777867 · 26.5Hexagram 26

The flow and the channel.

Line image

In lines 4 and 5 we accept an inactive outer world and inactive feeling while line 6 shows that we do not accept the inner quietness of line 1. This pattern indicates that what we are feeling and doing is real to us but we do not see the movement of the tao, the way our circumstances are moving, and so we are ruled by our situation. The common name of the hexagram is “power or nourishment of the great”, and this “great” is the greater reality that surrounds our known reality, so it is inner (not distinguished) and produces little show outside.

Trigram image

The flow is in ourselves (Chên); we are changed by the great silence of the bottom trigram Ch’ien although we can hear nothing coming from it. It is an effect we call fate, not essentially separate from us but made to seem so by the focus of identity which creates the illusion of separateness. In this tao the illusion is tested, our acceptance of the greater reality is tested.

The Chinese Oracle

Nourishment by the great is furthered by persistence.
Not eating at home and crossing the great water are favoured.

Comments

The outer is nourished by the inner, this is the power that the great has. There are barriers of our ignorance, however, which have to be overcome before we can accept what the great offers, so persistence is necessary in whatever contact we have with our inner sources; this involves being aware of how unaware we are. This is both not eating at home and crossing the great water, it is trying nourishment not already in our identity (home) and experiencing in a different manner (across great waters culture is different).

Manifestations

The pattern
Great actions achieve their purpose.
Outer obeys inner,
becoming quiet and still.
For humans
He is inspired;
works all day outside,
discovering the form of things
he thinks he has made.
In the evening
he sits on the mountain.
In nature
Life force unfolds
in evolution of form.
The peak of form is order.
In forms we make
A pipe through which water flows.

Changing Lines

Line 1 goes yin

life force shows more change

The tao is about allowing the inner forces to flow as they will, and here the greater activity of the life force may cause us to think we can move (there is some pressure for personal activity).

The Chinese Image
Danger is about
We should halt our activities.

The danger comes from our not being aware of the wider nature of our circumstances (lines 2 and 6 being yang).

Line 2 goes yin

intuitive feeling more active

When intuitive feeling reacts to the life force it is interpreting it and so stands between the whole reality and identity; in identity’s terms it is a link but as reality is whole it is also a barrier.

The Chinese Image
A carriage with its under-connection removed.

Identity is our carriage which is part of whole reality except for its self-identification, when feeling does not interpret, the inner and outer are undivided, here feeling becomes active and so divides the outer from the inner. The image is a statement, not a judgement.

Line 3 goes yin

outer world changes more

Outer activity is part of the flow in the whole, provided we allow it to flow as it will.

The Chinese Image
Urging fine horses.
Awareness of danger,
practice of martial arts,
and persistence (in the tao)
give advantage in any direction.

There is some danger in urging the life force onwards, it is the beginning of manipulating, so we need to be mindful of the tao. Martial arts are practised to enhance alertness and alertness to the circumstances we are in allows freedom of movement.

Line 4 goes yang

accepting the outer state less

Here we are becoming less involved in, less worried by, the outer inactivity and this has a quietening effect on us.

The Chinese Image
The headboard of a young bull.

A headboard over the horns was used to restrain and quieten the bull’s too-high spirits. The image sees this as an advantage to the whole.

Line 5 goes yang

less awareness of intuition

The less we interpret the life force the freer is the flow of the whole, for interpretation restricts possibilities; the less we interpret the more we accept.

The Chinese Image
The tusk of a gelded boar.
Good fortune.

The tusk is not changed when the boar is castrated but the drive that makes it dangerous is removed; this neatly pictures our personalization of activity, the way we own it.

Line 6 goes yin

our inner being accepts more

This line is our contact with the greater reality that surrounds us, our personal part in it, so this present involvement of our inner being with the greater undistinguished reality is a culmination of the tao.

The Chinese Image
He arrives at the way of heaven.

This is an acceptance of the great tao, it does not invest identity with some power or other but we are open to the inner silence (of the lower half of the hexagram, Ch’ien). In experience this may involve a deep discovery which brings us into deep peace with ourselves, or it may be that we simply feel more in tune.

Secondary HexagramHexagram 9

Using what is small.

Line image

In line 4, the only yin line, we are accepting that there is quietness in our outer world—we experience it directly, physically, and so accept it as real—but we are not experiencing the inactivity of inner energies and our absence of feeling about them so we are prone to expect more than there is available to us.

Trigram image

The emerging flow is tranquil (Ch’ien) but there is a hope or expectation of outer action (Tui). Identity is hesitant to act on this (Li) so our inner being is structured, unflowing (Sun). We learn to change our expectations to suit circumstances in this tao and the common name for the hexagram is “nourishment of the small”; it is part of the maturing of the personal self when the activity of its growth is no longer the only thing that matters.

