669868 · 15.1.2.3.5Hexagram 15

Adapting to the flow.

Line image

It is into the outer world that we project our identity, and this tao shows, with its one yang line in the place of outer activity, that we are accepting our circumstances including an inactive outer world; so we also accept that there is no projection, no outer activity for us to own. This hexagram is called “modesty”; we are modest when we accept our circumstances and are not trying to manipulate them towards some image we have of how they should be.

Trigram image

The emerging energy is still and contemplative (Kên) so there is little or no flow outside (K’an); being in this stillness has a forceful effect upon identity (Chên) and brings acceptance to our inner being (K’un). The forceful effect upon identity comes in the realization that personal action is inappropriate.

The Chinese Oracle

Success through modesty.
The superior man carries it through.

Comments

Modesty is about the proportion of importance we attach to the personal self and the “other”. Viewed rationally, the “other” is so vast and the personal self so small that modesty is the only possible attitude that accords with our circumstances; as we see the “other” as many distinguished parts, however, we are able to avoid this conclusion. According with the circumstances we find ourselves amongst is the way of experiencing reality which widens our point of view, so here the superior man (the one with the wider point of view) carries our actions through the narrow gap of our point of view into the openness of a wider reality.

Manifestations

The pattern
Rising up to the peak
and sinking to the abyss
is the cause of all activity.
For humans
By breathing in and out he achieves life.
By moving between exaltation and despair
he achieves feeling.
By action and rest, wellbeing.
By recognizing energy and exhaustion
he completes things.
In nature
The never ending motion of the sea is its reality.
In forms we make
Form is transitory,
acquiescing in the flow.

Changing Lines

Line 1 goes yang

life force shows less change

In this tao we (personal self) are accepting, the top three lines are all yin so we are recognizing our circumstances; here in this moving line the activity of the life force diminishes naturally in its cycle, and to follow the inner light even when it appears to go out is great modesty. Identity is light-seeking, activity-seeking, it exists in the contrasts made by defining. This modesty of following even in the inactive part of the cycle brings a great change to our sense of reality.

The Chinese Image
The superior man builds modesty upon modesty and may cross the great water.
Good fortune.

Here our ordinary sense of modesty, of the self in relation to other selves, leads to modesty of a different dimension, modesty of the inner self regarding the great self or whole. This is a great change or crossing of the great water.

Line 2 goes yang

intuitive feeling less active

In the context of modesty this lessening of feeling comes to mean “making less of” the life force, not imposing our view on it.

The Chinese Image
Modesty is manifest.
Continuance in the way brings good fortune.

Manifesting modesty is the same as diminishing our manifestation of self and its separate desires; it has to do with realizing that the stronger our personal self becomes, the more our experience holds itself away from wholeness.

Line 3 goes yin

outer world changes more

Acting out of modesty is allowing action to take place, like unfolding something that is already there rather than thinking that our acts create. This action completes itself and leaves no karma, no part of it attached to the personal self.

The Chinese Image
The superior man of established merit brings things to conclusion.
Good fortune.

Line 4 goes yang

accepting the outer state less

To identify less with the outer world is modest whether it is active or passive; modesty is about finding an approach to reality where we ourselves exist less, consider ourselves less rather than consider ourselves to be less; this has to be done without purpose or we exist in our purpose. True modesty is to be found at the centre of our being where we are not separate, where the life force flows through without being held.

The Chinese Image
Everything is advanced through modesty.

Line 5 goes yang

less awareness of intuition

Modesty is the non-involvement of self, not its denigration, so when we become less involved in our feelings of modesty, we are claiming less of reality to be our own. This maturity of identity leads to the decay of its separateness, but this separateness is what the personal self identifies as itself and so resists its decay.

The Chinese Image
Modest with his neighbours while forceful against the rebels all brings success.

The feelings requiring our separateness are the rebels, rebelling against the cycle which is now about becoming more whole.

Line 6 goes yang

our inner being accepts less

Here in this moving line our inner being does not accept the modesty that is being expressed. Modesty that is expressed is trying to achieve something by the expression.

