696776 · 47.1.2.3.6Hexagram 47

Exhaustion of activity.

Line image

Our outer responses (lines 4 and 5) are quiet and so is our intuitive feeling (line 2), so although there is activity to be experienced shown in lines 1 and 3 we are not responding to it. This pictures the common name of the hexagram, which is “exhaustion”. Our inner being is accepting the activity of the emerging tao so activity will return, but for now we have exhausted our responses to our circumstances.

Trigram image

Energy emerges into manifestation in the image of K’an; low energy, low flow. In the outer world it is tentative (Li) and enters a structured identity (Sun); all this is a weak energy flow, although in the inner being there is an expectation of activity (Tui) for future outer action.

The direction in which we have been going has lost its impetus, has become exhausted. Identity itself only feels exhausted when it is identified with an exhausted activity such as this and is not able to let it rest.

The Chinese Oracle

Exhaustion restricts,
leads to success
through continuance by the great man.
No error, but words spoken are not believed.

Comments

Continuing to see reality more widely and less restricted by the choices of desire is the way of the great man which opens to new ways where energy is flowing. We have identified ourselves in something where the life force is exhausted but words will not be believed because identification, by its very nature, restricts our sight in reality so that where we identify, that alone is real. Our conscious mind can understand but does not have much say in where we identify.

Manifestations

The pattern
Basic forces of opposition
change into the firm
through exhaustion
of their activity.
For humans
He misunderstands exhaustion,
“building walls” is exhausted
not the builder.
If he continues higher
he is pretending.
In nature
When the seas boil
in fissures of fire
this is too extreme
for the delicate tissues of life;
but when this force is spent,
life begins.
In forms we make
The completion of a form
is always the condition
for the start of another.
Exhaustion is its signal.

Changing Lines

Line 1 goes yang

life force shows less change

Here we have not changed our role, we see activity diminishing and our tiredness will not leave us until we can change. Resting is not for the purpose of allowing new efforts of the same sort we have been making, it is to empty ourselves of that effort so as to become new again; re-newed.

The Chinese Image
Entangled.
Naked branches in a dark valley.
For three years nothing happens.

The leafless tree is a winter tree and a dark valley is a night-time valley; the activity has gone out of the life force and until this changes, nothing can happen (the symbol three is of change and the year is a complete cycle).

Line 2 goes yin

intuitive feeling more active

When we are very tired we seek not only rest but also relief from tension and this leads us to relax restrictions that we normally impose upon ourselves—we indulge. When we open our feeling in this tao this is probably what we do.

The Chinese Image
Exhaustion and too much meat and drink.
The man with the scarlet sash is just coming.
Sacrifice furthers.
Activity brings misfortune
but there is no error.

Compensating ourselves for our circumstances is indulgence. If we are to benefit from the next turn of events (the man with the scarlet sash, an important one) this activity should be sacrificed or we miss, which is misfortune, but if we have not eyes to see it, it cannot be an error.

Line 3 goes yang

outer world changes less

Here we withdraw from outer activity, but as our outer activity is our contact with the “other” we isolate ourselves; when we do this our circumstances appear to oppose us.

The Chinese Image
Exhausted by rock.
Leans upon thorns.
Enters his house and does not see his wife.
Misfortune.

Exhaustion by rock; rock underlies the surface soil as truth underlies appearances, and truth represents “what is”; here we are exhausted by battling against what is, not accepting our circumstances, and so pain ourselves unnecessarily. In our personal self, our house, we are not aware of our intuitive feeling (the wife) and so do not see our circumstances as the truth would see it.

Line 4 goes yin

accepting the outer state more

We turn our attention to outer activity to find something new, recognizing that what we were doing is exhausted.

The Chinese Image
A slow arrival, exhausted in a golden carriage.
Some humiliation but he arrives.

Gold is an outer value and here we are carried by outer values, always looking for the new within these same values and so always exhausted; but continually looking for the new will eventually lead us to new values, a change in _us_. This is why the arrival is slow.

Line 5 goes yin

more awareness of intuition

Here we come to experience our exhaustion of feeling; if we can witness this without trying to act upon it we may see that it is our chosen tao that is exhausted, not our being which belongs to the great tao and is never exhausted.

The Chinese Image
His nose and feet are cut off.
Opposition to the man with the scarlet sash.
Joy come slowly.
Sacrifice is needed.

The nose leads the direction we face and the feet lead the direction we take; both are frustrated, cut off. We are in opposition to a greater truth, our truth is too small and when we cease our attachment to it, joy, flow, will return.

