Feeling is our link between the undefined inner and manifest outer; here in this line new activity of feeling is occurring although identity is taking no notice.

Our present identifications (the guests) are not noticing the nourishment available, but this cannot be error, it is just circumstance.

Our intuition about our circumstances as shown by line 2 is inactive; by accepting this lack of interpretive feeling, we allow life to happen to us.

The melons, the gourd family of fruits, have a multitude of seeds in the fruit casing, many possibilities. These possibilities are hidden within the fruit, the fruit is hidden in the leaves, it appears that nothing is there; then suddenly from this nothing (from heaven) there is a happening. This describes how life is when we do not anticipate it.

In this tao outer activity is not fed sufficiently to keep up its flow. Here in this line inner activity increases, but it is still necessary to conserve this and not to let it flow outwards without restraint. We have to provide our own restraint in this tao where our outer reality will take all that we can give and more, draining our source.

Restraint is a form of relationship with something and all relationship needs intuitive feeling, a direct knowledge of the other. If we are restrained in our relationships they do not flow, and feeling _is_ a flow, not something we hold. So here in the line of feeling, although we are in a tao of restraint, to stop a flow outwards would suffocate relationship and then there is nothing to restrain; where feeling is more active as in this line, it should flow out.

Whether it is beneficial to “go out” depends upon the subject to which the symbolism is attached; in line 1 it is no error not to go out because the subject is our inner energy that needs to be conserved, here the subject is feeling and to control the flow of feeling does not conserve it for it is a flow itself, it only makes us confused which is a misfortune.

Activity decreases in this tao because it is exhausted, and perhaps it is exhausted because it was unrestrained.

Here is a lesson learned and this is certainly no error. Without the experience of mistakes life is all theory, so mistakes that are regretted (and so understood) are experience well used.

Our outer world is active in this tao and here we are becoming less concerned with this activity, so we are not pushing it along by being active in it. This is in keeping with the idea of limitation and produces a more harmonious flow.

Our intuitive feeling is inactive; to become more involved in inactive feeling (feeling of peace) is harmonious in a tao of restraint, no effort of restraint is required is required when we are naturally peaceful.

It is the inactivity of the life energy that makes limitation necessary; by ignoring this we will overreach ourselves and be limited by the trickle of support the tao can give.

If we continually limit ourselves by the painful results of excess, a balance will be set up which keeps us on the edge of pain and this is a misfortune, but if we learn from going into pain through excess our regret ceases.

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.