Lack of a path.

Line image

All is stillness in the lower, manifesting half of the hexagram, and we accept this (lines 4 and 6) but not the feeling of stillness (line 5 does not accept line 2). We cannot make ourselves feel still and look for activity, a feeling which is not supported by the life force. In this situation we either have to await the return of active energy or to await our own stillness (the only stillness we can create by doing something is repression). The common name of this hexagram is “waiting”.

Trigram image

With Ch’ien in the position showing the emerging life force, there is no new manifestation of reality into relating parts—it is at rest and whole. Then with Tui in the place of outer activity there is a tendency to act, a feeling that activity is just about to come, but Li follows in the way personality acts and Li always clings to stillness. This makes for little change in the inner self which is shown by K’an in the top place.

When the manifesting aspect of the life force is still, yet we cannot feel ourselves to be still, we have impatience or imposed patience; for this tao to work peacefully we need to give ourselves to stillness while witnessing our impatience.

The Chinese Oracle

Intentional inaction.
Waiting with confidence produces results.
Perseverance is beneficial.
To cross the great water is progress.

Comments

Knowing that there is learning to be had in this process of waiting gives us confidence that we are not missing something; if we are to persevere in waiting we cannot be continually regretting our inactivity—we have to change sides, cross the great water, change our attitude so that we can experience waiting as the natural order as much as activity.

Manifestations

The pattern

From tranquil to fluid without course.
Intimations desire action.
No channel to guide the flow.

For humans

Mood for action slowly stirred
finds no path.
Danger of floundering,
do not run, swim gently.

In nature

There is no track,
just forest.

In forms we make

The wise do not listen
to the cries of their opponents.
Quench them with silence.

Changing Lines

Line 1 goes yin

life force shows more change

When the life force is still and we are impatient to make it move, we shift our experience towards some activity and so miss the experience of actually waiting.

The Chinese Image

Waiting at the outer edges.
To maintain constancy
guards against error.

The “outer edges” are the boundaries of our personal self beyond which we project our pattern into the world. When we are awaiting outer events we should not project new activities but be constant in our waiting or we miss the experience of the tao. We live for our experience, not for our achievements.

❦

Line 2 goes yin

intuitive feeling more active

We are trying to feel the tao here, either looking for a flow or to feel the stillness. This is certainly not intentional inaction but it does absorb the energy of our impatience and keeps us alive to our intuitive feelings.

The Chinese Image

Waiting on the river sands.
There is gossip but eventual good fortune.

A river in this line represents a flow of feeling which, here, we stand beside and watch. Within us are urges to activity (the gossip against all this waiting) but as we are following the tao the end result is good fortune, which is the experience of what actually exists in the life flow.

❦

Line 3 goes yin

outer world changes more

Here we cannot wait and have to act, yet acting does not result in the outer flow we seek because it is not supported by the life force. This results in an unclear and worrying state in which our action becomes a stress between us and our environment.

The Chinese Image

Waiting in mud invites evil.

Evil is always a narrowing of our reality, the outcome of unawareness. Mud is unclear and we get stuck in it as we also get stuck in these unclear and worried states of mind.

❦

Line 4 goes yang

accepting the outer state less

The outer world is inactive in this tao (shown by yang line 3); here we are having difficulty with so much stillness.

The Chinese Image

Waiting amongst blood.
Emerging from the pit.

We wait amongst the unflowing life-fluid but we want to flow, we feel it ought to flow, and this waiting in inactivity feels both unhealthy and confined like the pit; In this line we turn our attention from it and so we emerge from this abysmal feeling.

❦

Line 5 goes yin

more awareness of intuition

Intuitive feeling is inactive in this tao and here we become more involved with this inactivity, we feel the reality of there being no way forward and so become more aware of our present, which nourishes us.

The Chinese Image

Waiting while eating and drinking.
Continuance in the way brings good fortune.

It is good fortune to be nourished by our circumstances rather than straining towards the future. Being alert and aware in the present also enables us to recognize the re-emergence of activity in the life force when this arrives.

