It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.

It is fortunate for our outer state when the life force is manifesting activity, it creates a balance of inner and outer activity so that the outer seems to move of its own accord, at other times we seem to have to push very hard to make the smallest movement. In this line our activity will feel right.

Intuitive feeling is our first activity of distinguishing, we then define an attitude according to the feeling and so distinguish the feeling in terms of mind. It is advantageous in this tao that we should be free of mind attitudes and simply be in the flow, this gives freedom to the magic of the moment.

Tortoise shells are artefacts of magic, and what the tao offers in this line is the magic of the life force providing our feeling with just what it needs. For this to be accepted we need to drop our way of identifying what is happening and then choosing (this is the mode that normally rules us, is our king); if this is not sacrificed the gift is not seen or felt at all. Learning to drop our personal activity takes this long perseverance and is the inner good fortune of the tao.

It is more in tune with this tao to reduce our controlling of activity rather than to reduce the activity itself; our outer experience is food to the inner self. Here we make a move intending to do something about an overactive “I am” but “I am” doing it.

Our seal is that which identifies us and the prince is our identity (the outcome of our ruler which is the identifying process), so here we need to see how we are identifying ourselves, how we are choosing; the middle way is not to choose but to allow.

Here we choose less amongst the strong flow of outer activity which is this tao; it is in keeping with this flow to go with the outer activity but not to manipulate it.

The capital is the seat of government, the chooser, which is sacrificed in this tao to allow the magic of the life force. For symbols of the seal, the prince, and walking in the middle, see line 3.

By accepting direct feeling of the life force we are becoming one with our intuitive feeling of this tao about increase.

Questioning comes from the mind, flow from the feeling. The essence of the flow is to be genuinely in it, we cannot question a flow without stopping it.

This is no time to get involved in inner stillness (line 1 is yang) when we are in a tao of nourishing outer activity.

Here we fail to sacrifice the importance of identifying—we identify in the inner stillness—and we miss the middle path, the non-identified state. By trying first the outer and then the inner as our focus we are not being consistent and nothing is furthered; only a shock will change this cycle of choosing, for it fuels itself, so it is as if someone strikes him.

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.