The Chinese Oracle

Nourishment of the small.
Success.
Dense clouds but no rain
from the west.

Comments

When we are aware that we are nourished by what is small, the success is that we take that nourishment instead of rejecting it for something we see as more important (larger). The clouds presage rain (relief, flow of activity) from the west (maturity, sunset) but this relief is something we are looking for, the effect of maturing has not reached us yet and we are to be content with what progress (success) our situation provides.

If we feel disappointed with this it indicates that we are using our energy in anticipation to the detriment of our present experience.

Manifestations

The pattern
Creative tranquility
feels for activity.
Hesitates to move.
A little movement
soon matures.
For humans
To expect more than there is
will lose the value
of what we have.
To savour this little
gives nourishment.
In nature
The sun breaks through the clouds
late in the day,
giving a mellow evening.
If a small fire is blown
it is soon ashes.
In forms we make
Wise government
and good craftsmen
attend to quality.

Changing Lines

Line 1 goes yin

life force shows more change

At this first sign of activity in this restricting tao, we should not move, the emerging energy that is available will turn out to be too small; so we need to return to the tao of accommodating ourselves to it and thus we learn how to manage this situation.

The Chinese Image
The return to the way is beneficial and blameless.

This may seem to be a setback or error just as we thought we were free to be active, but this is the separate view of identity and not wide enough to take in the situation.

Line 2 goes yin

intuitive feeling more active

Here our feelings open to the tao instead of being in it with resentment; we are willing to play the game that small is beautiful instead of always looking for more.

The Chinese Image
We comply with a need to go back and that is beneficial.

Here, going back is from the point of view of outer identity in which going on means creating more of itself—more clarity of separateness by definition. Here, after hexagram 8, growth takes more subtle forms.

Line 3 goes yin

outer world changes more

When we create outer activity that the tao (our circumstances) will not support, this makes a stress in our situation. We are attempting to drive our vehicle but there is no driving power.

The Chinese Image
A carriage or spoked wheel, separated.
Man and wife with eyes averted.

The spokes of a wheel join the inner and the outer, the hub and the rim. The chariot is separated from the wheel, the rim is separated from its hub, the man is separated from his wife. The inner is separated from the outer here because we identify outwards without awareness that our activity is not supported by the life energies.

Line 4 goes yang

accepting the outer state less

If we do not accept the stillness of our outer world (line 3) we itch for activity and lose confidence in following the tao.

The Chinese Image
Confidence.
Blood and fear are no more.
No error.

Confidence in the inner energies, in the tao. Blood is the life flow and if we have confidence we do not lose this energy needlessly and our fear of not having enough disappears. To a part of ourselves, we may seem to be doing too little, so this is answered by the addition of “no error”.

Line 5 goes yin

more awareness of intuition

In this tao intuition is quiet; by accepting this quietness of feeling we also feel the quietness of acceptance. Quiet feeling is open to its environment in a way that active feeling can never be because it already has direction, so our acceptance of what is small in importance to us makes us at one with our situation.

The Chinese Image
Genuine involvement binds his heart to others and enriches his neighbour.

“Bind” is used here not in the sense of restricting but of making a very close relationship. Our neighbours are the circumstances we find ourselves amongst.

Line 6 goes yin

our inner being accepts more

When we accept the lightly manifest energy of this tao it is almost to accept the non-manifest as real. This has dangers to our manifest identity which still has its active cycle to run. We should witness without entanglement.

The Chinese Image
Rain and rest come. Virtue increases.
Even natural action brings peril to women.
The moon is nearly full.
Persistence by the superior man would bring misfortune.

The essence of virtue is that the whole is not led astray by the part. Here the part rests in the whole which is an increase of virtue. For the part to persist in its separate activity, whether of feeling or of distinguishing, will diminish the virtue and we will miss the peak of restfulness (the moon is nearly full); so we do not pursue our situation but simply rest in it.

Nuclear HexagramHexagram 54

Held back—breaks forth.

Line image

There is contradiction in this structure. We accept what is inactive innerly (lines 6 and 5) and reject what is active outside (line 4), so all movement is held up and nothing can be done. Such restraints on change cannot last for long because without change there is atrophy and the structure gives way to another; commonly the danger signals of being contained cause identity to break out of the restraint in some way.

It is an awkward structure because anything we do will be to relieve our feelings of being trapped without really changing our situation. While held thus by circumstances we will benefit by witnessing our reactions to it; it is always identity that traps itself—outer identity (line 4) cannot recognize activity as valid, it may, indeed, have been afraid for a long time, and then activity becomes awkward and undisciplined.

