967889 · 22.1.2.6Hexagram 22

Give way. Knowing both.

Line image

With line 2 we feel the quietness of the life force and with line 4 we accept the quietness of the outer world; this is a very gentle tao. While we are identified with feeling this (line 5 is yin) we are not taking the activity into our inner being (line 6), not becoming it, and this makes it a light, superficial experience, but not in any derogatory sense. The common name of the hexagram is “adornment” or “elegance”.

Trigram image

There is a great flow of energy in our outer identity (Chên) which does not reach our inner being (Kên); as intuitive feeling is also active but the life force is hesitant (Li) the activity is centred in our personality or outer showing. The world is quiet (K’an) and so not likely to attract our attention.

The Chinese Oracle

Grace (adornment or elegance). Success.
Advantage is lost if it takes the lead.

Comments

Adornment is the love of little external things, and these are part of the great reality, but when we attach our personality to such things they become important and lead our actions, producing vanity and the superficial in our usual derogatory sense. In this tao the love of the little things can be experienced without this attachment or ownership of them and this is its success.

Manifestations

The pattern
When a wider view prevails,
releasing tension between opposites,
there is a giving away gracefully.
For humans
To give way, to allow passage,
is to know your strength.
not squandering it in small matters.
In nature
The sea moves
under the moon
under the sun
and gains its strength.
In forms we make
Projection of a living self
into form
confuses the flowing field
with the poles.

Changing Lines

Line 1 goes yin

life force shows more change

Our inner being (line 6) does not accept stillness of the life force and we strike out on our own. This individual activity is superficial to the great tao but it is by such action that separate identity exists and learns about its reality.

The Chinese Image
Elegance about the feet.
He leaves the carriage and walks.

Here we direct our caring to finding our own way.

Line 2 goes yang

intuitive feeling less active

Here our feelings about the already silent life force themselves fall silent and this accentuates the outer surface of our reality.

The Chinese Image
He adorns his beard.

The beard is itself nature’s adornment, so here we make more of our outer showing.

Line 3 goes yin

outer world changes more

This tao is full of care for the outside world so increasing our outer activity can be rewarding if it is done with sincerity and respect for this reality.

The Chinese Image
His adornment is moist and glistening.
Great perseverance brings good fortune.

Soft, undemanding, attending to every little detail and adorning it like dew. Perseverance in this assists everything that is there and keeps our acquisitive aspect out of the activity.

Line 4 goes yang

accepting the outer state less

We take our identification away from the outer when we find it unsatisfactory. Here the outer world is inactive and this deprives us of identifications.

The Chinese Image
A white horse with wings.
Not a robber, a suitor.

The silence of the outer world in this tao is not a robber of our identifications as we had thought but an invitation to the recognition of the wholeness of the outer and inner together. White light is the mix of all coloured light and wings are used together; being carried (the horse) by taking both. Only when our identifications are in abeyance can we notice this.

Line 5 goes yang

less awareness of intuition

The feeling of the tao, the love of small outer reality, is now being ignored.

The Chinese Image
Elegance in gardens and hills.
His roll of silk is small and thin.
Humiliation, but good fortune
eventually.

The caring for the gardens and hills is there (in our intuitive feeling) but what we make of it (our roll of silk) is meagre; this limits our participation but the feeling is active (line 2) so there will be joyful participation nevertheless.

Line 6 goes yin

our inner being accepts more

Knowing that the outer and inner are one, we can become involved in the adornment of the outer without narrowing our reality. Then there is no choice to make and this makes our reality simple (It is only choice that complicates it). The inner is constantly flowing into the outer and the outer into the inner and this is the manifestation of the whole in identities; being an identity, when we flow with the tao of the moment we are simply being ourselves.

The Chinese Image
White adornment.
No error.

White is the sum of all coloured light and so is symbolic of the unchosen whole.

Secondary HexagramHexagram 46

New growth out of maturity.

