669987 · 56.1.2.3.4Hexagram 56

Search for new reality.

Line image

In this structure we make our reality in feeling (lines 2 and 5 are yin) and we are not involved in the inner reality of our circumstances (line 6 is yang); the outer world does not provide a reality we can “get into” (lines 3 and 4 are both yang) so we feel but do not feel nourished. This feeling leads to a rejection of our present circumstances and the search for new situations; the common name of the hexagram is “the wanderer”, our feelings become like feelers searching for something that would be more real for us.

Trigram image

The life force emerges into stillness (Kên), makes outer structure (Sun), gives hope for a movement (Tui), and is taken hesitantly (Li) by our inner being; we seek to transform our outer reality and find circumstances that feel right for us, so we wander into different situations to find this sense of rightness. This tao comes about when we do not accept the circumstances we are in.

The Chinese Oracle

The wanderer.
Success of what is small.
Continuance brings good fortune.

Comments

The wanderer has given up his fixed home, his established reality, and searches for new experience. He is searching in what is small—in the narrow choosing reality—so his success will be there. He has a need to experience this so that he knows its truths and its limitations, so it is good fortune to persevere in it. There is no ultimate goal there, it is small, it is a passing through, a wandering.

Manifestations

The pattern
Stillness and maturity
searching for the new
leads to continual change.
For humans
He goes from place to place
making changes in each:
searching his death
that will enable him to live,
searching a change in himself.
In nature
When it is very dry
fire ranges across the forest
looking always for new fuel.
In forms we make
The state
engulfs other states
when its own opposition is dead.

Changing Lines

Line 1 goes yang

life force shows less change

When there is no activity from the inner (whole) reality and we are wandering because we are, for now, ignoring the nature of the whole, our wanderings become random, our interest is in the illusion of movement and we do not find here the sense of realness we seek.

The Chinese Image
Entangling in trifling matters
brings misfortune.

We can experience the illusion without being entangled, without believing it to be totally real. Nothing is totally real except the whole, and by its nature identity cannot experience this as part of the smallness. The misfortune is losing touch with the whole.

Line 2 goes yang

intuitive feeling less active

A feeling of unreality gives rise to the idea that circumstances are unsatisfactory and this drives the wanderer on. In this moving line this feeling becomes less active so we can rest a while in ordinary circumstances—these appear to be real again and support identity.

The Chinese Image
The wanderer is safe at an inn
and still has his valuables.
He has a loyal young servant.

An inn is a place for a temporary stay while wandering, and any wanderer’s valuables are his beliefs and principles; so we have settled into our reality and are not searching at the moment. We are helped in this by loyal feeling, a sense of realness that does not desert us; feeling is the servant of identity, providing what it needs to identify amongst; here it is tranquil (yang).

Line 3 goes yin

outer world changes more

With an increase in outer activity the feeling of unreality in it all returns, as it must because the wanderer is not wandering purposelessly but to find a different sense of the real. When we lose our sense of purpose in outer activity it can no longer support our own sense of being real or justified.

The Chinese Image
The inn which housed the wanderer
burns down.
He loses his young servant.
There is danger.

The inn and the young servant are explained in line 2, which makes their context easy to see here. The feeling of danger is of insecurity, danger to feeling worthwhile.

Line 4 goes yin

accepting the outer state more

Now we are interested in the idea of being inactive, doubting that all this wandering is a good idea, so we settle down where we are. Although we are accepting our outer reality as it is, unstimulating, this is not going to change anything, but to treat it as a rest is more real, for our wandering is not completed yet.

The Chinese Image
The wanderer finds shelter and rest.
He has his valuables and axe
but his heart has no joy.

Innerly our valuables are the identifications we have chosen and the axe symbolizes our defence of these; so according to the image we do not change ourselves, and as joy comes only with the flow of change we feel no joy, but we have rest.

Line 5 goes yang

less awareness of intuition

We are less in our feelings of wandering; wandering is not the important thing it was. Innerly wandering is searching for something outside ourselves that feels more satisfying, more nourishing; here we find that this is not the way, and this is itself a new direction for us.

The Chinese Image
He shoots a pheasant,
loses an arrow.
The end brings praise and office.

He gains nourishment (the pheasant) and loses direction (the arrow). His direction was wandering, and exchanging this for nourishment in his present situation is the end of wandering and creates an established presence (office) and recognition (praise).

Line 6 goes yin

our inner being accepts more

When our outer reality becomes unsatisfactory we wander. Here in this line we are accepting wandering as a way of being and this will not be fulfilling for very long because it is not just that we are in a bad place—all outer identification feels lacking.

The Chinese Image
The bird burns up its own nest.
First the wanderer laughs
but then weeps and cries out.
He carelessly loses his cow.
Misfortune.

