969867 · 22.1.2.3.5Hexagram 22

Give way. Knowing both.

Line image

With line 2 we feel the quietness of the life force and with line 4 we accept the quietness of the outer world; this is a very gentle tao. While we are identified with feeling this (line 5 is yin) we are not taking the activity into our inner being (line 6), not becoming it, and this makes it a light, superficial experience, but not in any derogatory sense. The common name of the hexagram is “adornment” or “elegance”.

Trigram image

There is a great flow of energy in our outer identity (Chên) which does not reach our inner being (Kên); as intuitive feeling is also active but the life force is hesitant (Li) the activity is centred in our personality or outer showing. The world is quiet (K’an) and so not likely to attract our attention.

The Chinese Oracle

Grace (adornment or elegance). Success.
Advantage is lost if it takes the lead.

Comments

Adornment is the love of little external things, and these are part of the great reality, but when we attach our personality to such things they become important and lead our actions, producing vanity and the superficial in our usual derogatory sense. In this tao the love of the little things can be experienced without this attachment or ownership of them and this is its success.

Manifestations

The pattern
When a wider view prevails,
releasing tension between opposites,
there is a giving away gracefully.
For humans
To give way, to allow passage,
is to know your strength.
not squandering it in small matters.
In nature
The sea moves
under the moon
under the sun
and gains its strength.
In forms we make
Projection of a living self
into form
confuses the flowing field
with the poles.

Changing Lines

Line 1 goes yin

life force shows more change

Our inner being (line 6) does not accept stillness of the life force and we strike out on our own. This individual activity is superficial to the great tao but it is by such action that separate identity exists and learns about its reality.

The Chinese Image
Elegance about the feet.
He leaves the carriage and walks.

Here we direct our caring to finding our own way.

Line 2 goes yang

intuitive feeling less active

Here our feelings about the already silent life force themselves fall silent and this accentuates the outer surface of our reality.

The Chinese Image
He adorns his beard.

The beard is itself nature’s adornment, so here we make more of our outer showing.

Line 3 goes yin

outer world changes more

This tao is full of care for the outside world so increasing our outer activity can be rewarding if it is done with sincerity and respect for this reality.

The Chinese Image
His adornment is moist and glistening.
Great perseverance brings good fortune.

Soft, undemanding, attending to every little detail and adorning it like dew. Perseverance in this assists everything that is there and keeps our acquisitive aspect out of the activity.

Line 4 goes yang

accepting the outer state less

We take our identification away from the outer when we find it unsatisfactory. Here the outer world is inactive and this deprives us of identifications.

The Chinese Image
A white horse with wings.
Not a robber, a suitor.

The silence of the outer world in this tao is not a robber of our identifications as we had thought but an invitation to the recognition of the wholeness of the outer and inner together. White light is the mix of all coloured light and wings are used together; being carried (the horse) by taking both. Only when our identifications are in abeyance can we notice this.

Line 5 goes yang

less awareness of intuition

The feeling of the tao, the love of small outer reality, is now being ignored.

The Chinese Image
Elegance in gardens and hills.
His roll of silk is small and thin.
Humiliation, but good fortune
eventually.

The caring for the gardens and hills is there (in our intuitive feeling) but what we make of it (our roll of silk) is meagre; this limits our participation but the feeling is active (line 2) so there will be joyful participation nevertheless.

Line 6 goes yin

our inner being accepts more

Knowing that the outer and inner are one, we can become involved in the adornment of the outer without narrowing our reality. Then there is no choice to make and this makes our reality simple (It is only choice that complicates it). The inner is constantly flowing into the outer and the outer into the inner and this is the manifestation of the whole in identities; being an identity, when we flow with the tao of the moment we are simply being ourselves.

The Chinese Image
White adornment.
No error.

White is the sum of all coloured light and so is symbolic of the unchosen whole.

Secondary HexagramHexagram 59

Dissipation of energy.