The Chinese Image
His modesty is manifest.
It is time to set armies marching
to subdue his own cities.

The expression of modesty is manipulative; the essence of modesty is not to notice itself.

Secondary HexagramHexagram 60

Scarcity.

Line image

Activity is centred in the outer world (lines 3 and 4) and we are recognizing that our inner world is quiet (lines 6 and 1). So the activity of this tao is on the outside and is not supported by new energy from the depth of our being. Intuitive feeling is quiet also and we are not noticing this so there may be some tendency to overdo the outer activity.

Trigram image

The emerging energy in the image of Tui is more of a hope than a flow, yet in the outer world there is a torrent of activity (Chên) which is contemplated, held at a distance, by our identity (Kên), so there is little flow taken up by our inner being (K’an). So from a very small emerging energy flow we have a great outer surge or release of energy; the surge exhausts itself and we contemplate this because it leaves our inner being with very little energy. The common name of the hexagram is “limitation” and it is about providing this limitation so that a small resource is not squandered.

The Chinese Oracle

Limitation (or restraint).
Success.
Do not persevere in excessive restraint.

Comments

The intention is to spread resources, not to go into some sort of a fast, it is to learn control, not abstinence. Control requires just the right balance of inflow and outflow.

Manifestations

The pattern
When there is little at the beginning
its activities rise to a peak, its limit,
and fall to a dangerous low.
For humans
He limits the flow.
Seeing scarcity he spreads resources
to avoid famine.
In nature
In poor soil the seed germinates,
rises up but does not mature.
In forms we make
When the little
is gathered up by the few
the rest are empty.
This is dangerous.

Changing Lines

Line 1 goes yin

life force shows more change

In this tao outer activity is not fed sufficiently to keep up its flow. Here in this line inner activity increases, but it is still necessary to conserve this and not to let it flow outwards without restraint. We have to provide our own restraint in this tao where our outer reality will take all that we can give and more, draining our source.

The Chinese Image
Not to go out of the door
and courtyard is without error.

Line 2 goes yin

intuitive feeling more active

Restraint is a form of relationship with something and all relationship needs intuitive feeling, a direct knowledge of the other. If we are restrained in our relationships they do not flow, and feeling _is_ a flow, not something we hold. So here in the line of feeling, although we are in a tao of restraint, to stop a flow outwards would suffocate relationship and then there is nothing to restrain; where feeling is more active as in this line, it should flow out.

The Chinese Image
Not to go out of the door
and courtyard brings misfortune.

Whether it is beneficial to “go out” depends upon the subject to which the symbolism is attached; in line 1 it is no error not to go out because the subject is our inner energy that needs to be conserved, here the subject is feeling and to control the flow of feeling does not conserve it for it is a flow itself, it only makes us confused which is a misfortune.

Line 3 goes yang

outer world changes less

Activity decreases in this tao because it is exhausted, and perhaps it is exhausted because it was unrestrained.

The Chinese Image
He acts without limitation
then regrets it.
No error.

Here is a lesson learned and this is certainly no error. Without the experience of mistakes life is all theory, so mistakes that are regretted (and so understood) are experience well used.

Line 4 goes yang

accepting the outer state less

Our outer world is active in this tao and here we are becoming less concerned with this activity, so we are not pushing it along by being active in it. This is in keeping with the idea of limitation and produces a more harmonious flow.

The Chinese Image
Natural limitation. Success.

Line 5 goes yin

more awareness of intuition

Our intuitive feeling is inactive; to become more involved in inactive feeling (feeling of peace) is harmonious in a tao of restraint, no effort of restraint is required is required when we are naturally peaceful.

The Chinese Image
Voluntary restraint.
Good fortune.

Line 6 goes yang

our inner being accepts less

It is the inactivity of the life energy that makes limitation necessary; by ignoring this we will overreach ourselves and be limited by the trickle of support the tao can give.

The Chinese Image
Limitation by pain.
Continuance brings misfortune,
but regret will disappear.

If we continually limit ourselves by the painful results of excess, a balance will be set up which keeps us on the edge of pain and this is a misfortune, but if we learn from going into pain through excess our regret ceases.

