The first sign of inner movement is not the time to make outer action. We should not be too eager or we shall not have the support of the life force and whatever we do will be superficial and unsatisfactory.

Activity is identity’s chosen role; here we feel the inactivity of the life force and fear for our ability to act.

In the darkness (activity is the “light” of consciousness) there are calls for light, for activity to avert extinction of our ability to identify, but we are armed with the light of the tao—the movement will come when it comes, we need not fear to miss but we will stay alert, that is how we are armed.

Here we are involving our identity in outer inactivity, which is to say we are worried about it and consider it a problem to be solved; this is an impatience for activity and is not supported by the life force.

The muscles of the thigh carry us forward, and here there is no support from the life force if we go forward. If we were following the life force we would not have this problem.

Our intuitive state is inactive (line 2) so here we become aware of this lack of feeling. This has dangers in this tao because unless we can persevere with quiet feeling, our interest will arouse desire for active feeling; if we create activity with desire we will miss the next movement of circumstances.

The middle way is neither identified outside nor inside, it is non-identified, clinging to the real or wholeness or earth. Staying with what exists, not searching, is the advice contained here.

The top three lines of the hexagram, being yang, show that our responses are withheld, so this return of activity in the emerging life force is not our anticipation but the natural turn of events.

Here we open our awareness to a quiet inner energy (line 1), we feel quiet and in tune with the tao. In general it is more difficult for our acutely identified form of identity to feel something inactive, for the quieter it gets the less there is for identity to do, but here it is beneficial to learn about this quietness and to persevere with these feelings.

In an inner interpretation the dark man is an unconscious element in us, a feeling (as this is the line of feeling) that has not been defined in consciousness.

The way in which we are ignorant of outer activity in this tao (line 4 is yang) leads to its decrease; in a sense, we are controlling outer activity and miss-seeing the tao, which is to learn from the tao rather than manipulate it. We may think that we are awake but our ignorance makes it more like dream-walking and this not-quite-seeing in the outer world leads to mistaking our situation; we learn, but through making mistakes.

This is symbolic of identity out there on the battlefield of the outer world to learn the lessons needed by his greater self (the overlord). In this greater sense our errors are inevitable and so no error at all.

In this tao the outer state has the only manifest activity. As we become more absorbed in outer activity we lose sight within (insight) and are liable to lose contact with the tao. The third line is yin and to accept the natural activity of the tao is in keeping with it, but to accept it as _our_ activity is to lose the experience that the tao can give us.

The distinction between action and self-involved action is not always easy to make while we are in activity; here we need the caution.

Our direct knowing is inactive in this tao and being aware of this quietness is different to being involved in it and making it our way of being; there is no dividing line to make this difference distinct so we need to be very wary of being absorbed in the quietness until we lose the witnessing of events and also of stimulating feeling into activity.

The trouble would arise if we were not attentive enough and think we were being bold or if we become afraid and fail to tread at all.

Inner change is not yet manifesting in this tao, so it is about being with quietness inside and activity outside. In this moving line we accept learning this by a balance of witnessing with participation which provides a very effective living technique. The balance is dynamic, it is constantly modified and never made into rules to live by. This becomes the art of riding life, responding to its every movement yet never falling into the role of mastering it.

Riding life, never adrift and never entangled is the greatest good fortune.

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.