Line image

The only yang lines, 2 and 3, are our first interpretation and the outer action of the life force. All the top three lines are yin so we accept whatever the tao brings; it brings an activity (line 1) that we do not interpret by feeling and do not act out. The common name of the hexagram is “pushing upwards” or “ascending”; it is activity coming to fruition that is not yet recognized.

Trigram image

This structured emerging life force (Sun) is hardly visible outside (Tui) but causes a great change (Chên) in our identity which is accepted by our inner being (K’un).

So this is about something happening in ourselves, though it will naturally be reflected in our outer actions later; it is a growth in our reality state because when accepting the energy into our inner being we become one with it rather than separating ourselves and trying to get what we want from it.

The Chinese Oracle

Ascending.
Greatest success.
It is necessary to see the great man
to get rid of anxiety.
Movement towards the south
brings good fortune.

Comments

In this tao it is the forces within us that are ascending, not we ourselves as identity. It is these forces that create success, not we ourselves in identity. It is necessary to see this widely (the great man) if we are not to become anxious about how well we will do, for when we own the life force we feel responsible for what is done, for what happens. Movement towards the south is towards the sun’s zenith or the full activity of the day and this brings good fortune, for the activity will be carried by the forces now ascending within us.

Manifestations

The pattern
After accumulation
there is much power
for activity later on.
For humans
He has gathered
and assimilated experience.
He can now
turn this into many forms.
He is mature yet young.
In nature
When roots are strong in the earth
they push up great growth.
New shoots from old stock.
In forms we make
Wealth has been made.
How to use it wisely?
Nature makes growth
in new directions.

Changing Lines

Line 1 goes yang

life force shows less change

When we are fully accepting our situation this acceptance remains even when there is no activity; identity is naturally activity-seeking so accepting inactivity involves a faith that activity will return.

The Chinese Image
Confidence in the ascent.
Great good fortune.

Line 2 goes yin

intuitive feeling more active

We feel the movement of inner energies by direct experience of intuitive feeling, so for this feeling to become more active is a natural outcome of the energies ascending within us.

The Chinese Image
Genuine involvement in the sacrifice.
No error.

To be in our feelings is to be genuinely involved, and the sacrifice in which we are involved is of the ownership of the ascent; we recognize that it is the life force which ascends and this is no error.

Line 3 goes yin

outer world changes more

When ascending energy reaches outer action there is no longer any doubt even in a doubting mind, for there it is for all to see.

The Chinese Image
He ascends into a more spacious city.

The life force moves outwards into the world and spreads out there. When this happens we in identity have a feeling of release, of enlargement we sometimes call our success; even if we do think of it in this narrow way we move with the life force.

Line 4 goes yang

accepting the outer state less

When we concern ourselves less with an outer experience which is inactive (line 3 is yang) we are taking it as the manifestation of the life force and not our own creation. In this way we offer something to the whole by sacrificing our attachment.

The Chinese Image
The king sacrifices on mount Chi.
Great good fortune and no error.

Mount Chi was in the homeland of King Wên, who is reputed to have put the Chinese oracle images in their present form. If King Wên sacrificed up mount Chi it was on the height of his homeland; innerly the height of our homeland is our mind reality, our separated position or point of view, and giving up our separateness is our ultimate sacrifice and good fortune.

Line 5 goes yang

less awareness of intuition

Here we no longer accept the absence of interpretation of the life force (the yang line 2), but the energy cannot ascend unchanged if we interpret it so the ascent is checked.

The Chinese Image
Continuance in the way
brings good fortune.
The ascent is by steps.

It is in steps if we do not continue in the way without stopping, as in the case of this line.

Line 6 goes yang

our inner being accepts less

When we try to fix our reality, narrow it to something that we can grasp, we feel more secure in our identity but we become more unaware of our actual situation (the movement of the life force).

The Chinese Image
A dark ascent.
Great continuance in the way
is needed.

The energy of the life force ascends in us but we are not aware of it now so it is “dark”.

Nuclear HexagramHexagram 40

Release from indecision.

