687968 · 62.1.4.5Hexagram 62

After reaching a level.

Line image

The two yin lines associated with feeling (2 and 5) are the dominant conscious ones, the outer (lines 3 and 4) being yang and the inner (1 and 6) being outside our awareness. So the activity of which we will be most conscious is feeling. There is a compliance with the life force shown in lines 5 and 6 so we do not take off on initiatives of our own and this is strengthened by the inactivity of our outer world and our disinterest in it.

Trigram image

This is a time for inner activity as shown by the Chên image for our inner being. The emerging energy is not seeking manifestation of activity but of stillness (Kên) and this gives maturity to our outer action (Sun) and a new way to be aware of ourselves (Tui).

The flow which comes from the bottom of the hexagram comes to a halt in the middle (outer reality) and then starts a new flow at the top; this is a movement which ends one mode of experiencing and prepares another. Our troubles with such a flow come from an identity which cannot accept its outer stillness.

The Chinese Oracle

Success of what is small.
Continuance in the way is rewarding.
Small things not great ones
should be entered into,
like bird song on the wing.
Remaining lowly brings good fortune.

Comments

The central part of the hexagram which symbolizes the outer is occupied by Sun and Tui, the gentle and the hopeful, the established and the new, and these are not the energy required for large outer activity.

The inner work being accomplished in this tao is done by the life force and does not show much in outer manifestation, so the little things that can be done become important and keep us away from blocking and diverting the inner flows.

Manifestations

The pattern
Action has given birth to stillness,
consolidation.
From this only small new movement
can arise.
A new start is preparing.
For humans
His ideas are formed.
Through these changes push their way
so he changes but a little as yet.
In nature
The wood of a tree
is solid and firm.
New growth from this
is a small part of the whole.
New growth comes from the root.
In forms we make
The establishment
is not the origin
of social change.

Changing Lines

Line 1 goes yang

life force shows less change

Widening our awareness requires the activity of the life force. Here, unfortunately in our experience, the life force goes into a tranquil phase and the tao of inner change is interrupted; outer activity is not a suitable vehicle for our energies in this tao so we shall do no good by trying to externalize. It is an experience of frustration we do best to witness rather than trying to correct.

The Chinese Image
The flying bird meets misfortune.

Line 2 goes yang

intuitive feeling less active

Intuitive feeling is the vehicle of identity in this tao, so we miss the flow when this feeling becomes less active and concern ourselves with more personal, psychological matters, trying to distinguish what the blockage is.

The Chinese Image
He passes by a reference to his ancestor and meets a reference to his past mother.
He does not reach the prince but meets the minister.
No error.

The ancestor and mother are records of past things, old ways of defining and feeling his reality; the prince is a new way of ruling, a new way of experiencing and we cannot reach this without intuitive feeling; we can only reach the minister who is the organizer of practical matters. There is no error because the cause of all this is not within our control.

Line 3 goes yin

outer world changes more

The tao (our circumstances) favours inner awareness and we avoid this by creating outer activity. When the pressure for change is from our inner reality yet this is transferred to a projection outside, there is a blockage of inner flow which shows itself in activity of our “personal unconscious” and this _will_ be heard, if we do not listen it will force its way into consciousness; accidents are formed in this way.

The Chinese Image
Unless he is very careful someone will strike him from below
(or behind, or an inferior position).
Misfortune.

Line 4 goes yin

accepting the outer state more

To become interested in peaceful outer activity (the yang line 3) gives direction without involvement but to become agitated about its inactivity would neglect the tao and deplete inner energies.

The Chinese Image
No error.
He does not pass him by but accosts him.
Activity is dangerous and continuing caution is required.

The danger of activity is becoming identified in it, making it important, we are aware of (we accost) this syndrome but identifying is a slippery customer.

Line 5 goes yang

less awareness of intuition

We do not wish to feel something; this means there is no flow of energy although the possibility of it is there.

The Chinese Image
Dense clouds from our western land but no rain falls.
The prince shoots and hits one in the cave.

Feeling is the release and flow symbolized by rain; here it is not released because identity is not allowing it; it comes from the west, where the sun sets, showing it to be a dying activity. The prince, our latest identity, has aimed his identifying into the inner darkness, the cave, and has hit something there; he does not know what he hit but he was probably afraid of it.

Line 6 goes yang

our inner being accepts less

We are now less involved in this tao of accepting the inner reality in which we only have a little show outside.