Trigram image

The flow is self-restricting, starting with hope (Tui) and then tentative in the world (Li) and sluggish in identity (K’an), but then with great force in our inner being (Chên). We hope for release of pent-up energies, but realizing their difficulties we are hesitant to let them out, so our activity is full of plans but very little outer action is possible. When energy cannot flow outwards it moves in our inner being and then awaits another chance of expression; when this chance comes the feeling that comes with it is “emotional”—charged with a purposeful need for expression.

The Chinese Oracle

The maiden seeks marriage.
Active undertakings bring misfortune.
No direction is favoured now.

Comments

The maiden (feeling) seeks the “other”, seeks definition and sense of purpose; a goal or direction is other to feeling, it is the male element to the female element. This goal or direction is to express the feeling in outer activity but this need is now out of phase with the tao—against the circumstances we are now in—and we usually get into such a situation by having experienced frustration of action at some earlier time and that action still needs expression. At present the circumstances of that challenge do not exist so if we act we are out of context.

Manifestations

The pattern
Young and joyful
but shy to venture.
Jumps with both feet;
becomes an active force.
For humans
His natural flow,
too long held back,
accepts any course for action.
Desire long unfulfilled
breaks forth.
How else could it become?
In nature
The lake flows out.
A young river, reluctant to flow,
comes to an abyss
and turns into a torrent.
In forms we make
When great force
overcomes unmoving friction
it is suddenly unopposed.

Changing Lines

Line 1 goes yin

life force shows more change

A change to greater activity of the life force cannot be fully used in this tao where we are without a feeling of it and not identifying in outer action.

The Chinese Image
The maiden marries as a concubine.
A lame man can walk.
Active directions bring good fortune.

She marries but not fully, he can walk but not fully; it is better to have this partial movement than none, it is better to participate in what is on offer than to live in our images of what ought to be on offer.

Line 2 goes yin

intuitive feeling more active

As the emerging life force is tending to become active in this tao (the trigram Tui) and everything is slow in our outer world, it is natural for our feelings towards activity to turn to this line which feels the life force. Feeling seeks the “other”, something to feel, but in these circumstances there is nothing available so we can only feel our own responses.

The Chinese Image
The one-eyed man can see.
Continuance of the solitary man brings advantage.

Feeling “looks” both inwards and outwards, but here vision is only on offer inwards so continuing in this is the way to proceed.

Line 3 goes yang

outer world changes less

We do not properly take part in the outer activity of this tao; we long to share but we cannot (sometimes dare not) give ourselves up to it. When the activity decreases we are able to take some part in it, an entrance into a world we wish to share.

The Chinese Image
From being a servant
she becomes a concubine.

A servant does not participate, a concubine does; a servant has separate quarters, a concubine co-inhabits. Here we become a participator, we enter the world of others and our energies have some outlet.

Line 4 goes yin

accepting the outer state more

In this moving line we are involved, we are interested or even dedicated to becoming involved; but this tao is a result of a long time of denial of outer flow and of acceptance of inner inactivity, so becoming interested in feelings of flow does not cause a torrent of activity, it prepares for movement.

The Chinese Image
The maiden does not marry at the usual age, she delays and makes a late marriage.

Line 5 goes yang

less awareness of intuition

In this tao we have been accepting that feeling is inactive; here we no longer accept this and so create a mind-feeling, a feeling stimulated by mind rather than the life force.

The Chinese Image
The emperor’s daughter was married in a gown less impressive than that of the serving maid.
The moon is nearly full, good fortune.

Our feeling is, in this symbol, the serving maid of our identifying, supplying the experience that is then identified, and this moving line 5 is about what identity does with feeling, how it dresses it up. The emperor is the ruler and our ruler in identity is the identifying process; this dresses up the experience in a way that is less beautiful than its original natural self. But the moon is nearly full, the growth of the feeling influence is waxing and about to reach its full radiance, so this opening to feeling will allow natural feeling to show itself again and this is good fortune.

Line 6 goes yang

our inner being accepts less

Here we cease to accept the life force as it emerges into manifestation and act as though we could create activity; but the life force is not active so our actions become gestures only.

The Chinese Image
The woman’s basket is empty.
When the man stabs a sheep
no blood flows.
No direction is now favourable.

In both these images the action of the person is empty, nothing in the basket and no blood in the sheep. Whether we feel (the woman) or try to make identifying nourishment for identity (the man) there is nothing there and no direction we take, no action we make, will produce the result we desire at present. It is something to learn that we are not the creators.