It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.

As the life force manifests actively here, it is easy to follow it innocently. There is no complication because innocence does not try to manipulate or identify itself anywhere but simply experiences; identity finds it easiest to do this with a new activity.

The life force becomes active in its natural cycle so that a clear flow will appear within it which is easy to follow.

When our feeling does not interpret the life force, we act innocently; there is no basis for planning what to do with our situation

Truly innocent activity cannot be planned; the changes (third year symbolizes changing in cycles) come of their own accord although we also reap what we sow. Being like this our direction is not confined, there is advantage in any direction that happens.

It is the nature of identity to identify the life flow and give it form. Here the outer flow is fixed and so is lost.

The unexpected comes to us when we are not in the flow (when in the flow the unexpected is normality). By roping the ox we lose it; when we travel in the flow the unexpected is a gain, a step forward, but when we settle down we turn it into a loss because we do not want change expect that which we plan for.

It is in this line that identity monitors our outer activity, so we may also manipulate it for our own ends.

It is necessary to follow the tao, it is fine to be involved in outer activity if we do this innocently; if we see a gain for ourselves we will lose our innocence.

Here we absorb ourselves in the feeling of stillness from the emerging life force and hope to gain something, but the life force will move again when it will, and all we will gain by our interest in its inactivity is an entanglement in feeling stillness which creates a blockage of activity.

Illness is at base always an interruption in the flow of something, a blockage of function. Being involved in the stillness of the life force causes us to manifest it, but it will pass as the life energy flows again.

Innocence brings on the unexpected, but to intentionally travel out to meet the unexpected is not innocence, it is a sort of cunning to defeat its unexpectedness. In the whole of this tao the harmonious is uncomplicated by desires and goals, identity is carried by the life force and has problems if it imposes its will.

Any action that we take through our interest in the unexpected flow is bound to be an interference with it. As in the fifth line we are acting out of discomfort and not allowing it to pass through our experience.

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.