❦

Line 6 goes yang

our inner being accepts less

Here we close ourselves to the life force because it is inactive when we want activity; this will only make us insensitive to it when it changes into activity again. That which will come from the life force in the next phase will be unexpected and when we have fixed attitudes we miss the unexpected.

The Chinese Image

Entering the pit.
Three guests arrive unexpectedly,
honour them and good fortune comes.

The unexpected guests (three of them which shows change) are symbolizing a new flow of the life force. If we are aware and “honour” them, being attentive, good fortune comes. If on the other hand we allow our impatience to overcome our waiting for change, we are entering the pit.

Secondary HexagramHexagram 1

Responses to creative potential.

Line image

Here there is no activity to be experienced, all the energy of the life force is in a quiet state which we call potential (or potentially active as we feel activity to be more real and important). The non-active is, however, not only an absence of activity, it is a real state in its own right, an expansion of what we consider to be real; activity on the other hand contracts and sharpens what we experience to be real until we “actualize” a reality, making experience.

This selectivity which is the action of having a point of view forms our identity which in turn selects; thus out of the nothingness of Ch’ien creation comes.

Hexagrams 1 and 2 picture unselective non-doing and unselective doing and so neither has a point of view or pattern; these come from selected mixtures of doing and non-doing.

When we cast this hexagram, we are in a tao of unselective non-doing, so our situation is not cast in a shape and has great possibilities which are not at present actualized. The tao is to experience this state as a real way of being so we should not create activity so as to get out of it as soon as possible. Action will follow of its own volition; here we can experience and practise non-doing and see what it creates.

Trigram image

We cannot distinguish the flow of Ch’ien because there is no point of view here, which is needed to distinguish anything, yet it contains flows in their unmanifest form, or formlessness. It is like the raw material from which our world is formed, or the whole reality in which identity selects paths to travel upon.

Before we make a new path for ourselves, we will do well to savour this time in Ch’ien. We can see from the trigram flow analysis that each of our normally active-seeking functions need to relax their effort; from this silence, we may be able to hear things that our noise would otherwise obscure. In this way, Ch’ien creates without any effort and produces no stress.

The Chinese Oracle

The creative principle.
Sublime success.
Continuance furthers.

Comments

The sublime success of the creative element is its inevitability, so when we are one with this tao there is an inevitability about our actions also. Perseverance is needed in following the tao or we may think that we are creating (indeed we usually do think this) and then we try to lead events instead of following the life force with our actions. Following the tao is a constant theme of the oracle. Following creates the wholeness, leading creates the ten thousand things, but in either case we do not stand aside—we take part in creation.

Manifestations

The pattern

The creative power is ready.
Awaits your sympathy
like a new page.

For humans

His decision, what form evolves.
He is the king,
head of his household.
The world awaits the karma
which is his endowment.

In nature

The sun warms the earth.
What will grow?
Everything there is to flow
and overflow.

In forms we make

The form is not yet.
Riches are liquid, uncrystallized.
The state has power.
Its will is to be something.

Changing Lines

Line 1 goes yin

life force shows more change

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The Chinese Image

Hidden dragon. Do not act.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

❦

Line 2 goes yin

intuitive feeling more active

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The Chinese Image

Dragon in the open. It is an advantage to see the great man.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

❦

Line 3 goes yin

outer world changes more

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The Chinese Image

All day the superior man is busy and at night his mind is active. Danger, no error.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

❦

Line 4 goes yin

accepting the outer state more

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The Chinese Image

To and fro on the brink of a chasm.
No error.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

❦

Line 5 goes yin

more awareness of intuition

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

The Chinese Image

Dragons flying in the heaven.
It is an advantage to see the great man.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

❦

Line 6 goes yin

our inner being accepts more

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

The Chinese Image

Arrogant dragon. Regret.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.

Nuclear HexagramHexagram 38

Opposition in time. (Taking turns.)