Line 6 goes yang

our inner being accepts less

If we had let go earlier we would not be exhausted; here we are too exhausted to accept the energy of the life force.

The Chinese Image
Exhausted by entanglement with creepers.
Moves unsurely and says he regrets it.
If the regret is genuinely felt his movements bring good fortune.

The creeping plants hold us only because we entangle ourselves with them (we say of habits that they grow on us). Not knowing how our desires creep into actions we cannot act with decision to dissociate ourselves from them. Feeling the regret genuinely is to feel the actual situation, not just regretting the discomfort we are in.

Secondary HexagramHexagram 13

Fulfilment in desire.

Line image

The only activity here is of intuitive feeling (line 2), so our experience of this tao will be of feeling; it is a communication between our personal self and what is “other”. This “other”, in general our circumstances, may be people or other things with which we relate; basically intuitive feeling is relationship in some form, and this tao is about relationship simply as it feels to us. The three yang lines at the top of the hexagram show that we have a tendency to ignore these feelings.

Trigram image

There is not a full flood of relating, the energy shown in the emerging trigram Li is hesitant and this is turned into structured forms in our outer world, so there is a tightness in relationship. The two trigrams in the top half of the hexagrams are Ch’ien, showing a withdrawal from participation; this is useful inasmuch as we do not manipulate but it is an impediment to the flow of relating. The flow, going from the hesitant to the structured, shows the tao as being about the establishment of relationship.

The Chinese Oracle

Fellowship in the open.
Success.
It is of benefit to cross the great water.
The superior man is furthered by perseverance.

Comments

It is the resonance of relationship, not what goes on within you or me, that is “in the open”. It is what is between us and exists in its own right—sometimes we have to obey it no matter what we think we ought to do. It has success; it causes great change in us and if we follow it, it is as if we were in a different country over the great water. It widens our reality if we pay attention to this aspect of ourselves which is outside ourselves—in the open.

Manifestations

The pattern
A transitory brightness
grows into the lasting,
indeed the eternal.
For humans
Living relationships
mean one fulfilling the other.
Recognition of complement
is attraction,
its activity, a stable
pattern of flow.
In nature
The fire is kindled
with the promise of wood.
The wood becomes radiant
only with fire.
Together they are like the sun.
In forms we make
Form is used,
transformed into brightness
in which the different
recognize one other
as part of one.
The wise ruler uses form thus.

Changing Lines

Line 1 goes yin

life force shows more change

When there is activity in the emerging life force there is possibility of relationship, there is the beginning of a cycle of relating.

The Chinese Image
Relationship at the gate.
No error.

Indeed how can there be error in the beginning if the movement is supported by the life force?

Line 2 goes yang

intuitive feeling less active

Without active feelings there can be no resonance between ourselves and others (what is other to ourselves). Any relationship that will open our awareness has to be with something or someone different from ourselves.

The Chinese Image
Fellowship within the clan causes regret.

We need to seek our complement, not our likeness, for feelings to become dynamic and resonate with one another.

Line 3 goes yin

outer world changes more

The tao is about feeling the resonance of relationship but here we are shy of the contest that polarity involves and transfer our attention to outer activity, doing things rather than feeling them and thinking things out rather than feeling them within us. In this way we miss the change in ourselves that the resonance of feeling would cause.

The Chinese Image
His weapons are hidden in long grass,
He is on a high mound.
For three years he can do nothing.

Weapons are symbolic of our polarity in activity; we hide this polarity which tends to create contest if it is manifest; we mount an easily defended position and so we miss a whole cycle of activity—we have to wait for this challenge to recur (symbolically three years). If we can gather our courage we should go forth and experience consequences instead of hiding from them, and this change is probably more possible than we think.

Line 4 goes yin

accepting the outer state more

The outer world is not active in this tao so here we are accepting inactivity on the outside. This enables us to pay attention to our feeling which is what the tao calls for.

The Chinese Image
He climbs his wall and does not attack.
Good fortune.

Our “wall” is our perimeter, where we find contact with the “other”, so here we find that being on this boundary between ourself and the other, where relationship happens, does not mean contest. Resonance is not battle.

Line 5 goes yin

more awareness of intuition

We now open ourselves to our active intuition and thus become aware of our relating, our resonance with others. When this resonance is felt it takes over our attention from the dominance of those parts of ourselves which are normally taking turns in conscious expression; resonance is not owned, it just happens, so whenever resonance takes over, feelings of separation cease.

The Chinese Image
The comrades at first weep and are sad but end by laughing.
The crowd comes together.

The crowd of our separations come together into the resonance, which is the happiness of laughter here.