Line image

Here is an absence of direct knowledge of the life force and an absence of interest in the outer world, lines 2 and 4 are yang while all the other lines are yin. Identity is aware of the quiet state of feeling (line 5) so we are not stressed either from inner feeling or outer activities.

Trigram image

The manifesting flow oscillates between K’an and Li and so does not have a direction; however the trigram about the inner being is Chên which has a decisive energy and great flow, this releases us from the indecision we have been in. The common name of the hexagram is “deliverance” or “release”; release comes from separating our being from the seeking and doing that was fuelling the see-saw.

The Chinese Oracle

Release.
The south and west are favourable.
If there is no activity to be accomplished
there is good fortune in returning.
If there is activity unfinished
a speedy end is favoured.

Comments

The south and west is where the sun traverses the sky as it goes from full activity to rest, so completing activity is favoured here if there is still something uncompleted.

Manifestations

The pattern
A new way leads out of
insecurity and vacillation.
Release from indecision.
For humans
Taking both.
Allowing tension through him,
not dodging it,
he comes to decision
and is released.
In nature
Torrential rain—mud.
Baking sun—rock.
Torrents again—mud.
Stress
between earth and heaven
flashes lightning and is no more.
Delicate tendrils, messengers,
can feel their way again.
In forms we make
Uncertainty of direction
is oscillation faster than complete action.
Taking both damps vibrations.

Changing Lines

Line 1 goes yang

life force shows less change

When beset with polarity we are in stress, choosing yet unable to make a choice and changing our choice even before putting it into effect. Here in this line the life force becomes quiet and this gives choice a rest.

The Chinese Image
No error.

It is the life flow emerging more quietly and lessening the stress, it is not our doing and cannot possibly be an error, but when beset by choice we are always overconscious of error.

Line 2 goes yin

intuitive feeling more active

Greater activity of our intuitive feeling enables us to find direction in the life force.

The Chinese Image
He kills three foxes.
One yellow arrow.
Continuance in the way
brings good fortune.

Yellow is an active colour (almost in the middle of our visible spectrum), applied to an arrow which indicates a chosen direction—we have chosen an active direction; this direction is between extremes, being given as “one” which is the whole or middle way of unchoosing. This direction ends the vacillation of choice which deprived us of identifying, in the same way a fox deprives man of his nourishment (three foxes because continual change of choice was the problem).

Line 3 goes yang

outer world changes less

To obtain freedom of flow identity needs to act out without identifying itself in the movement. Here in the line we seem to be confused about this and expect the life force to carry us out of stress without our taking part at all.

The Chinese Image
Riding in a carriage and carrying property he invites robbers.
Continuance brings misfortune.

We want to be carried yet we do not want to let go; not allowing activity is still controlling it.

Line 4 goes yin

accepting the outer state more

To become involved in outer activity is to make it our own; this gives entanglement, not deliverance. Only when we take ourselves out of the equation do we see that it balances.

The Chinese Image
Free yourself from your toes,
then the friend will come with trust.

The toes lead our steps and our steps are our personal way. The friend with trust is the life flow itself; willful activity causes the flow of circumstances to appear untrustworthy.

Line 5 goes yang

less awareness of intuition

We are no longer trying to discern the life force and so in a tao of release we allow it to be what it will.

The Chinese Image
The superior man alone
can free himself.
Good fortune.
Smaller men can only follow.

We cannot be released by following something, for we are attached to what we follow. It is necessary to be alone and open to be free; separating from attachment enables us to be free.

Line 6 goes yang

our inner being accepts less

Here identity chooses not to choose, which is release as the stress was in the choice.

The Chinese Image
The prince shoots an arrow,
kills a hawk on a high wall.
All is favourable.

The hawk sits on a high wall choosing what he will catch. High up is symbolically the head and a wall is a boundary and barrier, so we have been choosing from our position of defining which confines the choice; here the prince (identity) takes a direction (shoots an arrow) which kills the chooser.