887866 · 15.5.6Hexagram 15

Adapting to the flow.

Line image

It is into the outer world that we project our identity, and this tao shows, with its one yang line in the place of outer activity, that we are accepting our circumstances including an inactive outer world; so we also accept that there is no projection, no outer activity for us to own. This hexagram is called “modesty”; we are modest when we accept our circumstances and are not trying to manipulate them towards some image we have of how they should be.

Trigram image

The emerging energy is still and contemplative (Kên) so there is little or no flow outside (K’an); being in this stillness has a forceful effect upon identity (Chên) and brings acceptance to our inner being (K’un). The forceful effect upon identity comes in the realization that personal action is inappropriate.

The Chinese Oracle

Success through modesty.
The superior man carries it through.

Comments

Modesty is about the proportion of importance we attach to the personal self and the “other”. Viewed rationally, the “other” is so vast and the personal self so small that modesty is the only possible attitude that accords with our circumstances; as we see the “other” as many distinguished parts, however, we are able to avoid this conclusion. According with the circumstances we find ourselves amongst is the way of experiencing reality which widens our point of view, so here the superior man (the one with the wider point of view) carries our actions through the narrow gap of our point of view into the openness of a wider reality.

Manifestations

The pattern
Rising up to the peak
and sinking to the abyss
is the cause of all activity.
For humans
By breathing in and out he achieves life.
By moving between exaltation and despair
he achieves feeling.
By action and rest, wellbeing.
By recognizing energy and exhaustion
he completes things.
In nature
The never ending motion of the sea is its reality.
In forms we make
Form is transitory,
acquiescing in the flow.

Changing Lines

Line 1 goes yang

life force shows less change

In this tao we (personal self) are accepting, the top three lines are all yin so we are recognizing our circumstances; here in this moving line the activity of the life force diminishes naturally in its cycle, and to follow the inner light even when it appears to go out is great modesty. Identity is light-seeking, activity-seeking, it exists in the contrasts made by defining. This modesty of following even in the inactive part of the cycle brings a great change to our sense of reality.

The Chinese Image
The superior man builds modesty upon modesty and may cross the great water.
Good fortune.

Here our ordinary sense of modesty, of the self in relation to other selves, leads to modesty of a different dimension, modesty of the inner self regarding the great self or whole. This is a great change or crossing of the great water.

Line 2 goes yang

intuitive feeling less active

In the context of modesty this lessening of feeling comes to mean “making less of” the life force, not imposing our view on it.

The Chinese Image
Modesty is manifest.
Continuance in the way brings good fortune.

Manifesting modesty is the same as diminishing our manifestation of self and its separate desires; it has to do with realizing that the stronger our personal self becomes, the more our experience holds itself away from wholeness.

Line 3 goes yin

outer world changes more

Acting out of modesty is allowing action to take place, like unfolding something that is already there rather than thinking that our acts create. This action completes itself and leaves no karma, no part of it attached to the personal self.

The Chinese Image
The superior man of established merit brings things to conclusion.
Good fortune.

Line 4 goes yang

accepting the outer state less

To identify less with the outer world is modest whether it is active or passive; modesty is about finding an approach to reality where we ourselves exist less, consider ourselves less rather than consider ourselves to be less; this has to be done without purpose or we exist in our purpose. True modesty is to be found at the centre of our being where we are not separate, where the life force flows through without being held.

The Chinese Image
Everything is advanced through modesty.

Line 5 goes yang

less awareness of intuition

Modesty is the non-involvement of self, not its denigration, so when we become less involved in our feelings of modesty, we are claiming less of reality to be our own. This maturity of identity leads to the decay of its separateness, but this separateness is what the personal self identifies as itself and so resists its decay.

The Chinese Image
Modest with his neighbours while forceful against the rebels all brings success.

The feelings requiring our separateness are the rebels, rebelling against the cycle which is now about becoming more whole.

Line 6 goes yang

our inner being accepts less

Here in this moving line our inner being does not accept the modesty that is being expressed. Modesty that is expressed is trying to achieve something by the expression.

The Chinese Image
His modesty is manifest.
It is time to set armies marching
to subdue his own cities.

The expression of modesty is manipulative; the essence of modesty is not to notice itself.

Secondary HexagramHexagram 53

Persistence.

Line image

The active emerging life force (line 1) leaves our inner being unchanged (line 6); our active intuitive feeling is ignored by our identity (lines 2 and 5), while we accept an inactive outer world (lines 4 and 3). This is not a structure to carry much flow or achievement but rather a stubborn, almost perverse, obstruction to outer change. An attitude of patience and continuation of effort is required to produce results; with this is a desire to find a place to rest from the continuing effort, shown by line 4.