Line image

Owing to the fact that we are ignoring the inactive nature of feeling (lines 2 and 5) we are not in touch with the energy that will feed our outer action; this is neither good nor bad, but has the effect that we act in the outer world without any involvement in replacing this energy from within. We are finishing off an activity, clearing the system of commitment; the outer is active and we accept this (lines 3 and 4) while our inner being (line 6) is not involved in the emerging energy of line 1.

Trigram image

There is little energy to start with (K’an) and this rushes into outer activity (Chên); this rush is stilled by our identity which is not involved in it (Kên) and this forms mature structure in our inner being (Sun). Energy is dissipated or dispersed externally and as no new flow is identified from the emerging life force, our inner being becomes still.

Allowing this dissipation of what we may think of as our main assets, our activities or doing, creates an emptiness, and emptiness is itself creative in allowing new ways of being to enter.

The Chinese Oracle

Dispersing or scattering.
Success.
The king approaches his temple.
It brings advantage to cross the great water,
Continuance in the way is rewarded.

Comments

The king is our ruler, which for identity is the process of identifying; the temple of the whole process of identifying is where it sacrifices its separateness to the whole, not a physical place but a state of mind in which identifications are given up, sacrificed. The image says that a cycle of our identifying is dispersing and this scattering of our focus is the success our situation offers. To cross the great water is to change our way of being; to cross the mystical river is death and re-birth and across great stretches of water is always a different culture.

Sacrifice is not easy, but we do not approach our temple to ask for the continuance of what we are.

Manifestations

The pattern
Energy
working against resistance
is dissipated.
For humans
If he makes it a task
it is beyond his powers.
If he is wise he seeks help
and changes to new ways.
In nature
Thunder roars in the lowland
but is hardly heard up the mountain.
In forms we make
When resistance overcomes activity
systems lose their cohesion;
new ones form.

Changing Lines

Line 1 goes yang

life force shows less change

When our own life force energies need no expression and have become silent we may follow the tao concerning some need outside ourselves.

The Chinese Image
He helps with the strength
of a horse.
Good fortune

Line 2 goes yin

intuitive feeling more active

Feeling is our first interpretation of the life force, from it we define our reactions and outer actions in the world; here in this tao we are scattering a form of identity so it is counter-productive to turn feeling into attitudes.

The Chinese Image
Dispersion is occurring.
Hurry to protection
and regret disappears.

Feeling is protected if kept within; in sacrificing the formation of an attitude we must hurry because feeling turns into an attitude so quickly we hardly see it turning, if indeed we see it at all. If we can stop in time, regret will disappear because regret is only possible when we have invested in attitudes.

Line 3 goes yang

outer world changes less

Our outer activity naturally wanes in this tao, and it is harmonious to allow it to die away so that we have no goal, no desire to achieve. We will then be empty, ready to allow the inner source to pass through and resonate in us.

The Chinese Image
He dissolves his self-centre
No regret.

Line 4 goes yang

accepting the outer state less

Our own outer activity is normally directed towards achieving our desires in the world. Here we withdraw from this relationship, it is time to end what we have been doing to make room for something new.

The Chinese Image
He disperses his grouping.
Greatest good fortune.
Scattering leads to re-grouping;
The ordinary man does not consider this.

The ordinary man is our normal mode of creating a world out of our attitudes, it takes an extraordinary attitude to realize that our being is indestructible and our form one of continual change.

Line 5 goes yin

more awareness of intuition

Feeling is not creating anything and we are living in this state of non-identification more where nothing leads identity and it becomes an awareness of being.

The Chinese Image
He makes great statements.
Perspiring, the king gives his valuables to the people.
No error.

The effort is great when the identifying process gives away the right to identify; identity gives up the ownership of what is there; it is a great statement, a great realization.

Line 6 goes yin

our inner being accepts more

Accepting dispersal in our inner being is the scattering of our ongoing self, the realization that this is not necessary to being.

The Chinese Image
Scattering his blood.
Keeping at a distance.
No error.

Blood is the life flow, the nourishing medium of our inner life which enables the separate parts to maintain themselves. To scatter this is to dissipate the established pattern of ourself or to keep it at a distance from our ability to be. It is to flow simply with the life force rather than with our own pattern of flow.

