789867 · 22.3.5Hexagram 22

Give way. Knowing both.

Line image

With line 2 we feel the quietness of the life force and with line 4 we accept the quietness of the outer world; this is a very gentle tao. While we are identified with feeling this (line 5 is yin) we are not taking the activity into our inner being (line 6), not becoming it, and this makes it a light, superficial experience, but not in any derogatory sense. The common name of the hexagram is “adornment” or “elegance”.

Trigram image

There is a great flow of energy in our outer identity (Chên) which does not reach our inner being (Kên); as intuitive feeling is also active but the life force is hesitant (Li) the activity is centred in our personality or outer showing. The world is quiet (K’an) and so not likely to attract our attention.

The Chinese Oracle

Grace (adornment or elegance). Success.
Advantage is lost if it takes the lead.

Comments

Adornment is the love of little external things, and these are part of the great reality, but when we attach our personality to such things they become important and lead our actions, producing vanity and the superficial in our usual derogatory sense. In this tao the love of the little things can be experienced without this attachment or ownership of them and this is its success.

Manifestations

The pattern
When a wider view prevails,
releasing tension between opposites,
there is a giving away gracefully.
For humans
To give way, to allow passage,
is to know your strength.
not squandering it in small matters.
In nature
The sea moves
under the moon
under the sun
and gains its strength.
In forms we make
Projection of a living self
into form
confuses the flowing field
with the poles.

Changing Lines

Line 1 goes yin

life force shows more change

Our inner being (line 6) does not accept stillness of the life force and we strike out on our own. This individual activity is superficial to the great tao but it is by such action that separate identity exists and learns about its reality.

The Chinese Image
Elegance about the feet.
He leaves the carriage and walks.

Here we direct our caring to finding our own way.

Line 2 goes yang

intuitive feeling less active

Here our feelings about the already silent life force themselves fall silent and this accentuates the outer surface of our reality.

The Chinese Image
He adorns his beard.

The beard is itself nature’s adornment, so here we make more of our outer showing.

Line 3 goes yin

outer world changes more

This tao is full of care for the outside world so increasing our outer activity can be rewarding if it is done with sincerity and respect for this reality.

The Chinese Image
His adornment is moist and glistening.
Great perseverance brings good fortune.

Soft, undemanding, attending to every little detail and adorning it like dew. Perseverance in this assists everything that is there and keeps our acquisitive aspect out of the activity.

Line 4 goes yang

accepting the outer state less

We take our identification away from the outer when we find it unsatisfactory. Here the outer world is inactive and this deprives us of identifications.

The Chinese Image
A white horse with wings.
Not a robber, a suitor.

The silence of the outer world in this tao is not a robber of our identifications as we had thought but an invitation to the recognition of the wholeness of the outer and inner together. White light is the mix of all coloured light and wings are used together; being carried (the horse) by taking both. Only when our identifications are in abeyance can we notice this.

Line 5 goes yang

less awareness of intuition

The feeling of the tao, the love of small outer reality, is now being ignored.

The Chinese Image
Elegance in gardens and hills.
His roll of silk is small and thin.
Humiliation, but good fortune
eventually.

The caring for the gardens and hills is there (in our intuitive feeling) but what we make of it (our roll of silk) is meagre; this limits our participation but the feeling is active (line 2) so there will be joyful participation nevertheless.

Line 6 goes yin

our inner being accepts more

Knowing that the outer and inner are one, we can become involved in the adornment of the outer without narrowing our reality. Then there is no choice to make and this makes our reality simple (It is only choice that complicates it). The inner is constantly flowing into the outer and the outer into the inner and this is the manifestation of the whole in identities; being an identity, when we flow with the tao of the moment we are simply being ourselves.

The Chinese Image
White adornment.
No error.

White is the sum of all coloured light and so is symbolic of the unchosen whole.

Secondary HexagramHexagram 42

Strength to accomplish challenges.

Line image

In lines 3 and 4 there is an active outer structure in which we are involved, it is supported by feeling but this feeling is not what we consider to be important (lines 2 and 5), it is what we do that has importance. Our inner being is quiet (lines 1 and 6), so here is a pattern of natural outer activity.