Nuclear HexagramHexagram 40

Release from indecision.

Line image

Here is an absence of direct knowledge of the life force and an absence of interest in the outer world, lines 2 and 4 are yang while all the other lines are yin. Identity is aware of the quiet state of feeling (line 5) so we are not stressed either from inner feeling or outer activities.

Trigram image

The manifesting flow oscillates between K’an and Li and so does not have a direction; however the trigram about the inner being is Chên which has a decisive energy and great flow, this releases us from the indecision we have been in. The common name of the hexagram is “deliverance” or “release”; release comes from separating our being from the seeking and doing that was fuelling the see-saw.

The Chinese Oracle

Release.
The south and west are favourable.
If there is no activity to be accomplished
there is good fortune in returning.
If there is activity unfinished
a speedy end is favoured.

Comments

The south and west is where the sun traverses the sky as it goes from full activity to rest, so completing activity is favoured here if there is still something uncompleted.

Manifestations

The pattern
A new way leads out of
insecurity and vacillation.
Release from indecision.
For humans
Taking both.
Allowing tension through him,
not dodging it,
he comes to decision
and is released.
In nature
Torrential rain—mud.
Baking sun—rock.
Torrents again—mud.
Stress
between earth and heaven
flashes lightning and is no more.
Delicate tendrils, messengers,
can feel their way again.
In forms we make
Uncertainty of direction
is oscillation faster than complete action.
Taking both damps vibrations.

Changing Lines

Line 1 goes yang

life force shows less change

When beset with polarity we are in stress, choosing yet unable to make a choice and changing our choice even before putting it into effect. Here in this line the life force becomes quiet and this gives choice a rest.

The Chinese Image
No error.

It is the life flow emerging more quietly and lessening the stress, it is not our doing and cannot possibly be an error, but when beset by choice we are always overconscious of error.

Line 2 goes yin

intuitive feeling more active

Greater activity of our intuitive feeling enables us to find direction in the life force.

The Chinese Image
He kills three foxes.
One yellow arrow.
Continuance in the way
brings good fortune.

Yellow is an active colour (almost in the middle of our visible spectrum), applied to an arrow which indicates a chosen direction—we have chosen an active direction; this direction is between extremes, being given as “one” which is the whole or middle way of unchoosing. This direction ends the vacillation of choice which deprived us of identifying, in the same way a fox deprives man of his nourishment (three foxes because continual change of choice was the problem).

Line 3 goes yang

outer world changes less

To obtain freedom of flow identity needs to act out without identifying itself in the movement. Here in the line we seem to be confused about this and expect the life force to carry us out of stress without our taking part at all.

The Chinese Image
Riding in a carriage and carrying property he invites robbers.
Continuance brings misfortune.

We want to be carried yet we do not want to let go; not allowing activity is still controlling it.

Line 4 goes yin

accepting the outer state more

To become involved in outer activity is to make it our own; this gives entanglement, not deliverance. Only when we take ourselves out of the equation do we see that it balances.

The Chinese Image
Free yourself from your toes,
then the friend will come with trust.

The toes lead our steps and our steps are our personal way. The friend with trust is the life flow itself; willful activity causes the flow of circumstances to appear untrustworthy.

Line 5 goes yang

less awareness of intuition

We are no longer trying to discern the life force and so in a tao of release we allow it to be what it will.

The Chinese Image
The superior man alone
can free himself.
Good fortune.
Smaller men can only follow.

We cannot be released by following something, for we are attached to what we follow. It is necessary to be alone and open to be free; separating from attachment enables us to be free.

Line 6 goes yang

our inner being accepts less

Here identity chooses not to choose, which is release as the stress was in the choice.

The Chinese Image
The prince shoots an arrow,
kills a hawk on a high wall.
All is favourable.

The hawk sits on a high wall choosing what he will catch. High up is symbolically the head and a wall is a boundary and barrier, so we have been choosing from our position of defining which confines the choice; here the prince (identity) takes a direction (shoots an arrow) which kills the chooser.