The tao is about allowing the inner forces to flow as they will, and here the greater activity of the life force may cause us to think we can move (there is some pressure for personal activity).

The danger comes from our not being aware of the wider nature of our circumstances (lines 2 and 6 being yang).

When intuitive feeling reacts to the life force it is interpreting it and so stands between the whole reality and identity; in identity’s terms it is a link but as reality is whole it is also a barrier.

Identity is our carriage which is part of whole reality except for its self-identification, when feeling does not interpret, the inner and outer are undivided, here feeling becomes active and so divides the outer from the inner. The image is a statement, not a judgement.

Here we are becoming less involved in, less worried by, the outer inactivity and this has a quietening effect on us.

A headboard over the horns was used to restrain and quieten the bull’s too-high spirits. The image sees this as an advantage to the whole.

The less we interpret the life force the freer is the flow of the whole, for interpretation restricts possibilities; the less we interpret the more we accept.

The tusk is not changed when the boar is castrated but the drive that makes it dangerous is removed; this neatly pictures our personalization of activity, the way we own it.

This line is our contact with the greater reality that surrounds us, our personal part in it, so this present involvement of our inner being with the greater undistinguished reality is a culmination of the tao.

This is an acceptance of the great tao, it does not invest identity with some power or other but we are open to the inner silence (of the lower half of the hexagram, Ch’ien). In experience this may involve a deep discovery which brings us into deep peace with ourselves, or it may be that we simply feel more in tune.

As this tao is about finishing off activity, now the emerging life force becomes active again we are talking about the beginnings of a new activity.

The work is done, the outgoing breath is finished so there is a new breath coming. In practical life there are many breaths taking place together and out of phase so that they interact. Our breathing out in one respect is the breathing in of somebody or something else and if we leave suddenly this is a shock to the shared experience.

To feel for finishing off activity is following the tao, but if we feel for making a new course of action it would be out of place.

Translators do not agree on the last line, making different sense of this basic idea that they have in common. Our intuitive feeling is normally looking for how to act in our circumstances, so a simple warning that we may be facing the wrong direction seems in keeping.

The single aim of completing activity will make the way clear for a new flow.

Three symbolizes transition, change. Change is what the journey is about and during it we may become polarized in choice and so become two and lose our wholeness, one. So if we are trying to be empty, and so whole and symbolically one, as well as choosing, which is symbolically two, we are three and we lose our wholeness, one. If, on the other hand, we are alone in our wholeness and do not choose we have the company of all things.

The outer state shown by line 3 is active, so here we are accepting this activity less, identifying in it less.

When we are not always choosing our aims, our future, all the other futures we would not choose are available to us; these others arising spontaneously are happiness.

Here we are no longer watching the feelings we have of the life force, we are trusting it and allowing it to be what it will.

Tortoise shells were used in China for oracle reading. When we are unconcerned whether we are feeling correctly, we feel naturally and flow in the tao; this is the same as having the oracle in abundance.

Accepting the life force is genuine decrease of separate self; we do not choose and it is choice that separates the one who chooses.

When we choose we increase what we choose and diminish others, but this increase in acceptance does not do this. If we have a direction we have no need to choose one so it is easier for us. Our home is where we identify and here we do not identify and so have no home, but if we are just part of the life force this is where people identify and we will appear to have followers.

A change to greater activity of the life force cannot be fully used in this tao where we are without a feeling of it and not identifying in outer action.

She marries but not fully, he can walk but not fully; it is better to have this partial movement than none, it is better to participate in what is on offer than to live in our images of what ought to be on offer.

As the emerging life force is tending to become active in this tao (the trigram Tui) and everything is slow in our outer world, it is natural for our feelings towards activity to turn to this line which feels the life force. Feeling seeks the “other”, something to feel, but in these circumstances there is nothing available so we can only feel our own responses.

Feeling “looks” both inwards and outwards, but here vision is only on offer inwards so continuing in this is the way to proceed.

We do not properly take part in the outer activity of this tao; we long to share but we cannot (sometimes dare not) give ourselves up to it. When the activity decreases we are able to take some part in it, an entrance into a world we wish to share.

A servant does not participate, a concubine does; a servant has separate quarters, a concubine co-inhabits. Here we become a participator, we enter the world of others and our energies have some outlet.

In this moving line we are involved, we are interested or even dedicated to becoming involved; but this tao is a result of a long time of denial of outer flow and of acceptance of inner inactivity, so becoming interested in feelings of flow does not cause a torrent of activity, it prepares for movement.

In this tao we have been accepting that feeling is inactive; here we no longer accept this and so create a mind-feeling, a feeling stimulated by mind rather than the life force.

Our feeling is, in this symbol, the serving maid of our identifying, supplying the experience that is then identified, and this moving line 5 is about what identity does with feeling, how it dresses it up. The emperor is the ruler and our ruler in identity is the identifying process; this dresses up the experience in a way that is less beautiful than its original natural self. But the moon is nearly full, the growth of the feeling influence is waxing and about to reach its full radiance, so this opening to feeling will allow natural feeling to show itself again and this is good fortune.

Here we cease to accept the life force as it emerges into manifestation and act as though we could create activity; but the life force is not active so our actions become gestures only.

In both these images the action of the person is empty, nothing in the basket and no blood in the sheep. Whether we feel (the woman) or try to make identifying nourishment for identity (the man) there is nothing there and no direction we take, no action we make, will produce the result we desire at present. It is something to learn that we are not the creators.