Trigram image

As the life force emerges it is stilled in the image of Kên and has little flow outside (K’an). We are hesitant to act (Li) and our structured inner being is difficult to change (Sun). This unflowing tao is most usefully experienced in a docile manner; it is strong and we do best to comply with it, moving where and how it will allow. We can learn from it the strength of necessity and also that our own necessities have the strength to make progress without our forcing them. Its common name is “gradual progress”.

The Chinese Oracle

Gradual progress.
Like a maiden’s marriage,
bringing good fortune.
Continuance in the way
brings advantage.

Comments

Circumstances are too stubborn for much movement to take place, but feeling is active and is a movement we can benefit from if we can become one with it, hence the symbol of a maiden’s marriage; this will serve us better than continually reassessing our situation. Continuance is of course necessary to harvest the fruits of gradual progress.

The image common to all the lines which move is the progress of a wild goose. The goose migrates over great distances and the various images show the vicissitudes of his arrival—our own arrival in wholeness where flow is neither resisted nor pressured and so is harmonious.

Manifestations

The pattern
Clinging to the firm
avoids being swept away;
allows progress
where there is opposition.
For humans
Endurance gives time
for achieving ends.
A presence continued
acquires influence.
Amongst uncertainty
he remains calm and firm.
In nature
The tree on the mountain
grows tenaciously,
refusing to be uprooted.
In forms we make
That which continues
while changing
to meet circumstances
has the art of endurance.

Changing Lines

Line 1 goes yang

life force shows less change

Here the life force comes to a state of rest, so activities that we are just beginning may run into difficulties as their energy peters out. If we do not push forward we may seem weak to those who do not recognize the situation but we do best to go at the pace that circumstances allow.

The Chinese Image
The wild goose
gradually approaches the shore.
The son has difficulties.
There is criticism but no error.

The wild goose approaches land and so a place to rest; renewal, however, (the son) has difficulties, young or new efforts are not supported by the life force. The lack of progress towards any completion leads to criticism but it is not our fault, it is time for gradually finishing a journey, not starting a new one.

Line 2 goes yang

intuitive feeling less active

Here our feelings become stilled by the tao and we can relax efforts towards activity. There is no need and no profit to be gained from pushing forward towards what we desire, there is enough nourishment here in our present situation to rest and renew us.

The Chinese Image
The wild goose gradually approaches rock.
Contented eating and drinking.
Good fortune.

Rock is what underlies the surface and so is symbolic of underlying truth. The truth of our situation is that we can relax and enjoy what nourishment our circumstances provide—there is no need to continue the journey at present.

Line 3 goes yin

outer world changes more

In a tao that has so little flow it is not an advantage to set out on new activity because it is not supported by the life energy and will not reach completion. Identity’s need for activity tempts us to move, activity is its food, but here it will lead us astray.

The Chinese Image
The wild goose approaches a dry land.
The man goes out and does not return.
The woman is with child but does not give forth.
Misfortune.
It is time to ward off evil.

The goose has gone too far, its natural habitat is near water and here it approaches dry land; we identify too far into a defined world where values are fixed, dry so unflowing, so the defining element in us (the man) is projected into our circumstances and is lost there. The flowing and feeling element in us could give birth to new experience but cannot bring it forth because we identify our outer self as the source of action and ignore the womb where growth occurs “of itself”. The evil is this narrow attitude.

Line 4 goes yang

accepting the outer state less

In this line we are less interested in holding off activity, we allow it to be what comes, so we may find that there is a way, in which case we can take advantage of it, or we may find that there is not and we must be prepared to carry on. Persisting in this mode of being we ride life, allowing it to take us on its way, and we learn lessons about our desire for security.

The Chinese Image
The wild goose approaches a tree.
It may find a branch to land on.
No error.

Geese do not live in trees; identity may visit identified places but they are not its home either. This visiting is not an error but neither is it a home-coming.

Line 5 goes yin

more awareness of intuition

As our intuitive state is active (line 2) this recognition of it restores the flow of feeling to our conscious self.

The Chinese Image
The wild goose approaches the crest of a hill.
Three years the woman has no child, then success comes.
Good fortune.

For a goose the crest of a hill does not mean home, it is something to rise over. This images an effort and then success and the three years the woman waits for her child is a period of change, change to new feeling which allows the natural processes to complete themselves.

