776677 · 61.3.4Hexagram 61

Awareness of wider reality.

Line image

Here we have our activity totally out in the world (lines 3 and 4) and our inner reality appears as potential outer reality. This is the simple state of outward-facing growing identity, it is so confident of the inner base of its reality that it becomes unaware of it. This simple state of identity has not the sophistication to doubt itself so that it has great certainty and with this it accomplishes growth. With this confidence comes the common name of the hexagram which is “inner truth”.

Trigram image

With the emerging energy in the image of hopeful certainty (Tui) and a great surge of outer activity (Chên) structure is made in our inner being (Sun) through the stillness of identity (Kên).

The only difference between this and the last hexagram (60, limitation) is that the top line is now yang; so the unmoving inner being pictured there (K’an) is changed to one of inner maturity or the absorption of the energy of the tao making structure (Sun).

The tao illustrates the breathing out of the life force into the world and its return to the inner without any doubt or hesitation.

The Chinese Oracle

Inward confidence.
Pigs and fishes.
To cross the great water brings advantage.
Continuance in the way is rewarding.

Comments

Both pigs and fishes; two kinds of nourishment, one that we plan to achieve and one that we catch “if we are lucky”, and when we are acting out in the world with confidence, in the inner we combine these or take them both in as nourishment. So we do not rely entirely upon providence and we do not rely entirely on our plans, we take both, and if we do not see ourselves as separate they become one.

It is this making of duality into one that is the change in ourselves which is crossing the great water and the reward of continuing in this tao. Because there is confidence in the inner this is possible.

Manifestations

The pattern
Flowing in and out of activity
is harmonious.
Contact and awareness
between inner and outer
has strength.
For humans
He finds it easy
to know his inner truths,
to flow between his inner-outer life
and feel more whole.
In nature
The bud unfolds,
opens into opposites,
enclosing both in seed.
In forms we make
A new dimension becomes real
when inner and outer connect
to become one feeling.

Changing Lines

Line 1 goes yin

life force shows more change

The natural flow of the life force starts innerly with change that we cannot distinguish consciously, then we have awareness of it as feeling before it manifests outwardly. In this line there is inner activity soon to be distinguished and this is part of the harmonious manifestation of the tao, nature’s manifestation, not identity’s.

The Chinese Image
Remaining inside, prepared and at the place of direction rather than action, brings good fortune; otherwise there is worry.

This line has very varied translations of which this appears to be the root meaning. There is worry when we think we are responsible for something that we cannot influence.

Line 2 goes yin

intuitive feeling more active

Feeling is our first and least specific awareness of the life force; in this tao our intuitive feeling is in the emerging pattern of Tui, the lake that has not yet quite overflowed to water the land, and in one of the most evocative of the Chinese images this is seen from the inner point of view, the life force offering to share with us.

The Chinese Image
A crane calls in the shade.
Its young follow.
I have a fine goblet
to share with you.

Line 3 goes yang

outer world changes less

The natural flow of this tao is halted if the giving out is withheld, the tao requires that we do not interfere with the life flow, we simply take part. When we do not take part there is some purpose, a desire to make something better or worse, and for these purposes we push reality this way and that.

The Chinese Image
He meets another.
He beats a drum
starting and stopping.
He weeps and sings alternately.

The “other” that we meet creates polarity and the world of pendulum swinging from one pole to the other. When we do not remain centred but project our self into attitudes, this image symbolizes the experience we have.

Line 4 goes yang

accepting the outer state less

Here our interest in outer activity diminishes as our outward-looking phase comes to an end.

The Chinese Image
Nearly full moon.
A horse whose fellow disappears.
No error.

This tao is carried by the two yin lines 3 and 4, one of which now goes yang; it was a team of activity and acceptance. Now inner energies are nearing their most effective phase (the full moon) and the identity is drawn away from outer participation; it is a natural effect and so no error.

Line 5 goes yin

more awareness of intuition

Intuitive feeling is quiet in this tao as we quietly trust the life force, not separately feeling it. In this moving line we are involved in allowing the life force to carry us without distinguishing what we feel about it and so we become less separate (because line 2 is yang).

