It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

Line 6 being yin, we are following this emerging life force as it becomes more active.

Now there is energy where there was none, but this needs to be used in following (correct continuance). To follow our circumstances we need to go out to them, to follow with them (the associates).

To follow the life force we need to feel it. Here we are feeling it less and we lack experience of it.

The boy is youth seeking identification and self-experience while the mature man does not need this. That we need it now shows that an inexperienced aspect is active in us and we should allow this experience while witnessing it with our mature aspect if we can. To follow it without witnessing becomes an indulgence.

When outer activity decreases in the tao of following, we do not follow what is on the outside, seeking experience, but follow what is inner, accumulated experience.

What he needs is the wisdom to follow, not to seek experience.

Here identity is following outer activity and when we do this we do it for purposes, to obtain something we have identified.

Having purposes in the world is to get it to follow us, which is narrowing (evil), but if we constantly follow our circumstances as we see them we learn about the narrowness, and this is no error.

Intuition follows (feels) the emerging life force which is inactive here, so we are turning our following to the inner. As the inner is quiet we find ourselves remarkably close to being in the tao—following quite naturally by being part of it—where this feeling becomes very real.

Our inner being does not accept following. It may be his followers he does not accept or his own following of the tao.

Holding sincerely to changing circumstances as though bound fast to them, identification (the king) sacrifices itself in the mature state (the evening is the day matured, the mountain is the wide view of maturity). Whether followers or following is the subject here, identification as a mode of being is given up as a mature view is taken. Identification is not following but a form of owning.

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.