899969 · 50.2.3.4.5.6Hexagram 50

Integration.

Line image

With lines 3 and 4 both yang the outer world is not our concern just now and the active life force emerges unseen by line 2 and does not change our inner being—line 6 is yang also. Line 5 is actively accepting the quietness of our intuitive feeling so this is the activity that we experience, turning inwards to our feeling and separate from the world.

Trigram image

The life force emerges as structure, as the trigram Sun, and the flow that takes place here is between our identity and our inner being; our identity is expectant of change in the image of Tui and our inner being hesitant in accepting it, having the image of Li. Transition and hesitation lead to an inner ferment or, more gently, an inner dialogue, about changing the firm structure of Sun. These are fundamental issues for us.

The Chinese Oracle

The cauldron.
Greatest good fortune.
Success.

Comments

The Chinese used a great rotund cauldron for cooking the sacrifice, called a Ting. We have a phrase “into the melting pot”, meaning to put our previous ideas into complete reconsideration, and this is the symbolism of the Ting, the sacrificial vessel; greatest good fortune because we are made anew; success because change is brought about when existing structure is sacrificed.

Manifestations

The pattern
Steady unwavering preparation
makes enlightenment possible.
For humans
He persists constantly
in melding together
his life’s ingredients.
This alchemy
transforms his awareness.
In nature
The bird carefully chooses
when building its nest
in which to nurture its young.
In forms we make
Continuous interaction
of individuals in society
nourishes an awareness
of the whole.

Changing Lines

Line 1 goes yang

life force shows less change

The emerging life force ceases to provide new activity for us to identify. Interaction goes on within us (the Ting) acting upon itself; our attitudes change.

The Chinese Image
The Ting is turned upside down
to remove decaying matter.
A concubine for the sake of sons.

To have sons, a re-birth of our line, we must mate. To clear out old ways we have we must invert the sacrificial vessel. In both these we change our judgement of rules as to what is important—that the sacred vessel should be venerated no matter what it contains, or that to take a concubine is an indulgence. This is the root of changing ourselves, we no longer assume what we have previously taken as our law.

Line 2 goes yin

intuitive feeling more active

When feeling is active there is activity within the Ting, for it is we who are the sacrificial cooking pot in this tao. It is within, not dependent upon the other, an internal fermentation which will produce a new compound of ourselves. In this we resolve problems that have seemed insoluble.

The Chinese Image
The Ting is full.
The others are in trouble
and cannot harm me.
Good fortune.

For “the others” some translators have used “the enemy” and others “the comrades”; the important idea is that this is an inner state undisturbed by what goes on outside.

Line 3 goes yin

outer world changes more

Our particular inner activity in this tao is not related to outer activity, hence the image of it going on within a pot, so the increase of outer activity in this line is a distraction from the tao, a misunderstanding of it.

The Chinese Image
The handles of the Ting are changed.
Progress is stopped.
The fat of the pheasant is not eaten.
Regret ends with the coming of rain.
In the end good fortune.

When we embark on outer action our movements are governed by outer factors (we change the outside of the Ting) and the inner changes (the fat of the pheasant) are not experienced. Rain produces new growths, so progress, the lack of which we regret, returns when conditions become suitable again.

Line 4 goes yin

accepting the outer state more

In this tao we have an inactive outer reality; If identity becomes involved there we remove our support of the changes going on within.

The Chinese Image
The legs of the Ting break.
The prince’s meal is spilled
and his person soiled.
Misfortune.

The Ting has three short legs upon which it stands, supporting it off the ground, the world, and these symbolize our connection with the outer. In this line we reject our separation from the outer reality and so start projecting our reality upon it which has the image of spilling ourselves.

Line 5 goes yang

less awareness of intuition

Here we become less involved in the inactivity of intuitive feeling (line 2); as we cease to judge it and so tie it down we can move with the tao (our circumstances) once more.

The Chinese Image
The Ting has yellow handles
with gold rings.
Continuance in the way
brings good fortune.

This change enables the movement of the Ting to be active (yellow handles), we are centred in our inner self and outer value (gold) is one with eternal value (the rings). Continuing with this brings good fortune, which is remaining centred so that, in the image, we carry our Ting always without spilling it—without identifying ourselves outside.

Line 6 goes yin

our inner being accepts more

To be involved in the emerging life force here is to actually be the change that the tao represents; we do not accomplish change, we are changed, we become change itself as our mode of being.

The Chinese Image
The Ting has rings of jade.
Great good fortune.
Everything is favourable.

Jade has the illusive quality of perfection, of just-so-ness, a quality that cannot quite be captured in words and if so captured does not sing. This quality is similarly undefinable here where we are so centred that we are the centre.

Secondary HexagramHexagram 8

The Diverse.