Trigram image

The emerging life energy is very forceful (Chên) and this flows freely in the outer world (K’un); identity contemplates this activity Kên without becoming over-involved, and Sun, in the place of our inner being, shows a maturing there.

This flow shows an advantageous time for outer activity because we are not too involved and we do not manipulate and make mistakes. Our inner being is supportive of the outer action and is maturing through the experience. This is an excellent situation for accomplishing what has been planned; its common name is “increase” or “gain”.

The Chinese Oracle

Increase.
Undertakings bring good fortune.
It is favourable to cross the great water.

Comments

Here the inner is increased by outer action. Changes are always involved in these increases so it is favourable to cross the great water—to change our approach to things, allow ourselves to see from new points of view. Widening experience and identity is increase.

Manifestations

The pattern
The flow of life seeks the high,
becoming firm yet gentle,
resisting indulgence.
In seeking the highest
the low is fulfilled.
For humans
Knowing he has power,
he accomplishes great tasks.
Not for himself
but he is strengthened.
In nature
On the mountain
the tree grows strong sinews
while nourishing the slopes.
In forms we make
Seeking the easy
weakens into difficulty.
Working in the difficult
grows an easy strength.

Changing Lines

Line 1 goes yin

life force shows more change

It is fortunate for our outer state when the life force is manifesting activity, it creates a balance of inner and outer activity so that the outer seems to move of its own accord, at other times we seem to have to push very hard to make the smallest movement. In this line our activity will feel right.

The Chinese Image
It is time for great works.
Greatest good fortune and no error.

Line 2 goes yang

intuitive feeling less active

Intuitive feeling is our first activity of distinguishing, we then define an attitude according to the feeling and so distinguish the feeling in terms of mind. It is advantageous in this tao that we should be free of mind attitudes and simply be in the flow, this gives freedom to the magic of the moment.

The Chinese Image
There is one who gives him very many tortoise shells and who would not be refused.
Long continuance in the way brings good fortune.
The king gives sacrifice to heaven. Good fortune.

Tortoise shells are artefacts of magic, and what the tao offers in this line is the magic of the life force providing our feeling with just what it needs. For this to be accepted we need to drop our way of identifying what is happening and then choosing (this is the mode that normally rules us, is our king); if this is not sacrificed the gift is not seen or felt at all. Learning to drop our personal activity takes this long perseverance and is the inner good fortune of the tao.

Line 3 goes yang

outer world changes less

It is more in tune with this tao to reduce our controlling of activity rather than to reduce the activity itself; our outer experience is food to the inner self. Here we make a move intending to do something about an overactive “I am” but “I am” doing it.

The Chinese Image
Unfortunate increase,
sincere and without blame.
Take the middle way and report
to the prince with your seal.

Our seal is that which identifies us and the prince is our identity (the outcome of our ruler which is the identifying process), so here we need to see how we are identifying ourselves, how we are choosing; the middle way is not to choose but to allow.

Line 4 goes yang

accepting the outer state less

Here we choose less amongst the strong flow of outer activity which is this tao; it is in keeping with this flow to go with the outer activity but not to manipulate it.

The Chinese Image
He walks in the middle and reports to the prince.
It is favourable to be an agent
in the removal of the capital.

The capital is the seat of government, the chooser, which is sacrificed in this tao to allow the magic of the life force. For symbols of the seal, the prince, and walking in the middle, see line 3.

Line 5 goes yin

more awareness of intuition

By accepting direct feeling of the life force we are becoming one with our intuitive feeling of this tao about increase.

The Chinese Image
If you come from the heart
and do not question,
greatest good fortune.
Genuine involvement
is the virtue recognized.

Questioning comes from the mind, flow from the feeling. The essence of the flow is to be genuinely in it, we cannot question a flow without stopping it.

Line 6 goes yin

our inner being accepts more

This is no time to get involved in inner stillness (line 1 is yang) when we are in a tao of nourishing outer activity.

The Chinese Image
He increases no one.
Someone strikes him.
He is inconsistent.
Misfortune.

