687766 · 62.1.5.6Hexagram 62

After reaching a level.

Line image

The two yin lines associated with feeling (2 and 5) are the dominant conscious ones, the outer (lines 3 and 4) being yang and the inner (1 and 6) being outside our awareness. So the activity of which we will be most conscious is feeling. There is a compliance with the life force shown in lines 5 and 6 so we do not take off on initiatives of our own and this is strengthened by the inactivity of our outer world and our disinterest in it.

Trigram image

This is a time for inner activity as shown by the Chên image for our inner being. The emerging energy is not seeking manifestation of activity but of stillness (Kên) and this gives maturity to our outer action (Sun) and a new way to be aware of ourselves (Tui).

The flow which comes from the bottom of the hexagram comes to a halt in the middle (outer reality) and then starts a new flow at the top; this is a movement which ends one mode of experiencing and prepares another. Our troubles with such a flow come from an identity which cannot accept its outer stillness.

The Chinese Oracle

Success of what is small.
Continuance in the way is rewarding.
Small things not great ones
should be entered into,
like bird song on the wing.
Remaining lowly brings good fortune.

Comments

The central part of the hexagram which symbolizes the outer is occupied by Sun and Tui, the gentle and the hopeful, the established and the new, and these are not the energy required for large outer activity.

The inner work being accomplished in this tao is done by the life force and does not show much in outer manifestation, so the little things that can be done become important and keep us away from blocking and diverting the inner flows.

Manifestations

The pattern
Action has given birth to stillness,
consolidation.
From this only small new movement
can arise.
A new start is preparing.
For humans
His ideas are formed.
Through these changes push their way
so he changes but a little as yet.
In nature
The wood of a tree
is solid and firm.
New growth from this
is a small part of the whole.
New growth comes from the root.
In forms we make
The establishment
is not the origin
of social change.

Changing Lines

Line 1 goes yang

life force shows less change

Widening our awareness requires the activity of the life force. Here, unfortunately in our experience, the life force goes into a tranquil phase and the tao of inner change is interrupted; outer activity is not a suitable vehicle for our energies in this tao so we shall do no good by trying to externalize. It is an experience of frustration we do best to witness rather than trying to correct.

The Chinese Image
The flying bird meets misfortune.

Line 2 goes yang

intuitive feeling less active

Intuitive feeling is the vehicle of identity in this tao, so we miss the flow when this feeling becomes less active and concern ourselves with more personal, psychological matters, trying to distinguish what the blockage is.

The Chinese Image
He passes by a reference to his ancestor and meets a reference to his past mother.
He does not reach the prince but meets the minister.
No error.

The ancestor and mother are records of past things, old ways of defining and feeling his reality; the prince is a new way of ruling, a new way of experiencing and we cannot reach this without intuitive feeling; we can only reach the minister who is the organizer of practical matters. There is no error because the cause of all this is not within our control.

Line 3 goes yin

outer world changes more

The tao (our circumstances) favours inner awareness and we avoid this by creating outer activity. When the pressure for change is from our inner reality yet this is transferred to a projection outside, there is a blockage of inner flow which shows itself in activity of our “personal unconscious” and this _will_ be heard, if we do not listen it will force its way into consciousness; accidents are formed in this way.

The Chinese Image
Unless he is very careful someone will strike him from below
(or behind, or an inferior position).
Misfortune.

Line 4 goes yin

accepting the outer state more

To become interested in peaceful outer activity (the yang line 3) gives direction without involvement but to become agitated about its inactivity would neglect the tao and deplete inner energies.

The Chinese Image
No error.
He does not pass him by but accosts him.
Activity is dangerous and continuing caution is required.

The danger of activity is becoming identified in it, making it important, we are aware of (we accost) this syndrome but identifying is a slippery customer.

Line 5 goes yang

less awareness of intuition

We do not wish to feel something; this means there is no flow of energy although the possibility of it is there.

The Chinese Image
Dense clouds from our western land but no rain falls.
The prince shoots and hits one in the cave.

Feeling is the release and flow symbolized by rain; here it is not released because identity is not allowing it; it comes from the west, where the sun sets, showing it to be a dying activity. The prince, our latest identity, has aimed his identifying into the inner darkness, the cave, and has hit something there; he does not know what he hit but he was probably afraid of it.

Line 6 goes yang

our inner being accepts less

We are now less involved in this tao of accepting the inner reality in which we only have a little show outside.

