The tao is about allowing the inner forces to flow as they will, and here the greater activity of the life force may cause us to think we can move (there is some pressure for personal activity).

The danger comes from our not being aware of the wider nature of our circumstances (lines 2 and 6 being yang).

When intuitive feeling reacts to the life force it is interpreting it and so stands between the whole reality and identity; in identity’s terms it is a link but as reality is whole it is also a barrier.

Identity is our carriage which is part of whole reality except for its self-identification, when feeling does not interpret, the inner and outer are undivided, here feeling becomes active and so divides the outer from the inner. The image is a statement, not a judgement.

This line is our contact with the greater reality that surrounds us, our personal part in it, so this present involvement of our inner being with the greater undistinguished reality is a culmination of the tao.

This is an acceptance of the great tao, it does not invest identity with some power or other but we are open to the inner silence (of the lower half of the hexagram, Ch’ien). In experience this may involve a deep discovery which brings us into deep peace with ourselves, or it may be that we simply feel more in tune.

The top three lines of the hexagram, being yang, show that our responses are withheld, so this return of activity in the emerging life force is not our anticipation but the natural turn of events.

Here we open our awareness to a quiet inner energy (line 1), we feel quiet and in tune with the tao. In general it is more difficult for our acutely identified form of identity to feel something inactive, for the quieter it gets the less there is for identity to do, but here it is beneficial to learn about this quietness and to persevere with these feelings.

In an inner interpretation the dark man is an unconscious element in us, a feeling (as this is the line of feeling) that has not been defined in consciousness.

The way in which we are ignorant of outer activity in this tao (line 4 is yang) leads to its decrease; in a sense, we are controlling outer activity and miss-seeing the tao, which is to learn from the tao rather than manipulate it. We may think that we are awake but our ignorance makes it more like dream-walking and this not-quite-seeing in the outer world leads to mistaking our situation; we learn, but through making mistakes.

This is symbolic of identity out there on the battlefield of the outer world to learn the lessons needed by his greater self (the overlord). In this greater sense our errors are inevitable and so no error at all.

In this tao the outer state has the only manifest activity. As we become more absorbed in outer activity we lose sight within (insight) and are liable to lose contact with the tao. The third line is yin and to accept the natural activity of the tao is in keeping with it, but to accept it as _our_ activity is to lose the experience that the tao can give us.

The distinction between action and self-involved action is not always easy to make while we are in activity; here we need the caution.

Our direct knowing is inactive in this tao and being aware of this quietness is different to being involved in it and making it our way of being; there is no dividing line to make this difference distinct so we need to be very wary of being absorbed in the quietness until we lose the witnessing of events and also of stimulating feeling into activity.

The trouble would arise if we were not attentive enough and think we were being bold or if we become afraid and fail to tread at all.

Inner change is not yet manifesting in this tao, so it is about being with quietness inside and activity outside. In this moving line we accept learning this by a balance of witnessing with participation which provides a very effective living technique. The balance is dynamic, it is constantly modified and never made into rules to live by. This becomes the art of riding life, responding to its every movement yet never falling into the role of mastering it.

Riding life, never adrift and never entangled is the greatest good fortune.

A change to greater activity of the life force cannot be fully used in this tao where we are without a feeling of it and not identifying in outer action.

She marries but not fully, he can walk but not fully; it is better to have this partial movement than none, it is better to participate in what is on offer than to live in our images of what ought to be on offer.

As the emerging life force is tending to become active in this tao (the trigram Tui) and everything is slow in our outer world, it is natural for our feelings towards activity to turn to this line which feels the life force. Feeling seeks the “other”, something to feel, but in these circumstances there is nothing available so we can only feel our own responses.

Feeling “looks” both inwards and outwards, but here vision is only on offer inwards so continuing in this is the way to proceed.

We do not properly take part in the outer activity of this tao; we long to share but we cannot (sometimes dare not) give ourselves up to it. When the activity decreases we are able to take some part in it, an entrance into a world we wish to share.

A servant does not participate, a concubine does; a servant has separate quarters, a concubine co-inhabits. Here we become a participator, we enter the world of others and our energies have some outlet.

In this moving line we are involved, we are interested or even dedicated to becoming involved; but this tao is a result of a long time of denial of outer flow and of acceptance of inner inactivity, so becoming interested in feelings of flow does not cause a torrent of activity, it prepares for movement.

In this tao we have been accepting that feeling is inactive; here we no longer accept this and so create a mind-feeling, a feeling stimulated by mind rather than the life force.

Our feeling is, in this symbol, the serving maid of our identifying, supplying the experience that is then identified, and this moving line 5 is about what identity does with feeling, how it dresses it up. The emperor is the ruler and our ruler in identity is the identifying process; this dresses up the experience in a way that is less beautiful than its original natural self. But the moon is nearly full, the growth of the feeling influence is waxing and about to reach its full radiance, so this opening to feeling will allow natural feeling to show itself again and this is good fortune.

Here we cease to accept the life force as it emerges into manifestation and act as though we could create activity; but the life force is not active so our actions become gestures only.

In both these images the action of the person is empty, nothing in the basket and no blood in the sheep. Whether we feel (the woman) or try to make identifying nourishment for identity (the man) there is nothing there and no direction we take, no action we make, will produce the result we desire at present. It is something to learn that we are not the creators.