Nuclear HexagramHexagram 40

Release from indecision.

Line image

Here is an absence of direct knowledge of the life force and an absence of interest in the outer world, lines 2 and 4 are yang while all the other lines are yin. Identity is aware of the quiet state of feeling (line 5) so we are not stressed either from inner feeling or outer activities.

Trigram image

The manifesting flow oscillates between K’an and Li and so does not have a direction; however the trigram about the inner being is Chên which has a decisive energy and great flow, this releases us from the indecision we have been in. The common name of the hexagram is “deliverance” or “release”; release comes from separating our being from the seeking and doing that was fuelling the see-saw.

The Chinese Oracle

Release.
The south and west are favourable.
If there is no activity to be accomplished
there is good fortune in returning.
If there is activity unfinished
a speedy end is favoured.

Comments

The south and west is where the sun traverses the sky as it goes from full activity to rest, so completing activity is favoured here if there is still something uncompleted.

Manifestations

The pattern
A new way leads out of
insecurity and vacillation.
Release from indecision.
For humans
Taking both.
Allowing tension through him,
not dodging it,
he comes to decision
and is released.
In nature
Torrential rain—mud.
Baking sun—rock.
Torrents again—mud.
Stress
between earth and heaven
flashes lightning and is no more.
Delicate tendrils, messengers,
can feel their way again.
In forms we make
Uncertainty of direction
is oscillation faster than complete action.
Taking both damps vibrations.

Changing Lines

Line 1 goes yang

life force shows less change

When beset with polarity we are in stress, choosing yet unable to make a choice and changing our choice even before putting it into effect. Here in this line the life force becomes quiet and this gives choice a rest.

The Chinese Image
No error.

It is the life flow emerging more quietly and lessening the stress, it is not our doing and cannot possibly be an error, but when beset by choice we are always overconscious of error.

Line 2 goes yin

intuitive feeling more active

Greater activity of our intuitive feeling enables us to find direction in the life force.

The Chinese Image
He kills three foxes.
One yellow arrow.
Continuance in the way
brings good fortune.

Yellow is an active colour (almost in the middle of our visible spectrum), applied to an arrow which indicates a chosen direction—we have chosen an active direction; this direction is between extremes, being given as “one” which is the whole or middle way of unchoosing. This direction ends the vacillation of choice which deprived us of identifying, in the same way a fox deprives man of his nourishment (three foxes because continual change of choice was the problem).

Line 3 goes yang

outer world changes less

To obtain freedom of flow identity needs to act out without identifying itself in the movement. Here in the line we seem to be confused about this and expect the life force to carry us out of stress without our taking part at all.

The Chinese Image
Riding in a carriage and carrying property he invites robbers.
Continuance brings misfortune.

We want to be carried yet we do not want to let go; not allowing activity is still controlling it.

Line 4 goes yin

accepting the outer state more

To become involved in outer activity is to make it our own; this gives entanglement, not deliverance. Only when we take ourselves out of the equation do we see that it balances.

The Chinese Image
Free yourself from your toes,
then the friend will come with trust.

The toes lead our steps and our steps are our personal way. The friend with trust is the life flow itself; willful activity causes the flow of circumstances to appear untrustworthy.

Line 5 goes yang

less awareness of intuition

We are no longer trying to discern the life force and so in a tao of release we allow it to be what it will.

The Chinese Image
The superior man alone
can free himself.
Good fortune.
Smaller men can only follow.

We cannot be released by following something, for we are attached to what we follow. It is necessary to be alone and open to be free; separating from attachment enables us to be free.

Line 6 goes yang

our inner being accepts less

Here identity chooses not to choose, which is release as the stress was in the choice.

The Chinese Image
The prince shoots an arrow,
kills a hawk on a high wall.
All is favourable.

The hawk sits on a high wall choosing what he will catch. High up is symbolically the head and a wall is a boundary and barrier, so we have been choosing from our position of defining which confines the choice; here the prince (identity) takes a direction (shoots an arrow) which kills the chooser.