Line image

The fifth line is the only one that is yang, showing that we are not noticing our intuitive feel of our situation. The intuitive feel is there actively (line 2), and we are not interpreting it, judging it, making consequences from it.

As all the other lines are yin or actively carrying out their functions, this is the state of “witnessing” where we experience naturally—including experiencing ourselves—but we do not make consequences (which come from interpreting what we feel and so taking up an attitude). The common name of the hexagram is “union” or “unity” which is the effect witnessing has upon our personal self; no part has the opportunity to take charge of identity.

Trigram image

The effect of witnessing is to lessen further growth of our separate individuality because, as the trigram flow shows, we participate in activities of feeling and doing but do not relate these to our feelings of self—we witness that these things happen although we do not do them with intention. This halts the growth of our separate reality as the trigram K’an shows in the top place.

Witnessing is an act of active meditation whose only characteristic is that the feelings we have of reality are not taken as our own person but as something that is happening; allowing this, we change the perspective of our reality—yet it is not an aim, it is experiencing the life flow without aim.

The Chinese Oracle

Unity, coalescence.
Good fortune.
Enquire again for signs. No error.
The troubled join together,
those who are too late have misfortune.

Comments

In the process of witnessing, no part is allowed to take charge, the absence of acting out consequences makes sure of this. The result is an equality in the different aspects of our identity—all become equally available and as there is no contest, this is unity or collection of the parts into an effective whole. Here is the good fortune.

Making this unity is a very individual act depending upon our make-up so a new enquiry is needed for advice on how to proceed; this is natural and not due to an error.

In this process of unification, the parts which are coming together are troubled, worried at losing their right to possess identity each in turn as they have been used to; however, by witnessing they are joined. Any that stay separate must be lost to this new unified whole.

Such is the basic inner interpretation. This is of course reflected in our outer happenings, which bear a symbolic likeness; it is this likeness that causes us to say that the outer world is a projection of the inner, but it is more that it happens in sympathy, in resonance.

Manifestations

The pattern
Activity from the indivisible one
becomes high and low,
the still and the flowing.
For humans
Where we are diverse
we have need to complement one another.
Where we need to overcome an obstacle
we co-operate.
When divided in ourselves
we need to ask for guidance.
In nature
A mountain rises from the land,
beyond is water in the deep.
In forms we make
He who sits on high
is able to see land and water
and provide what is lacking
from one to another.

Changing Lines

Line 1 goes yang

life force shows less change

We witness our life energy as being inactive and this inactivity is rather irksome to us, so at first our witnessing is not very fulfilling; we need to have confidence however because not only will our energy become active as the cycle moves but we will also find that witnessing the silence is something great in itself.

The Chinese Image
Unity with confidence is without fault, like a bowl that is full.
Good fortune will be added.

The good fortune that appears as a bonus is our realization of stillness; this happens when we have enough confidence in our inner being existing like a bowl that is full without overspilling into outer projections.

Line 2 goes yang

intuitive feeling less active

Our witnessing is about not acting on feelings, just letting them be there, and here feeling becomes less when it is not stimulated by interest.

The Chinese Image
Unity originates from the inner.
Continuance in the way brings good fortune.

The action of the life force in this lower half of the hexagram is from inner to outer, which is the process of distinguishing or manifesting; the normal channel of this flow is feeling followed by distinguishing the outer consequences. As we are forgoing these consequences we concentrate on their inner source, and even when this is inactive we need to continue to witness it, for witnessing is to see what exists without choosing to have or reject.

Line 3 goes yang

outer world changes less

Here we stop outer activity in order to witness, and see through the distinguishing mind which stops experiencing in order to look. By stopping what we witness, we do not witness with our whole self and so we form a point of view, which is different from witnessing. Witnessing allows everything to be witnessed without consequence so we do not need a point of view.

The Chinese Image
He joins with the wrong people,
with evil.

Evil is the outcome of narrow awareness always, so here we are joining things together in a narrow way to make unity; externally we will join with people who do the same. It is not necessary to stop activity in order to witness the silence, which is inner, so we are looking in the wrong place.

Line 4 goes yang

accepting the outer state less

We witness by being less involved in the outer world; if this is done without changing the activity, it brings unity to it—it is seen as a whole.

The Chinese Image
Seeking unity outside.
Continuance in the way
brings good fortune.

Continuing to follow the tao brings the good fortune of learning to join without manipulating. As long as we are trying to make something in our outer world “better” we cannot join it—we can observe it but not witness it.

Line 5 goes yin

more awareness of intuition

This opening ourselves to intuitive feeling is the only moving line that also permits the freedom of witnessing, all the others are traps of the mind that are _doing_ witnessing. In feeling, we flow with activity and this shows that witnessing is not an observation of reality but a unity with it.

The Chinese Image
The kings of old in China used beaters on three sides only when hunting game: the game on three sides were trapped but those in front ran free. The citizens need no warning.