The Chinese Image
He does not meet him but passes him by.
The bird flies from him.
Misfortune.
Natural and intended hurt.

What we avoid meeting is the tao, the circumstances we are in; this splits our reality into outer and inner and the wholeness (the bird, which uses a polarity of wings together) leaves us. Inasmuch as we are aware of this it is an intended hurt, but our awareness is partial.

Secondary HexagramHexagram 63

Completion.

Line image

Outer activity is quiet and this is accepted (lines 3 and 4), inner life force activity is also quiet and is accepted (lines 1 and 6); there is active feeling but we are not making this our sense of reality (lines 2 and 5). So here is a stillness which, in the Chinese oracle is called “after completion”; it represents a phase where an activity has come to an end and in this phase we just exist in undefined feeling and there is no ongoing activity. It is the state in which we find ourselves after a change is completed.

Trigram image

The emerging energy clings to its source (Li) and is inactive in the outer world (K’an); it starts again tentatively in our identity (Li) and is again quenched in our inner being (K’an). We can hardly speak of flow here because the flow has been completed and is no longer accepted innerly or outerly; it is an end which signals a beginning. The change may be just a small part of our activity or it may involve our whole mode of experiencing, but it is a clear transition; it is expressed by hexagrams 63 and 64 together (after completion and before completion) and is a very useful concept arising out of these trigrams Li and K’an which is discussed further in appendix one.

The Chinese Oracle

After completion.
Success of the small.
Continuing in the way is rewarded.
Good fortune in beginnings,
misfortune in endings.

Comments

The great movement of a cycle is over and we are re-born, we are small again in a new environment as we were small when born in the world. This is not an end so continuance is necessary and its success is the development of a new cycle of experience. We should concentrate on beginnings because the old, the ending, is in dis-order, dis-integrating.

Manifestations

The pattern
Fire enters water.
Water enters fire.
Mutually they change
each other’s reality
forming what is different
after they have changed.
For humans
He may be surprised
to find himself
without the thing he has made
with such care.
He can rejoice in passing
from one reality to another.
In nature
Under the sun.
Through the sea.
The reality of rock
is sand.
In forms we make
Complete change is an end
and a beginning.

Changing Lines

Line 1 goes yin

life force shows more change

Here is new activity developing from the inside; we need to await its development so that we act outside in phase with it.

The Chinese Image
He brakes the carriage wheels.
The tail is in the water.
No error.

The general rule when going through transition is to keep going, but here we are just in “after completion” and there are still parts which have not completed the change, or the tail is still in the water in the image of crossing the great water. It is no error to slow down so that these parts can catch up with the change.

Line 2 goes yang

intuitive feeling less active

In a new situation, after transition, there may be feelings of insecurity which cause us to feel over-exposed and withdraw our feelings.

The Chinese Image
The lady in a carriage loses the blind to her window.
It will return after seven days, she should not go after it.

She feels vulnerable as we do at this time, but as the cycle completes itself (the seven days) the protection of confidence returns. This vulnerability is actually an advantage if we accept it as natural to our situation and not an error to be corrected, it gives us additional sensitivity which we need in new surroundings.

Line 3 goes yin

outer world changes more

If we have outer activity increasing directly after completion it shows that we have not yet changed our external mode of being; transition does not occur through making changes out there in the world, it is by change in the way we ourselves are.

The Chinese Image
The illustrious ancestor subdued the province of Kuei Fang (the devil’s country) after three years.
Men of inferior ability would have been useless.

Three is the number of transition or change, so it is this that creates the success. A devil or evil one in a situation of change is the narrow view which will not change and allow enlargement, and this is also the inferior man—the opposite of the great man so often referred to.

Line 4 goes yang

accepting the outer state less

Our outer state (line 3) is inactive in this tao and we need to preserve that inactivity if we are to change out of our mind-desire mode of being—the mode of trying to make something “better”.

The Chinese Image
Amongst fine silks are ragged clothes.
Be careful all day.

Amongst our wide aspirations are narrow desires; all day is throughout conscious activity, and being always aware of them will itself change them.

Line 5 goes yin

more awareness of intuition

Intuitive feeling is the basis of our knowing our circumstance and this line 5 is about the conscious interpretation of that feeling; when we become more involved here we consider how to use the life force.

The Chinese Image
Someone in the east sacrifices an ox with less benefit than one in the west who makes a spring offering.

