It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.

When there is activity in the emerging life force there is possibility of relationship, there is the beginning of a cycle of relating.

Indeed how can there be error in the beginning if the movement is supported by the life force?

Without active feelings there can be no resonance between ourselves and others (what is other to ourselves). Any relationship that will open our awareness has to be with something or someone different from ourselves.

We need to seek our complement, not our likeness, for feelings to become dynamic and resonate with one another.

The tao is about feeling the resonance of relationship but here we are shy of the contest that polarity involves and transfer our attention to outer activity, doing things rather than feeling them and thinking things out rather than feeling them within us. In this way we miss the change in ourselves that the resonance of feeling would cause.

Weapons are symbolic of our polarity in activity; we hide this polarity which tends to create contest if it is manifest; we mount an easily defended position and so we miss a whole cycle of activity—we have to wait for this challenge to recur (symbolically three years). If we can gather our courage we should go forth and experience consequences instead of hiding from them, and this change is probably more possible than we think.

The outer world is not active in this tao so here we are accepting inactivity on the outside. This enables us to pay attention to our feeling which is what the tao calls for.

Our “wall” is our perimeter, where we find contact with the “other”, so here we find that being on this boundary between ourself and the other, where relationship happens, does not mean contest. Resonance is not battle.

We now open ourselves to our active intuition and thus become aware of our relating, our resonance with others. When this resonance is felt it takes over our attention from the dominance of those parts of ourselves which are normally taking turns in conscious expression; resonance is not owned, it just happens, so whenever resonance takes over, feelings of separation cease.

The crowd of our separations come together into the resonance, which is the happiness of laughter here.

Relationship has its own cycle of change; as we begin to relate, it is from the position of separate identity, so the relationship is about contact and contest, out of this comes an area of shared experience, a resonance, and out of this again comes acceptance of the distance or separateness of the other in which contact and contest are less important while the resonance becomes more important. This third stage is symbolized here as we accept the stillness of the emerging life force of the tao (the lack of contact between polarities).

This is not a needy or desiring relationship so there will be no regret in it.

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.