Here we fail to sacrifice the importance of identifying—we identify in the inner stillness—and we miss the middle path, the non-identified state. By trying first the outer and then the inner as our focus we are not being consistent and nothing is furthered; only a shock will change this cycle of choosing, for it fuels itself, so it is as if someone strikes him.

Nuclear HexagramHexagram 40

Release from indecision.

Line image

Here is an absence of direct knowledge of the life force and an absence of interest in the outer world, lines 2 and 4 are yang while all the other lines are yin. Identity is aware of the quiet state of feeling (line 5) so we are not stressed either from inner feeling or outer activities.

Trigram image

The manifesting flow oscillates between K’an and Li and so does not have a direction; however the trigram about the inner being is Chên which has a decisive energy and great flow, this releases us from the indecision we have been in. The common name of the hexagram is “deliverance” or “release”; release comes from separating our being from the seeking and doing that was fuelling the see-saw.

The Chinese Oracle

Release.
The south and west are favourable.
If there is no activity to be accomplished
there is good fortune in returning.
If there is activity unfinished
a speedy end is favoured.

Comments

The south and west is where the sun traverses the sky as it goes from full activity to rest, so completing activity is favoured here if there is still something uncompleted.

Manifestations

The pattern
A new way leads out of
insecurity and vacillation.
Release from indecision.
For humans
Taking both.
Allowing tension through him,
not dodging it,
he comes to decision
and is released.
In nature
Torrential rain—mud.
Baking sun—rock.
Torrents again—mud.
Stress
between earth and heaven
flashes lightning and is no more.
Delicate tendrils, messengers,
can feel their way again.
In forms we make
Uncertainty of direction
is oscillation faster than complete action.
Taking both damps vibrations.

Changing Lines

Line 1 goes yang

life force shows less change

When beset with polarity we are in stress, choosing yet unable to make a choice and changing our choice even before putting it into effect. Here in this line the life force becomes quiet and this gives choice a rest.

The Chinese Image
No error.

It is the life flow emerging more quietly and lessening the stress, it is not our doing and cannot possibly be an error, but when beset by choice we are always overconscious of error.

Line 2 goes yin

intuitive feeling more active

Greater activity of our intuitive feeling enables us to find direction in the life force.

The Chinese Image
He kills three foxes.
One yellow arrow.
Continuance in the way
brings good fortune.

Yellow is an active colour (almost in the middle of our visible spectrum), applied to an arrow which indicates a chosen direction—we have chosen an active direction; this direction is between extremes, being given as “one” which is the whole or middle way of unchoosing. This direction ends the vacillation of choice which deprived us of identifying, in the same way a fox deprives man of his nourishment (three foxes because continual change of choice was the problem).

Line 3 goes yang

outer world changes less

To obtain freedom of flow identity needs to act out without identifying itself in the movement. Here in the line we seem to be confused about this and expect the life force to carry us out of stress without our taking part at all.

The Chinese Image
Riding in a carriage and carrying property he invites robbers.
Continuance brings misfortune.

We want to be carried yet we do not want to let go; not allowing activity is still controlling it.

Line 4 goes yin

accepting the outer state more

To become involved in outer activity is to make it our own; this gives entanglement, not deliverance. Only when we take ourselves out of the equation do we see that it balances.

The Chinese Image
Free yourself from your toes,
then the friend will come with trust.

The toes lead our steps and our steps are our personal way. The friend with trust is the life flow itself; willful activity causes the flow of circumstances to appear untrustworthy.

Line 5 goes yang

less awareness of intuition

We are no longer trying to discern the life force and so in a tao of release we allow it to be what it will.

The Chinese Image
The superior man alone
can free himself.
Good fortune.
Smaller men can only follow.

We cannot be released by following something, for we are attached to what we follow. It is necessary to be alone and open to be free; separating from attachment enables us to be free.

Line 6 goes yang

our inner being accepts less

Here identity chooses not to choose, which is release as the stress was in the choice.

The Chinese Image
The prince shoots an arrow,
kills a hawk on a high wall.
All is favourable.

The hawk sits on a high wall choosing what he will catch. High up is symbolically the head and a wall is a boundary and barrier, so we have been choosing from our position of defining which confines the choice; here the prince (identity) takes a direction (shoots an arrow) which kills the chooser.