The Chinese Image
Genuine truth.
Drawn together.
No error.

Line 6 goes yin

our inner being accepts more

In this moving line the inner being accepts the experience of the tao into itself. This tao, however, is the experience of the way the whole flows of itself, which cannot be owned by any part of it.

The Chinese Image
A cock crows heavenwards.
Continuance brings misfortune.

The misfortune is that we take the whole to ourselves (which can only be a point of view of it) instead of giving ourselves up to it. We cannot reach whole by declaring ourselves, only by forgetting ourselves.

Secondary HexagramHexagram 1

Responses to creative potential.

Line image

Here there is no activity to be experienced, all the energy of the life force is in a quiet state which we call potential (or potentially active as we feel activity to be more real and important). The non-active is, however, not only an absence of activity, it is a real state in its own right, an expansion of what we consider to be real; activity on the other hand contracts and sharpens what we experience to be real until we “actualize” a reality, making experience.

This selectivity which is the action of having a point of view forms our identity which in turn selects; thus out of the nothingness of Ch’ien creation comes.

Hexagrams 1 and 2 picture unselective non-doing and unselective doing and so neither has a point of view or pattern; these come from selected mixtures of doing and non-doing.

When we cast this hexagram, we are in a tao of unselective non-doing, so our situation is not cast in a shape and has great possibilities which are not at present actualized. The tao is to experience this state as a real way of being so we should not create activity so as to get out of it as soon as possible. Action will follow of its own volition; here we can experience and practise non-doing and see what it creates.

Trigram image

We cannot distinguish the flow of Ch’ien because there is no point of view here, which is needed to distinguish anything, yet it contains flows in their unmanifest form, or formlessness. It is like the raw material from which our world is formed, or the whole reality in which identity selects paths to travel upon.

Before we make a new path for ourselves, we will do well to savour this time in Ch’ien. We can see from the trigram flow analysis that each of our normally active-seeking functions need to relax their effort; from this silence, we may be able to hear things that our noise would otherwise obscure. In this way, Ch’ien creates without any effort and produces no stress.

The Chinese Oracle

The creative principle.
Sublime success.
Continuance furthers.

Comments

The sublime success of the creative element is its inevitability, so when we are one with this tao there is an inevitability about our actions also. Perseverance is needed in following the tao or we may think that we are creating (indeed we usually do think this) and then we try to lead events instead of following the life force with our actions. Following the tao is a constant theme of the oracle. Following creates the wholeness, leading creates the ten thousand things, but in either case we do not stand aside—we take part in creation.

Manifestations

The pattern
The creative power is ready.
Awaits your sympathy
like a new page.
For humans
His decision, what form evolves.
He is the king,
head of his household.
The world awaits the karma
which is his endowment.
In nature
The sun warms the earth.
What will grow?
Everything there is to flow
and overflow.
In forms we make
The form is not yet.
Riches are liquid, uncrystallized.
The state has power.
Its will is to be something.

Changing Lines

Line 1 goes yin

life force shows more change

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The Chinese Image
Hidden dragon. Do not act.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Line 2 goes yin

intuitive feeling more active

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The Chinese Image
Dragon in the open. It is an advantage to see the great man.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

Line 3 goes yin

outer world changes more

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The Chinese Image
All day the superior man is busy and at night his mind is active. Danger, no error.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

Line 4 goes yin

accepting the outer state more

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The Chinese Image
To and fro on the brink of a chasm.
No error.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Line 5 goes yin

more awareness of intuition

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

The Chinese Image
Dragons flying in the heaven.
It is an advantage to see the great man.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

Line 6 goes yin

our inner being accepts more

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

The Chinese Image
Arrogant dragon. Regret.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.

Nuclear HexagramHexagram 27

Choice from the flow.

Line image

Our intuitive feelings are active and are accepted (lines 2 and 5) and the outer world also (lines 3 and 4). The inner is not active in providing new energy so we are acting out energy already in our outer identity. This hexagram is commonly called “nourishment”; our inner being is nourished by the experience of identity in relationship. The outer is food for the inner and the inner is food for the outer in continuous cycles of experience.

