything is seen carried in the great tao. We remove our attention from our feelings and they continue to affect the way we are but, as we say, unconsciously.

The Chinese Image
A Yellow undergarment.
Greatest good fortune.

Yellow is active (being near the middle of our visible range of light frequencies) and the undergarment is our unseen clothing or unconscious form; this is what carries us here, so we flow naturally without conscious effort.

Line 6 goes yang

our inner being accepts less

Line 6 is about our inner acceptance of experience, and in this moving line we separate from the great flowing tao and identity believes that it creates and destroys. We have here a birth into identity in some way and we choose and take sides and enter mind reality with our being. We move into the contest between being active or passive and must choose.

The Chinese Image
Dragons fight in the wilderness.
Their blood is black and yellow.

Black is the colour of night and inactivity, while yellow is our most noticeable and so active colour, so this is the nature of the contest.

Secondary HexagramHexagram 6

Conflicting opposites.

Line image

With the top three lines yang we cannot respond, and with the second line yang we do not intuitively feel what to do, so it is not surprising that this hexagram is commonly called “difficulty”. There is activity from the life force and in our outer world. The difficulty we have here is our inability to participate.

Trigram image

The alternate male and female symbols of the first two trigrams, each in their opposing form of first male surrounded by female and then female surrounded by male, shows vacillation with doubt and hesitation; this forms into a firm, perhaps obstinate structure in us shown by the third trigram Sun and a lack of involvement for our inner being in the top trigram Ch’ien.

Experiencing this difficult situation has a learning effect in our personality, our personal self, in dealing with the problems of our manifest reality; here we are very much out in the world and struggling with its inconsistencies.

The Chinese Oracle

Conflict.
Sureness of being right meets obstacles.
With care there is progress in the middle
but it is disastrous at the end.
It is beneficial to see the great man but not to cross the great water.

Comments

Sureness of being right comes to a developed identity who is sure of the rules (the restrictions in reality) that he lives by; this sureness meets obstacles at the boundaries of his restricted reality where the rules no longer apply. We develop by changing, which is to change the rules, so if we are very sure our rules are right this will serve us for a while (the middle) but later on, if we cannot change, this is disastrous to our growth or our ability to move with our environment which itself is changing all the time.

Great is wide; the great man sees widely, without restriction, and to do this will help, but the great water is a wide barrier between us and a changed way of being (the other country over the water) and to jump at change while we have narrow horizons would invite further difficulty.

Manifestations

The pattern
Alternate water fire
cannot grow together.
Opposing into firmness
is tranquility of solitude.
For humans
Conflict resolved by separation.
Internal conflict by distinctions.
In nature
Heat frustrates life functions of water,
water, the cleansing of fire.
when nature throws these together
life takes time to recover.
In forms we make
When an entity moves
in opposing directions
they each have need
of a single sphere.

Changing Lines

Line 1 goes yang

life force shows less change

With our life energy moving into an inactive phase, and having the feeling of difficulties we wish to get out of, we may be persuaded to push some activity to make things better; this is not going to be useful when we are in a state where we do not see our way very well.

The Chinese Image
If affairs are not pushed forward to conclusion there is gossip but good fortune in the end.

The gossip comes from all those parts in us which think we can get out of difficulty by doing something but do not realize that the difficulty is an unawareness that we cannot help at present. Good fortune comes eventually because this state is itself part of change.

Line 2 goes yin

intuitive feeling more active

Here we become free of involvement in difficulty by a re-awakening of our intuitive feeling about our circumstances instead of trying to sort it out with our conflicting ideas.

The Chinese Image
The conflict is not resolved.
He returns home.
His kin, three hundred households,
are free of blame.

Resolving a conflict of ideas is not the only way of dealing with it, although when we are in conflict it may seem so. We can simply return to our observing centre and cease to project any idea on what we experience. Kin are those who are related, and within our personal self the related parts which were in conflict do not blame each other, instead they change their way entirely (symbolized by the number 3 for change and hundred for the entirety).

Line 3 goes yang

outer world changes less

Not taking sides in a conflict is sometimes quite difficult. Initially it is a hard course because participants within us wish to join in, but eventually it is rewarding as we understand more widely.

The Chinese Image
He nourishes himself on ancient virtues.
Continuance in the way brings danger
but eventual good fortune.
If in service of a king seek no office.

The middle way is the ancient virtue; it attains its ends because conflict is always temporary and fluctuating. If we are ruled by some identification (in service of a king) it is better not to further it now.

Line 4 goes yin

accepting the outer state more

Here we are accepting a world active in conflict. As we accept it, we do not fight to resolve it.

The Chinese Image
The conflict cannot be resolved.
He retreats from his position and accepts his circumstances.
Peacefully continuing in the way brings good fortune.

Here we can see the conflict from outside and so do not take sides. We see that the argument is fruitless.

Line 5 goes yin

more awareness of intuition

In this tao our feeling is closed to the “other” so conflict arises; here we recognize this closed feeling and see it as causing the conflict or as an important element in it.

The Chinese Image
Widely aware of the battle,
then good fortune comes.

There can only be conflict when views are narrow—when they are wide they overlap.

Line 6 goes yin

our inner being accepts more

The active life energy emerging into this tao becomes conflict due to lack of insight. Here we accept this as the tao, as our way of inner being, but conflict as a way of being resolves nothing and pushes identity further into its identifying isolation. In a wide sense, we lose when in conflict, whether we win or lose the contest.

The Chinese Image
If by chance we win a girdle (a token of position in the martial arts)${comma()} it will be taken from us three times before the day is over.

The situation in contest changes all the time and this (the number 3) takes our advantage from us. The gains are superficial and transitory.