Line 6 goes yin

our inner being accepts more

Relationship has its own cycle of change; as we begin to relate, it is from the position of separate identity, so the relationship is about contact and contest, out of this comes an area of shared experience, a resonance, and out of this again comes acceptance of the distance or separateness of the other in which contact and contest are less important while the resonance becomes more important. This third stage is symbolized here as we accept the stillness of the emerging life force of the tao (the lack of contact between polarities).

The Chinese Image
Relationship.
Distance.
Absence of desire.
No regret.

This is not a needy or desiring relationship so there will be no regret in it.

Nuclear HexagramHexagram 37

Nourishing relationships.

Line image

The activity here is in our intuitive feeling (line 2) and acceptance of an inactive outer world (line 4), so spontaneous feeling will be evident and it will be somewhat enclosed or protected. The common name of the hexagram is “the family” and it may refer to an enclosed unit of the external family or to our internal unit of different identifying parts in our personal self.

Trigram image

In the trigrams forming “the family” it is not surprising to find Li and K’an alternating and maturing at the top in Sun (Li is elemental female surrounded by elemental male and K’an is the converse). The energy flow is hesitant and with doubt as different elements try to merge together while keeping their separate identities, eventually maturing into a structure as a family does and also as our personal identity does.

The Chinese Oracle

The family.
The importance of the woman develops.

Comments

The central value of the female element is both growing and causing development in the whole, the family. It is the female attributes that become important, the feeling mode that creates the family as a unit, although of course the wife is central in the family also.

Manifestations

The pattern
Opposites alternate in harmony,
gently maturing.
For humans
The taming of fire made home.
The fire of opposites dancing together
becomes life rhythm.
The young and hesitant grow mature.
The fluid pattern of family life
grows firm, even rigid.
In nature
Sun and rain.
nature grows and ripens.
In forms we make
The ordering of things
so each plays its part
establishes order in the whole.

Changing Lines

Line 1 goes yin

life force shows more change

Activity from within is the essence and harmony in relationship, it comes from the shared reality and so is not in contest. Here it is activity that is shared and so helps to develop relationship.

The Chinese Image
The family is enclosed (regulated).
Regret disappears.

Enclosure separates the unit from the “other”, it creates the unit. The search for “the other” is satisfied so regret disappears in the relationship of complementary parts.

Line 2 goes yang

intuitive feeling less active

We are not looking for new feeling from the life force, not making feeling out of it but attending to daily matters.

The Chinese Image
She does not attend to separate matters
but to the preparation of food.
Continuance in this brings good fortune.

If intuitive feeling is active it is interpreting the life force to guide the growth of identity but here identity has all it requires within it (within the family) and attending to this brings the good fortune.

Line 3 goes yin

outer world changes more

Forming the whole, whether in family or personal self, requires activity to be within an enclosed structure. Here the activity tends to go outside.

The Chinese Image
When family members are at variance the confrontation may bring regret and danger but then good fortune.
If the woman and children do not take this seriously there is regret.

Confrontation comes when partners in relationship strengthen their separate role and relate outside. Only the separate can relate yet relating brings separate parts together, so confrontation is a basic need in relating; if, however, feeling does not take this fact seriously the structure of relationship is no longer enclosed and for the “family” this causes regret.

Line 4 goes yang

accepting the outer state less

Here we are becoming less concerned with a lack of outer activity, we are not looking for nourishment there because it already exists inside. This is to be centred.

The Chinese Image
Enriching the family.
Great good fortune.

The enrichment is from turning inwards so it is not about external wealth but the flow of internal relationships in feeling.

Line 5 goes yin

more awareness of intuition

Our intuitive feeling attracts our attention. There is a looking around for new identification which is threatening to the family.

The Chinese Image
The king’s influence comes to his family.
Do not be troubled.
Good fortune.

The king rules and holds the kingdom together, so here the worry of independent parts breaking up the unit of interrelationship is unfounded.

Line 6 goes yin

our inner being accepts more

The life force emerging into relationship (line 1) is yang, which is to say undefined energy, and here we are trusting in this, basing our being upon it. We trust the bonds which make the parts whole without questioning how or why, which lays the foundation for sound sharing of outer experience and makes it possible to share within ourself. It is necessary for sharing parts to recognize their common root—their part in it.

The Chinese Image
Sincerity.
Arrayed like a king.
Good fortune in the end.

Sincerity being within the family it grows an identity, we identify within it, and this is like a king because it rules the way we are; when the parts identify in the whole (in this case the family) they no longer need to be stating their separateness and this is the good fortune at the end of the formation of the family.