The king is the ruler, and our ruler is the identifying process. The process of identifying captures all the ways we try to witness by _doing_, but not this one which requires _no doing_, no trapping of the life force. The act of flowing without _doing_ requires that we take no precautions, so the citizens need no warning.

Line 6 goes yang

our inner being accepts less

If we do not witness, there is no realization that although we are separate, we can experience whole. Witnessing is the first learning experience of this.

The Chinese Image
There is no head to the process of unifying. Misfortune.

No head symbolizes no co-ordinating function between our inner being and the outer world; creating unity, or witnessing, is the act of seeing that these are one by dropping our habit of having identity as a separate judge of reality. The misfortune is that we miss unity with a greater reality by keeping our own separate one.

Nuclear HexagramHexagram 43

A peak of accumulation.

Line image

The life force emerges and manifests without activity (lines 1, 2, and 3) and although we accept this stillness in our inner being (line 6) we are not accepting inactivity in our feelings nor in our outer world (lines 5 and 4). So there is a certain amount of stress here towards action, as though we wish to break out of a confined situation; we are watching the emerging life force for signs of movement. The common name of the hexagram is “resolution” or “breakthrough”.

Trigram image

All the trigrams are Ch’ien except the top one and nothing is manifestly active except that the inner is preparing activity (Tui). This flow is beautiful if we are at peace with it, but has dangers and is stressful if we are not; there is energy building up and our outer identity has no role in this, so the danger is from aspects of our identity trying to force the issue in order to gain expression.

The Chinese Oracle

Resolution in proclaiming the truth
at the king’s court. Danger.
Announce it to your own city.
Do not carry arms.
To have direction is favourable.

Comments

The king’s court is peopled by aspects of our identity because we, as identified beings, are ruled by the identifying process, our king. It is necessary that they all know what the situation is so that they do not “carry arms” or try to force their way. If we have direction then we are not looking for one and then the danger does not arise.

Manifestations

The pattern
The power of the creative
withholds action,
building up such a store
it brims over.
For humans
The time of accumulation
reaches its peak.
The time for movement approaches.
Do not squander it
there is power enough.
In nature
The lake has risen,
it must flow out
and water the land.
In forms we make
When the rich and powerful
do not notice
the poor and weak,
catastrophe threatens.

Changing Lines

Line 1 goes yin

life force shows more change

The first sign of inner movement is not the time to make outer action. We should not be too eager or we shall not have the support of the life force and whatever we do will be superficial and unsatisfactory.

The Chinese Image
To set out with a show of strength and then fail is a mistake.

Line 2 goes yin

intuitive feeling more active

Activity is identity’s chosen role; here we feel the inactivity of the life force and fear for our ability to act.

The Chinese Image
Warning cries at night.
Armed, no fear.

In the darkness (activity is the “light” of consciousness) there are calls for light, for activity to avert extinction of our ability to identify, but we are armed with the light of the tao—the movement will come when it comes, we need not fear to miss but we will stay alert, that is how we are armed.

Line 3 goes yin

outer world changes more

Here we are not peaceful enough to withstand the anticipation of the tao and we create outer activity which will divert the life flow.

The Chinese Image
Powerful cheekbones.
Misfortune.
The superior man is resolute
and walks alone splashed with mud.
They speak against him
but he is blameless.

The cheekbones enable us to read determination in another’s face; here there is this power of self-will which is misfortunate in this context because no amount of it can be effective and it produces stress with no flow for its relief. The wide-seeing superior man is just going about his business, not trying to push things, and this is correct in our present circumstances.

Line 4 goes yin

accepting the outer state more

Here we are involving our identity in outer inactivity, which is to say we are worried about it and consider it a problem to be solved; this is an impatience for activity and is not supported by the life force.

The Chinese Image
His thighs are without skin
and walking is difficult.
If he would be led like a sheep
all would be well, but what
is said is not heard.

The muscles of the thigh carry us forward, and here there is no support from the life force if we go forward. If we were following the life force we would not have this problem.

Line 5 goes yin

more awareness of intuition

Our intuitive state is inactive (line 2) so here we become aware of this lack of feeling. This has dangers in this tao because unless we can persevere with quiet feeling, our interest will arouse desire for active feeling; if we create activity with desire we will miss the next movement of circumstances.

The Chinese Image
Ground-clinging plants.
The middle way is free of blame.

The middle way is neither identified outside nor inside, it is non-identified, clinging to the real or wholeness or earth. Staying with what exists, not searching, is the advice contained here.

Line 6 goes yang

our inner being accepts less

This whole tao is a watching for potential to be manifest and this sixth line is the watcher of the emerging life force; if we cease to be alert it will catch us by surprise and we will be out of step with it.

The Chinese Image
No warning.
Misfortune.