In this tao we have an inactive outer reality; If identity becomes involved there we remove our support of the changes going on within.

The Ting has three short legs upon which it stands, supporting it off the ground, the world, and these symbolize our connection with the outer. In this line we reject our separation from the outer reality and so start projecting our reality upon it which has the image of spilling ourselves.

Here we become less involved in the inactivity of intuitive feeling (line 2); as we cease to judge it and so tie it down we can move with the tao (our circumstances) once more.

This change enables the movement of the Ting to be active (yellow handles), we are centred in our inner self and outer value (gold) is one with eternal value (the rings). Continuing with this brings good fortune, which is remaining centred so that, in the image, we carry our Ting always without spilling it—without identifying ourselves outside.

To be involved in the emerging life force here is to actually be the change that the tao represents; we do not accomplish change, we are changed, we become change itself as our mode of being.

Jade has the illusive quality of perfection, of just-so-ness, a quality that cannot quite be captured in words and if so captured does not sing. This quality is similarly undefinable here where we are so centred that we are the centre.

It might seem that if the life force became active in biting through, our troubles would disappear, but the tao is the experience of being restrained by circumstances and there being no alternative. It is natural for identity to try to avoid this, so restraint is imposed by our greater being.

The toes lead our step so if they are hidden we see no way forward. We step with our feet so if they are shackled we cannot go forward. This is no error but intentional restraint.

If we cannot bear an experience we lessen our feeling of it; we should not try to take more stress than we can stand, yet we should not in these circumstances avoid experience or we lose our way in the tao. Here we are tending to avoid.

The tender meat is the “best” part, the most comforting, and by indulging in it we lose our directing sense, the nose. This is an instinctive reaction and so no error of identity.

In these circumstances where we are held fast by our ignoring of the life force no new experience comes to us and we use what we already have.

Old experience that we have in our identity memory is like old dried meat; it contains things we did not wish to experience and repressed, and so we come upon these, which is uncomfortable but helpful to our biting through.

We identify ourselves more in outer world activity as a way of biting through, we try to take the bull by the horns.

Trying to bite through outer circumstance is tough and not too rewarding, but searches for the core of the matter, the bone. We have taken a firm direction (the metal arrow) but the difficulty is not out there, it is inner, and realizing this brings us to the tao.

We are less involved in feelings of the tao; there is less interference from identity and also less compliance.

Nourishing ourselves on old experience (dried meat) we find the value (gold) of the middle way (yellow), in this case between interfering and complying with the tao; the danger is from being precariously balanced.

This top line represents our inner involvement in the flow of the life force, the tao. The tao shows our inability to understand what we are feeling and this line shows that we are accepting this as a way of being.

A cangue is a wooden board worn round the neck, used as a punishment in China at one time, so we bring upon ourselves a burden which stops us from hearing what the tao, our circumstance, is saying to us.

The first sign of inner movement is not the time to make outer action. We should not be too eager or we shall not have the support of the life force and whatever we do will be superficial and unsatisfactory.

Activity is identity’s chosen role; here we feel the inactivity of the life force and fear for our ability to act.

In the darkness (activity is the “light” of consciousness) there are calls for light, for activity to avert extinction of our ability to identify, but we are armed with the light of the tao—the movement will come when it comes, we need not fear to miss but we will stay alert, that is how we are armed.

Here we are not peaceful enough to withstand the anticipation of the tao and we create outer activity which will divert the life flow.

The cheekbones enable us to read determination in another’s face; here there is this power of self-will which is misfortunate in this context because no amount of it can be effective and it produces stress with no flow for its relief. The wide-seeing superior man is just going about his business, not trying to push things, and this is correct in our present circumstances.

Here we are involving our identity in outer inactivity, which is to say we are worried about it and consider it a problem to be solved; this is an impatience for activity and is not supported by the life force.

The muscles of the thigh carry us forward, and here there is no support from the life force if we go forward. If we were following the life force we would not have this problem.

Our intuitive state is inactive (line 2) so here we become aware of this lack of feeling. This has dangers in this tao because unless we can persevere with quiet feeling, our interest will arouse desire for active feeling; if we create activity with desire we will miss the next movement of circumstances.

The middle way is neither identified outside nor inside, it is non-identified, clinging to the real or wholeness or earth. Staying with what exists, not searching, is the advice contained here.

This whole tao is a watching for potential to be manifest and this sixth line is the watcher of the emerging life force; if we cease to be alert it will catch us by surprise and we will be out of step with it.