Here our feelings about the already silent life force themselves fall silent and this accentuates the outer surface of our reality.

The beard is itself nature’s adornment, so here we make more of our outer showing.

This tao is full of care for the outside world so increasing our outer activity can be rewarding if it is done with sincerity and respect for this reality.

Soft, undemanding, attending to every little detail and adorning it like dew. Perseverance in this assists everything that is there and keeps our acquisitive aspect out of the activity.

The feeling of the tao, the love of small outer reality, is now being ignored.

The caring for the gardens and hills is there (in our intuitive feeling) but what we make of it (our roll of silk) is meagre; this limits our participation but the feeling is active (line 2) so there will be joyful participation nevertheless.

Widening our awareness requires the activity of the life force. Here, unfortunately in our experience, the life force goes into a tranquil phase and the tao of inner change is interrupted; outer activity is not a suitable vehicle for our energies in this tao so we shall do no good by trying to externalize. It is an experience of frustration we do best to witness rather than trying to correct.

Intuitive feeling is the vehicle of identity in this tao, so we miss the flow when this feeling becomes less active and concern ourselves with more personal, psychological matters, trying to distinguish what the blockage is.

The ancestor and mother are records of past things, old ways of defining and feeling his reality; the prince is a new way of ruling, a new way of experiencing and we cannot reach this without intuitive feeling; we can only reach the minister who is the organizer of practical matters. There is no error because the cause of all this is not within our control.

The tao (our circumstances) favours inner awareness and we avoid this by creating outer activity. When the pressure for change is from our inner reality yet this is transferred to a projection outside, there is a blockage of inner flow which shows itself in activity of our “personal unconscious” and this _will_ be heard, if we do not listen it will force its way into consciousness; accidents are formed in this way.

To become interested in peaceful outer activity (the yang line 3) gives direction without involvement but to become agitated about its inactivity would neglect the tao and deplete inner energies.

The danger of activity is becoming identified in it, making it important, we are aware of (we accost) this syndrome but identifying is a slippery customer.

We do not wish to feel something; this means there is no flow of energy although the possibility of it is there.

Feeling is the release and flow symbolized by rain; here it is not released because identity is not allowing it; it comes from the west, where the sun sets, showing it to be a dying activity. The prince, our latest identity, has aimed his identifying into the inner darkness, the cave, and has hit something there; he does not know what he hit but he was probably afraid of it.

We are now less involved in this tao of accepting the inner reality in which we only have a little show outside.

What we avoid meeting is the tao, the circumstances we are in; this splits our reality into outer and inner and the wholeness (the bird, which uses a polarity of wings together) leaves us. Inasmuch as we are aware of this it is an intended hurt, but our awareness is partial.

When beset with polarity we are in stress, choosing yet unable to make a choice and changing our choice even before putting it into effect. Here in this line the life force becomes quiet and this gives choice a rest.

It is the life flow emerging more quietly and lessening the stress, it is not our doing and cannot possibly be an error, but when beset by choice we are always overconscious of error.

Greater activity of our intuitive feeling enables us to find direction in the life force.

Yellow is an active colour (almost in the middle of our visible spectrum), applied to an arrow which indicates a chosen direction—we have chosen an active direction; this direction is between extremes, being given as “one” which is the whole or middle way of unchoosing. This direction ends the vacillation of choice which deprived us of identifying, in the same way a fox deprives man of his nourishment (three foxes because continual change of choice was the problem).

To obtain freedom of flow identity needs to act out without identifying itself in the movement. Here in the line we seem to be confused about this and expect the life force to carry us out of stress without our taking part at all.

We want to be carried yet we do not want to let go; not allowing activity is still controlling it.

To become involved in outer activity is to make it our own; this gives entanglement, not deliverance. Only when we take ourselves out of the equation do we see that it balances.

The toes lead our steps and our steps are our personal way. The friend with trust is the life flow itself; willful activity causes the flow of circumstances to appear untrustworthy.

We are no longer trying to discern the life force and so in a tao of release we allow it to be what it will.

We cannot be released by following something, for we are attached to what we follow. It is necessary to be alone and open to be free; separating from attachment enables us to be free.

Here identity chooses not to choose, which is release as the stress was in the choice.

The hawk sits on a high wall choosing what he will catch. High up is symbolically the head and a wall is a boundary and barrier, so we have been choosing from our position of defining which confines the choice; here the prince (identity) takes a direction (shoots an arrow) which kills the chooser.