The ox is the strength of outer activity and this is sacrificed at the beginning (the east where the sun rises).
The spring offering is the sacrifice of beginnings (a giving up before we start and so an offering, not a killing); this is made at the end of a cycle (the west).
So it is more beneficial to give up starting new things, which arises when the old are ended, than to kill off the outside activity after it has developed.

Line 6 goes yang

our inner being accepts less

If our inner being does not accept the end of a cycle the transition cannot complete.

The Chinese Image
His head is submerged in the water.
Danger.

The head is the controller and here it is right in the liquifying process of change. For identity to emerge changed from transition it needs to flow in the momentum of being changed, not to get involved in controlling it.

Nuclear HexagramHexagram 28

Rigidity.

Line image

In our inner being, line 6, we accept the activity of change that is available in our circumstances (line 1 is yin), but our intuitive feeling in line 2 is inactive and so is our outer world in line 3; identity is not interested in changing any of this (lines 4 and 5 are yang). This is a picture of stress where there is inner pressure for change but no response from the outer, manifesting self. It is too still, too rigid, has no flexibility.

Trigram image

The energy emerges formed and structured by the trigram Sun, is inactive throughout its manifestation as Ch’ien both for identity and the outer world, and has just a hope of change in Tui for our inner being. Here is a flow only at the very borders of our awareness, everything manifest is held rigid and cannot move, yet the activity of the inner is pushing it to move. When rigid structures are forced to change shape something gives way suddenly.

The Chinese Oracle

Excess.
The ridgepole sags.
Movement is favourable.
Success.

Comments

We recognize excess by the stress it creates, without stress excess is felt as abundance. So here we are in a situation of stress pictured as the ridge of a roof about to give way; the ridge is where the two sides of the roof meet, and the roof is what separates us from the elements—a picture of our duality which “protects” identity from being engulfed in the great unknown reality. This “protection” is threatened, and keeping the polarities of our choices apart is threatened when they become excessive, when we or our society becomes too polarized for the flow of manifestation to happen, for the flow of manifestation is interchange between polarities.

Manifestations

The pattern
From the inner there is no flow.
Action is all inactivity,
Making return a beginning.
For humans
When firm and inflexible,
the only way of moving is to break.
When so gentle it changes nothing,
the only way of living is to die
into a beginning.
In nature
The wood is too ripe for budding,
too rigid for change
until it returns to earth.
In forms we make
No longer supported, must fall.
Falling, finds support.

Changing Lines

Line 1 goes yang

life force shows less change

The stress in this tao is created by the force of the life energy from the inner acting upon rigid form in our lives (in ourselves). Here the activity is lessened and the stress limited.

The Chinese Image
Spreading white rushes underneath.
No error.

This is protection by the inner being, rushes are put under something to soften the contact, they are white because there is no selection in this action (white light is all-coloured light).

Line 2 goes yin

intuitive feeling more active

Here the rigidity itself is loosening, we are starting to feel the life force again and this is the beginning of new feeling.

The Chinese Image
The wizened willow tree
puts out new shoots.
An old man has a young wife.
All is favourable.

The old finds a way to flow again, and it was the lack of flow that caused the excess of pressure.

Line 3 goes yin

outer world changes more

In this tao identity has excessively structured duality; to act out from this projects the stress into our circumstances.

The Chinese Image
The ridgepole sags to breaking point.
Misfortune.

The ridgepole giving way is like our giving out the stress from within us, we give way to it and the consequences to our environment are unfortunate.

Line 4 goes yin

accepting the outer state more

What we are accepting here in this moving line is the inactivity of our outer world, so there is less stress because we are not struggling with our rigidity. This does not change the rigidity but makes it more manageable and may mask the basic problem.

The Chinese Image
The ridgepole has support.
Good fortune.
Reliance on weak support
is unfortunate.

Reliance on masking the stresses we have would be a weak support.

Line 5 goes yin

more awareness of intuition

Becoming aware of intuitive feeling that is inactive is to be more aware but not to have more feeling.

The Chinese Image
The wizened willow flowers.
The old woman takes a husband.
No praise. No blame.

This is widening awareness, opening up, flowering; then old feeling (from memory) comes to thought, to consciousness. These do not change things, the flowering does not change the tree and the old woman cannot have children, in other words there is no new growth.

Line 6 goes yang

our inner being accepts less

Here we give up the struggle and become unaware of the activity pushing us towards change. When we become unaware of forces they overtake us.

The Chinese Image
Fording a river, the water rises over his head.
Misfortune. No error.

To give way to the flow is no error, only uncomfortable; it overcomes the rigidity and so changes us.