In this tao we (personal self) are accepting, the top three lines are all yin so we are recognizing our circumstances; here in this moving line the activity of the life force diminishes naturally in its cycle, and to follow the inner light even when it appears to go out is great modesty. Identity is light-seeking, activity-seeking, it exists in the contrasts made by defining. This modesty of following even in the inactive part of the cycle brings a great change to our sense of reality.

Here our ordinary sense of modesty, of the self in relation to other selves, leads to modesty of a different dimension, modesty of the inner self regarding the great self or whole. This is a great change or crossing of the great water.

In the context of modesty this lessening of feeling comes to mean “making less of” the life force, not imposing our view on it.

Manifesting modesty is the same as diminishing our manifestation of self and its separate desires; it has to do with realizing that the stronger our personal self becomes, the more our experience holds itself away from wholeness.

Acting out of modesty is allowing action to take place, like unfolding something that is already there rather than thinking that our acts create. This action completes itself and leaves no karma, no part of it attached to the personal self.

Here in this moving line our inner being does not accept the modesty that is being expressed. Modesty that is expressed is trying to achieve something by the expression.

The expression of modesty is manipulative; the essence of modesty is not to notice itself.

When the life force is inactive we may seek the influence of outer activity, this will not be new fresh influence, this has to come from the inner.

The toe is the leader of our steps and far from our centre. The influence symbolized is external and forceful.

In this tao of building up energy (confidence, relationship and so forth) we have a tendency to want to move, to release the stress in us which is building up, but we should not do this too soon, so in order to lessen the tension we feel it less.

The activity of the calves raises the weight of the body onto the toes so that we fall into a step. By restraining this first movement we prevent the step developing which would set a direction and so be narrowing to our choice (evil). In the same way with feeling, once it is defined we fall into its expression; here we are less active in the feeling and so abiding quietly, which is good fortune.

In this tao there is no flow outwards. Here we create a flow of activity, and we do this for purposes, for desires to gain an end. This will dissipate the growing inner influence.

The thigh moves the body forward into the step, so here we are already in motion following either what we look up to or what looks up to us; either of these serves to justify our identified self, the existing and established self.

Outer action is quiet in this tao (line 3 is yang) so the influence here is for identity to be involved in quietness. This is beneficial as it allows the inner influences to have attention.

Regret disappears because we are creating no action that we could regret, but we need to maintain this quietness and watch the natural tendency to activity.

Our feelings are actively interpreting the life force, so to become involved here is to assist the influence of the inner life force outwards and so also the influence of the tao.

The spinal area is the central core of our body-being and is associated here to the heart which is traditionally the core of our feeling; it is feeling (line 2) that this line monitors.

The emerging life force (line 1) is active; here our inner being is disregarding it. In a tao about the inner influencing the outer this is also disregarding the tao, so we remain on the outer surface of our being and unable to change our way of being ourselves.

With our jaws and tongue we express ourselves; here we give out our definitions about our situation instead of absorbing experience which is the function of this 6th line. Energy is dissipated if we constantly say what our reality is.

When beset with polarity we are in stress, choosing yet unable to make a choice and changing our choice even before putting it into effect. Here in this line the life force becomes quiet and this gives choice a rest.

It is the life flow emerging more quietly and lessening the stress, it is not our doing and cannot possibly be an error, but when beset by choice we are always overconscious of error.

Greater activity of our intuitive feeling enables us to find direction in the life force.

Yellow is an active colour (almost in the middle of our visible spectrum), applied to an arrow which indicates a chosen direction—we have chosen an active direction; this direction is between extremes, being given as “one” which is the whole or middle way of unchoosing. This direction ends the vacillation of choice which deprived us of identifying, in the same way a fox deprives man of his nourishment (three foxes because continual change of choice was the problem).

To obtain freedom of flow identity needs to act out without identifying itself in the movement. Here in the line we seem to be confused about this and expect the life force to carry us out of stress without our taking part at all.

We want to be carried yet we do not want to let go; not allowing activity is still controlling it.

To become involved in outer activity is to make it our own; this gives entanglement, not deliverance. Only when we take ourselves out of the equation do we see that it balances.

The toes lead our steps and our steps are our personal way. The friend with trust is the life flow itself; willful activity causes the flow of circumstances to appear untrustworthy.

We are no longer trying to discern the life force and so in a tao of release we allow it to be what it will.

We cannot be released by following something, for we are attached to what we follow. It is necessary to be alone and open to be free; separating from attachment enables us to be free.

Here identity chooses not to choose, which is release as the stress was in the choice.

The hawk sits on a high wall choosing what he will catch. High up is symbolically the head and a wall is a boundary and barrier, so we have been choosing from our position of defining which confines the choice; here the prince (identity) takes a direction (shoots an arrow) which kills the chooser.