Line 6 goes yin

our inner being accepts more

By accepting the tao in our inner being we give up trying to force the pace and so we become part of this phase of gradual progress. In our bodies if a part calls attention to itself it is taken as a sign that something is wrong, it is no longer part of the organic whole but has become separate. Similarly identity is part of our whole being and the being is healthy when identity is not demonstrating its separateness.

The Chinese Image
The wild goose gradually
approaches the heights.
Its feathers are used in ritual.
Good fortune.

Heaven and spirituality are imaged as “above” so the heights are towards heaven or the inner whole reality, the state of wholeness. The goose (our identifying) disappears into this unmanifest reality leaving just an outer appearance, the feathers, as indicators of where it has gone.

Nuclear HexagramHexagram 40

Release from indecision.

Line image

Here is an absence of direct knowledge of the life force and an absence of interest in the outer world, lines 2 and 4 are yang while all the other lines are yin. Identity is aware of the quiet state of feeling (line 5) so we are not stressed either from inner feeling or outer activities.

Trigram image

The manifesting flow oscillates between K’an and Li and so does not have a direction; however the trigram about the inner being is Chên which has a decisive energy and great flow, this releases us from the indecision we have been in. The common name of the hexagram is “deliverance” or “release”; release comes from separating our being from the seeking and doing that was fuelling the see-saw.

The Chinese Oracle

Release.
The south and west are favourable.
If there is no activity to be accomplished
there is good fortune in returning.
If there is activity unfinished
a speedy end is favoured.

Comments

The south and west is where the sun traverses the sky as it goes from full activity to rest, so completing activity is favoured here if there is still something uncompleted.

Manifestations

The pattern
A new way leads out of
insecurity and vacillation.
Release from indecision.
For humans
Taking both.
Allowing tension through him,
not dodging it,
he comes to decision
and is released.
In nature
Torrential rain—mud.
Baking sun—rock.
Torrents again—mud.
Stress
between earth and heaven
flashes lightning and is no more.
Delicate tendrils, messengers,
can feel their way again.
In forms we make
Uncertainty of direction
is oscillation faster than complete action.
Taking both damps vibrations.

Changing Lines

Line 1 goes yang

life force shows less change

When beset with polarity we are in stress, choosing yet unable to make a choice and changing our choice even before putting it into effect. Here in this line the life force becomes quiet and this gives choice a rest.

The Chinese Image
No error.

It is the life flow emerging more quietly and lessening the stress, it is not our doing and cannot possibly be an error, but when beset by choice we are always overconscious of error.

Line 2 goes yin

intuitive feeling more active

Greater activity of our intuitive feeling enables us to find direction in the life force.

The Chinese Image
He kills three foxes.
One yellow arrow.
Continuance in the way
brings good fortune.

Yellow is an active colour (almost in the middle of our visible spectrum), applied to an arrow which indicates a chosen direction—we have chosen an active direction; this direction is between extremes, being given as “one” which is the whole or middle way of unchoosing. This direction ends the vacillation of choice which deprived us of identifying, in the same way a fox deprives man of his nourishment (three foxes because continual change of choice was the problem).

Line 3 goes yang

outer world changes less

To obtain freedom of flow identity needs to act out without identifying itself in the movement. Here in the line we seem to be confused about this and expect the life force to carry us out of stress without our taking part at all.

The Chinese Image
Riding in a carriage and carrying property he invites robbers.
Continuance brings misfortune.

We want to be carried yet we do not want to let go; not allowing activity is still controlling it.

Line 4 goes yin

accepting the outer state more

To become involved in outer activity is to make it our own; this gives entanglement, not deliverance. Only when we take ourselves out of the equation do we see that it balances.

The Chinese Image
Free yourself from your toes,
then the friend will come with trust.

The toes lead our steps and our steps are our personal way. The friend with trust is the life flow itself; willful activity causes the flow of circumstances to appear untrustworthy.

Line 5 goes yang

less awareness of intuition

We are no longer trying to discern the life force and so in a tao of release we allow it to be what it will.

The Chinese Image
The superior man alone
can free himself.
Good fortune.
Smaller men can only follow.

We cannot be released by following something, for we are attached to what we follow. It is necessary to be alone and open to be free; separating from attachment enables us to be free.

Line 6 goes yang

our inner being accepts less

Here identity chooses not to choose, which is release as the stress was in the choice.

The Chinese Image
The prince shoots an arrow,
kills a hawk on a high wall.
All is favourable.

The hawk sits on a high wall choosing what he will catch. High up is symbolically the head and a wall is a boundary and barrier, so we have been choosing from our position of defining which confines the choice; here the prince (identity) takes a direction (shoots an arrow) which kills the chooser.