Nuclear HexagramHexagram 2

Choices amongst activity.

Line image

Here all is activity and acceptance. Everything moves according to its place and there is no question, no complication of hesitation or aim, no attitude is taken up and no stance is maintained. This is a symbolically female mode, not shown in relationship with male as in trigram Li but the elemental female itself of K’un, which flows according to the forces within it in a spontaneous acceptance of movement as its reality.

Structure is not very real to this element, its reality is in the changing flow of the moment as identity experiences where it is but never _knows_ it; to know where you are, you have to stop the movement with an idea, knowing takes an extension of time whereas the purely yin element rides reality in the present, which is time but has no time sequence.

Identity in this mode does not abstract ideas from its experience so it has no structure of idea to confront the experience. We go from one thing to another as it happens, participating in primary manifestation.

Trigram image

Manifestation is all flow and for this to be so, there has to be acceptance of all the circumstances in which we find ourselves. When we accept everything, nothing is held up in the flow and it remains in dynamic balance without stress. Identity does not know itself; it experiences itself but has no concept of what that means—it means only what is experienced

This flowing mode is nearer to our inner source of manifestation than the mode of concepts—we know without knowing why we know—it is an unencumbered way to be and intensely real, being so near to the source of manifestation.

We meet the paradox here that this source of manifestation which we approach in feeling has the male symbol of the creative—the ultimate extreme of idea that arrives at idealessness or non-manifestation. The paradox is resolved when we see the dynamics of yin and yang where the energy flows in and out between the male and female modes; it is one mode really, which manifests in a cyclic form.

The patterns which we humans choose in this flow by our individual natures are the 64 qualified tao or hexagrams. This hexagram of K’un trigrams bears these particularly deep symbolisms because it is one of the extremes of the cyclic movement, but it is nevertheless one of the 64 patterns that we make, and it refers to minor happenings in our lives as well as our very existence itself. We need sometimes to allow ourselves its influence.

The Chinese Oracle

The receptive element brings sublime success. The symbol of a mare.
At first he leads and loses the way, then he follows and is supported.
Friends in the west and south, not in the east and north.
Peaceful continuance is beneficial.

Comments

As in hexagram 1 there is inevitable success in the receptive, but if we start to lead, we lose this tao of being receptive. To be receptive is to allow the self to resonate with the other (the friend). To befriend the height of activity (south, midday, warmth) gives life to the resonance whereas to seek passivity of action (north, night, cold) kills the resonance.

A mare bears the foal, carries man, and is one with nature in a natural and gentle manner—in the receptive, we reject nothing.

Manifestations

The pattern
Simple flow of activity:
unquestioning,
moves unjudged
accepting all things.
For humans
Born from the earth
of its elements.
Return sometimes unprotesting,
resting in the flowing juice of life.
In nature
Onto the earth
warm and chill.
Into the earth
seed, root, love
moving in the magic of water.
In forms we make
The only form he can make
is an empty tube.
The only government
the will of the people.

Changing Lines

Line 1 goes yang

life force shows less change

The life force itself is going into a quiet phase and this will become more evident to us as its manifestation grows outwards. We need to accommodate this, to accept it in this tao of the receptive.

The Chinese Image
Hoarfrost underfoot, ice then comes.

Cold is symbolic of inactivity, so this is to say that inactivity will become more manifest.

Line 2 goes yang

intuitive feeling less active

In this tao, change occurs whether we are feeling it or not—if we feel it, we are aware of our involvement and may even think that we cause the activity, but it is not so except in a very narrow sense; the great tao moves us and accomplishes itself.

The Chinese Image
Straight, wide, great.
Purposeless yet it achieves.

There is no choice of ways so our way is straight, awareness is not limited so it is wide (has a lot of scope) and it is the great tao that is purposeless, yet it achieves (manifests) in everything.

Line 3 goes yang

outer world changes less

In this tao which is all activity there is no chosen coming and going—it encompasses all coming and going. The activity is seen rather as a flow of energy from one part to another—a wider view of many cycles operating. The outer reality expressed by line 3 is our outer world, however, and here in this line the activity is felt as being withdrawn; withdrawn from us and continued elsewhere. We are receptive in this tao, so we are not concerned so much with our part as the activity of the whole.

The Chinese Image
Concealing possibilities is correct.
Outer activities will eventually prosper.

Possibilities, or our own personal aims which we may exercise in the world, are not relevant here in this tao where all are equally received—in other circumstances we can attend to these and bring them to manifestation, but not now when we can experience without choice.

Line 4 goes yang

accepting the outer state less

Cycles of free manifestation flow in phases of activity and tranquility. Our identity does this also and in this tao it does not indicate any manipulation on our part.

The Chinese Image
A tied up sack.
No praise, no blame.

There is no praise or blame because it is the natural state of affairs for cycles to have closed phases.

Line 5 goes yang

less awareness of intuition

Here everything is seen carried in the great tao. We remove our attention from our feelings and they continue to affect the way we are but, as we say, unconsciously.

The Chinese Image
A Yellow undergarment.
Greatest good fortune.

Yellow is active (being near the middle of our visible range of light frequencies) and the undergarment is our unseen clothing or unconscious form; this is what carries us here, so we flow naturally without conscious effort.

Line 6 goes yang

our inner being accepts less

Line 6 is about our inner acceptance of experience, and in this moving line we separate from the great flowing tao and identity believes that it creates and destroys. We have here a birth into identity in some way and we choose and take sides and enter mind reality with our being. We move into the contest between being active or passive and must choose.

The Chinese Image
Dragons fight in the wilderness.
Their blood is black and yellow.

Black is the colour of night and inactivity, while yellow is our most noticeable and so active colour, so this is the nature of the contest.