Line image

There is outer activity (line 3) but we are not accepting this (line 4); there is no activity of intuitive feeling (line 2) but we are looking for it (line 5). The other lines are all yang so such activity as there is here is in opposition to our circumstances, and “opposition” is the common name of the hexagram.

Trigram image

The very light emerging energy (Tui) is hesitant in the world (Li), stopped by doubt (K’an) in identity and our inner being is also hesitant to accept it (Li). Hesitation and doubt alternate and oppose the life force flow as we are divided as to whether we should be still or moving, observing or involved.

The Chinese Oracle

Opposition.
Success in small matters.

Comments

When there is opposition we cannot go far in any direction without being opposed, we can move about a little but this tao is restrictive and set against itself, we are set against our self.

Manifestations

The pattern

Forces of opposition
cannot coexist
without losing character,
so they take turns.

For humans

To move with the easy and rest simply
in harmony with others
allows his actions to be his own.
When the young realize taking turns
they can express fully without frustration.

In nature

The cosmos moves in cycles
of the active and tranquil.

In forms we make

To realize form
is to allow its innate character.
Wise government is not impaired.

Changing Lines

Line 1 goes yin

life force shows more change

Here the source is changing towards active manifestation; if we wait peacefully it will reach the outside in time. It is the source that carries our activities.

The Chinese Image

Regret disappears.
Do not chase after the lost horse,
it will return.
Although there is evil company
he does not mix with it.

Regret disappears because activity (the horse which carries identity) returns of its own accord. The evil company is the narrow frame of mind which demands that it gets what it wants, and now, but we do not tangle with that, we let the tao unfold.

❦

Line 2 goes yin

intuitive feeling more active

When we feel the life force in this tao we feel opposition, the narrowness of a single-minded point of view. To become aware of such a situation within ourselves is not a mistake, but it is uncomfortable.

The Chinese Image

He meets his lord in a narrow street.
No mistake.

We come to realize something quite suddenly and cannot escape from it, there is nowhere to go (our lord is the one we must follow). We meet him coming the other way but it is good to see truth when, or particularly when, it is going the opposite way to the one we are facing.

❦

Line 3 goes yang

outer world changes less

Our present outer activity comes to the end of its energy and our attempts to proceed appear to be opposed.

The Chinese Image

They drag at the axle
and strike the oxen.
His head is shaved
and his nose cut off.
No good beginning
but a good end.

The good end comes because we give up futile effort and allow the tao. The trouble comes because we were insufficiently aware.

❦

Line 4 goes yin

accepting the outer state more

Here we accept the outer world as our way of being. Participation is symbiotic relationship instead of opposition and this is no error; it does carry the danger of forgetting the tao and entering a narrow reality.

The Chinese Image

He stands alone amongst opposition.
He finds a companion with whom he co-operates.
Danger but no error.

❦

Line 5 goes yang

less awareness of intuition

Here is a very inner act but it is occurring in our conscious identity. Our interest in the silence of intuitive feeling has been to enliven it, not to accept it, because no other activity was available. Now we cease this and so trust the life force even though it is not doing what identity wanted—it is a change in mind, a change of mind.

The Chinese Image

Regret disappears.
He and the one with whom he relates
bite through the barrier layer.
What error can there be then?

The one with whom he relates innerly is the “companion” (see section 1, page 2) but in outer life this may work through others. When the outer identity and the inner companion are not separated there is certainty and no question of error.

❦

Line 6 goes yin

our inner being accepts more

In this tao the emerging life force is unchanging (line 1 is yang) and we have felt opposed to this. We now see things differently.

The Chinese Image

Lonely and opposed.
He saw a pig covered with mud,
a waggon-load of phantoms.
He drew his bow but then put it aside
seeing that this was not an assailant but a close relative.
As he goes gentle rain falls and good fortune comes.

The pig is nourishment but obscured by mud (confusion); the waggon-load of phantoms are frightening appearances. By ceasing to oppose we become unopposed, for the opposition in this tao is a misunderstanding of our situation which causes us to fear it.