The Chinese Image
He does not meet him but passes him by.
The bird flies from him.
Misfortune.
Natural and intended hurt.

What we avoid meeting is the tao, the circumstances we are in; this splits our reality into outer and inner and the wholeness (the bird, which uses a polarity of wings together) leaves us. Inasmuch as we are aware of this it is an intended hurt, but our awareness is partial.

Secondary HexagramHexagram 13

Fulfilment in desire.

Line image

The only activity here is of intuitive feeling (line 2), so our experience of this tao will be of feeling; it is a communication between our personal self and what is “other”. This “other”, in general our circumstances, may be people or other things with which we relate; basically intuitive feeling is relationship in some form, and this tao is about relationship simply as it feels to us. The three yang lines at the top of the hexagram show that we have a tendency to ignore these feelings.

Trigram image

There is not a full flood of relating, the energy shown in the emerging trigram Li is hesitant and this is turned into structured forms in our outer world, so there is a tightness in relationship. The two trigrams in the top half of the hexagrams are Ch’ien, showing a withdrawal from participation; this is useful inasmuch as we do not manipulate but it is an impediment to the flow of relating. The flow, going from the hesitant to the structured, shows the tao as being about the establishment of relationship.

The Chinese Oracle

Fellowship in the open.
Success.
It is of benefit to cross the great water.
The superior man is furthered by perseverance.

Comments

It is the resonance of relationship, not what goes on within you or me, that is “in the open”. It is what is between us and exists in its own right—sometimes we have to obey it no matter what we think we ought to do. It has success; it causes great change in us and if we follow it, it is as if we were in a different country over the great water. It widens our reality if we pay attention to this aspect of ourselves which is outside ourselves—in the open.

Manifestations

The pattern
A transitory brightness
grows into the lasting,
indeed the eternal.
For humans
Living relationships
mean one fulfilling the other.
Recognition of complement
is attraction,
its activity, a stable
pattern of flow.
In nature
The fire is kindled
with the promise of wood.
The wood becomes radiant
only with fire.
Together they are like the sun.
In forms we make
Form is used,
transformed into brightness
in which the different
recognize one other
as part of one.
The wise ruler uses form thus.

Changing Lines

Line 1 goes yin

life force shows more change

When there is activity in the emerging life force there is possibility of relationship, there is the beginning of a cycle of relating.

The Chinese Image
Relationship at the gate.
No error.

Indeed how can there be error in the beginning if the movement is supported by the life force?

Line 2 goes yang

intuitive feeling less active

Without active feelings there can be no resonance between ourselves and others (what is other to ourselves). Any relationship that will open our awareness has to be with something or someone different from ourselves.

The Chinese Image
Fellowship within the clan causes regret.

We need to seek our complement, not our likeness, for feelings to become dynamic and resonate with one another.

Line 3 goes yin

outer world changes more

The tao is about feeling the resonance of relationship but here we are shy of the contest that polarity involves and transfer our attention to outer activity, doing things rather than feeling them and thinking things out rather than feeling them within us. In this way we miss the change in ourselves that the resonance of feeling would cause.

The Chinese Image
His weapons are hidden in long grass,
He is on a high mound.
For three years he can do nothing.

Weapons are symbolic of our polarity in activity; we hide this polarity which tends to create contest if it is manifest; we mount an easily defended position and so we miss a whole cycle of activity—we have to wait for this challenge to recur (symbolically three years). If we can gather our courage we should go forth and experience consequences instead of hiding from them, and this change is probably more possible than we think.

Line 4 goes yin

accepting the outer state more

The outer world is not active in this tao so here we are accepting inactivity on the outside. This enables us to pay attention to our feeling which is what the tao calls for.

The Chinese Image
He climbs his wall and does not attack.
Good fortune.

Our “wall” is our perimeter, where we find contact with the “other”, so here we find that being on this boundary between ourself and the other, where relationship happens, does not mean contest. Resonance is not battle.

Line 5 goes yin

more awareness of intuition

We now open ourselves to our active intuition and thus become aware of our relating, our resonance with others. When this resonance is felt it takes over our attention from the dominance of those parts of ourselves which are normally taking turns in conscious expression; resonance is not owned, it just happens, so whenever resonance takes over, feelings of separation cease.

The Chinese Image
The comrades at first weep and are sad but end by laughing.
The crowd comes together.

The crowd of our separations come together into the resonance, which is the happiness of laughter here.