Trigram image

The emerging energy is very active (Chên) and flows freely in the outer world and our outer being, identity, (both K’un). This is only seen distantly by our inner being (Kên).

Here is a flow of energy that is freely out into action and the experience is viewed widely by the stillness of our inner being. This expresses outer experience nourishing the inner.

The Chinese Oracle

Nourishment.
Persistence in being correct
brings good fortune.
Watch how people nourish others and themselves.

Comments

Nourishing requires the supply of what is lacking; to nourish others we often provide what we have in surplus regardless of what the other needs. It is necessary to persist in seeing widely and witnessing ourselves (being correct) to see what is needed.

Manifestations

The pattern
All action has results in form.
All growth towards the archetypes.
For humans
From what has passed through
we are made.
From what we choose
we are nourished according to our need.
In nature
Storm and torrents flow.
In every crevice watered something grows.
Every crack eroded shows
what has passed,
each hollow filled, another shape.
In forms we make
To provide what others need
to fill their form,
follow the pattern of their choice.
For our own we follow ours.

Changing Lines

Line 1 goes yin

life force shows more change

Where new energy is becoming available we may look for nourishment in some new experience from the life force rather than that available in our present circumstances.

The Chinese Image
You let your magic tortoise go and look at me with drooping mouth.
Misfortune.

Tortoise shells were used for divination, and divination is the link between the outer and inner knowing; without the link we lose the thread of what experience is about—nourishing the inner self from outer experience. What is needed is in our experience now.

Line 2 goes yang

intuitive feeling less active

Intuitive feeling is necessary for us to know our circumstances and if we cannot feel our circumstances we seek nourishment elsewhere.

The Chinese Image
Seeking nourishment from below
is not proper.
Seeking nourishment from above
brings evil.

Both below and above identity in the hexagram we come to the inner, and this hexagram is about nourishing the inner through outer experience; so to seek the emerging life force is to look to nourishment coming to identity in the future, which is not correct or proper, not existing. To look to the inner being for nourishment is to look to what is already formed so it is narrowing or evil.

Line 3 goes yang

outer world changes less

In this tao outer activity is the source of experience and is essential to nourishment, without our taking part in outer experience the tao is useless to us.

The Chinese Image
He refuses nourishment.
Misfortune.
For ten years there is no progress.

When we avoid outer experience at the time it is offered in our circumstances it is lost and the nourishment of it cannot be had until such circumstances come to us again; this is symbolically the complete cycle of ten years.

Line 4 goes yang

accepting the outer state less

Outer activity in the world is an essential part of this tao from which we gain nourishment; we do not, however, benefit from owning that activity and so nourishing our separate ego-being. Here in this line we diminish our owning of outer activity and so can participate more because with less desire we have a wider view.

The Chinese Image
Nourishment on the mountain top.
Good fortune.
He glares like a tiger looking down.
No error.

A hunter which has perfected the art of being alert; the tiger. Looking down he has a wide view. On the mountain we also have a wide view which comes from a vantage point of disinvolvement.

Line 5 goes yang

less awareness of intuition

We normally accept ourselves to be as we feel ourselves to be (which is the interpretation line 5 puts upon line 2). Here we are less aware.

The Chinese Image
Leaving the usual ways.
Perseverance, keeping still,
brings good fortune.
Do not cross the great water.

Without a feeling of ourselves in our circumstances action becomes hazardous so it is inadvisable to instigate changes.

Line 6 goes yin

our inner being accepts more

The inner being accepts nourishment and is the source of outer nourishment while doing so. The position has a fine balance and so has a danger of imbalance; either way it is the producer of a flow of nourishment.

The Chinese Image
The source of nourishment.
Peril but good results.
Crossing the great water brings good fortune.

Crossing the great water is changing our way of being, and experiencing without choice makes this change, but if we choose we are fed from past experience, not from the source of nourishment, the present.