Line 6 goes yin

our inner being accepts more

Relationship has its own cycle of change; as we begin to relate, it is from the position of separate identity, so the relationship is about contact and contest, out of this comes an area of shared experience, a resonance, and out of this again comes acceptance of the distance or separateness of the other in which contact and contest are less important while the resonance becomes more important. This third stage is symbolized here as we accept the stillness of the emerging life force of the tao (the lack of contact between polarities).

The Chinese Image
Relationship.
Distance.
Absence of desire.
No regret.

This is not a needy or desiring relationship so there will be no regret in it.

Nuclear HexagramHexagram 28

Rigidity.

Line image

In our inner being, line 6, we accept the activity of change that is available in our circumstances (line 1 is yin), but our intuitive feeling in line 2 is inactive and so is our outer world in line 3; identity is not interested in changing any of this (lines 4 and 5 are yang). This is a picture of stress where there is inner pressure for change but no response from the outer, manifesting self. It is too still, too rigid, has no flexibility.

Trigram image

The energy emerges formed and structured by the trigram Sun, is inactive throughout its manifestation as Ch’ien both for identity and the outer world, and has just a hope of change in Tui for our inner being. Here is a flow only at the very borders of our awareness, everything manifest is held rigid and cannot move, yet the activity of the inner is pushing it to move. When rigid structures are forced to change shape something gives way suddenly.

The Chinese Oracle

Excess.
The ridgepole sags.
Movement is favourable.
Success.

Comments

We recognize excess by the stress it creates, without stress excess is felt as abundance. So here we are in a situation of stress pictured as the ridge of a roof about to give way; the ridge is where the two sides of the roof meet, and the roof is what separates us from the elements—a picture of our duality which “protects” identity from being engulfed in the great unknown reality. This “protection” is threatened, and keeping the polarities of our choices apart is threatened when they become excessive, when we or our society becomes too polarized for the flow of manifestation to happen, for the flow of manifestation is interchange between polarities.

Manifestations

The pattern
From the inner there is no flow.
Action is all inactivity,
Making return a beginning.
For humans
When firm and inflexible,
the only way of moving is to break.
When so gentle it changes nothing,
the only way of living is to die
into a beginning.
In nature
The wood is too ripe for budding,
too rigid for change
until it returns to earth.
In forms we make
No longer supported, must fall.
Falling, finds support.

Changing Lines

Line 1 goes yang

life force shows less change

The stress in this tao is created by the force of the life energy from the inner acting upon rigid form in our lives (in ourselves). Here the activity is lessened and the stress limited.

The Chinese Image
Spreading white rushes underneath.
No error.

This is protection by the inner being, rushes are put under something to soften the contact, they are white because there is no selection in this action (white light is all-coloured light).

Line 2 goes yin

intuitive feeling more active

Here the rigidity itself is loosening, we are starting to feel the life force again and this is the beginning of new feeling.

The Chinese Image
The wizened willow tree
puts out new shoots.
An old man has a young wife.
All is favourable.

The old finds a way to flow again, and it was the lack of flow that caused the excess of pressure.

Line 3 goes yin

outer world changes more

In this tao identity has excessively structured duality; to act out from this projects the stress into our circumstances.

The Chinese Image
The ridgepole sags to breaking point.
Misfortune.

The ridgepole giving way is like our giving out the stress from within us, we give way to it and the consequences to our environment are unfortunate.

Line 4 goes yin

accepting the outer state more

What we are accepting here in this moving line is the inactivity of our outer world, so there is less stress because we are not struggling with our rigidity. This does not change the rigidity but makes it more manageable and may mask the basic problem.

The Chinese Image
The ridgepole has support.
Good fortune.
Reliance on weak support
is unfortunate.

Reliance on masking the stresses we have would be a weak support.

Line 5 goes yin

more awareness of intuition

Becoming aware of intuitive feeling that is inactive is to be more aware but not to have more feeling.

The Chinese Image
The wizened willow flowers.
The old woman takes a husband.
No praise. No blame.

This is widening awareness, opening up, flowering; then old feeling (from memory) comes to thought, to consciousness. These do not change things, the flowering does not change the tree and the old woman cannot have children, in other words there is no new growth.

Line 6 goes yang

our inner being accepts less

Here we give up the struggle and become unaware of the activity pushing us towards change. When we become unaware of forces they overtake us.

The Chinese Image
Fording a river, the water rises over his head.
Misfortune. No error.

To give way to the flow is no error, only uncomfortable; it overcomes the rigidity and so changes us.