The bird is a symbol of spirit or whole reality and its nest is where it raises its young; our being cannot raise more young (new experience) if we stay in outer identification; the new comes from the inner. At first, being out in defined reality seems clear and to be a solution, but nothing new comes and it becomes a repetition. When the inner is included in our sense of the real, new experience comes fresh each day, like the service of a cow—this we carelessly lose.

Secondary HexagramHexagram 41

Failure of expectation.

Line image

There is activity outside (line 3) and acceptance of this (line 4); the emerging life force is quiet (line 1) and so is our feeling for this (line 2); so energy is flowing outside and not being replaced from within. In line 5 identity accepts the quietness of feeling, so the tao is about emptying ourselves of activity, not seeking the new.

Trigram image

We become one with the flow of activity outwards, shown by trigrams Chên and K’un, while our inner being (Kên) is observing and not creating new impulses out of this. It is as though we were breathing out without thought for our next breath to come, it will come but for now we need to be in the emptying out so that the new breath comes entirely of itself. It is important not to be goal-seeking here for this retains the old as a plan for the future, when we do this the tao becomes a failure of expectations.

The Chinese Oracle

Decrease with genuine involvement.
Greatest good fortune and no error.
A direction is of advantage.
Two small bowls for the sacrifice.

Comments

Really genuine involvement in emptying out is necessary to make the decrease complete so that it will fill of its own accord, and this self-filling of the life force is the great good fortune. Having a direction we do not need to seek for one, so we need to complete directions we have already started upon. When we sacrifice with two small bowls, one in each hand, we no longer choose, we sacrifice both, and only then is it possible to be empty.

Manifestations

The pattern
Starts with great promise,
grows with vigour,
has no offspring.
Makes way for the new.
For humans
No outcome.
After growth, no activity
of fertility.
No coming together of diversity.
Where has he gone?
Into the stillness.
How did he reach it?
Giving up both.
In nature
The crop fails.
Look what is growing.
In forms we make
Not to expect the unexpected
is the natural failure of those who plan.

Changing Lines

Line 1 goes yin

life force shows more change

As this tao is about finishing off activity, now the emerging life force becomes active again we are talking about the beginnings of a new activity.

The Chinese Image
Going quickly when the work is finished is without error,
but consider the effects of this.

The work is done, the outgoing breath is finished so there is a new breath coming. In practical life there are many breaths taking place together and out of phase so that they interact. Our breathing out in one respect is the breathing in of somebody or something else and if we leave suddenly this is a shock to the shared experience.

Line 2 goes yin

intuitive feeling more active

To feel for finishing off activity is following the tao, but if we feel for making a new course of action it would be out of place.

The Chinese Image
Continuance in the way brings good fortune but to attempt to advance brings misfortune.
Not decrease but increase.

Translators do not agree on the last line, making different sense of this basic idea that they have in common. Our intuitive feeling is normally looking for how to act in our circumstances, so a simple warning that we may be facing the wrong direction seems in keeping.

Line 3 goes yang

outer world changes less

The single aim of completing activity will make the way clear for a new flow.

The Chinese Image
Three going in company will lose one.
One alone finds company.

Three symbolizes transition, change. Change is what the journey is about and during it we may become polarized in choice and so become two and lose our wholeness, one. So if we are trying to be empty, and so whole and symbolically one, as well as choosing, which is symbolically two, we are three and we lose our wholeness, one. If, on the other hand, we are alone in our wholeness and do not choose we have the company of all things.

Line 4 goes yang

accepting the outer state less

The outer state shown by line 3 is active, so here we are accepting this activity less, identifying in it less.

The Chinese Image
Reducing the number of his mistakes,
others come to him in happiness.
no error.

When we are not always choosing our aims, our future, all the other futures we would not choose are available to us; these others arising spontaneously are happiness.

Line 5 goes yang

less awareness of intuition

Here we are no longer watching the feelings we have of the life force, we are trusting it and allowing it to be what it will.

The Chinese Image
There is one who gives him very many tortoise shells and who would not be refused.
Greatest good fortune.

Tortoise shells were used in China for oracle reading. When we are unconcerned whether we are feeling correctly, we feel naturally and flow in the tao; this is the same as having the oracle in abundance.

Line 6 goes yin

our inner being accepts more

Accepting the life force is genuine decrease of separate self; we do not choose and it is choice that separates the one who chooses.

The Chinese Image
Increase that does not diminish others.
No error.
Continuance in the way brings good fortune.
Having a direction is beneficial.
He has followers but no home.

When we choose we increase what we choose and diminish others, but this increase in acceptance does not do this. If we have a direction we have no need to choose one so it is easier for us. Our home is where we identify and here we do not identify and so have no home, but if we are just part of the life force this is where people identify and we will appear to have followers.

Nuclear HexagramHexagram 28

Rigidity.

Line image

In our inner being, line 6, we accept the activity of change that is available in our circumstances (line 1 is yin), but our intuitive feeling in line 2 is inactive and so is our outer world in line 3; identity is not interested in changing any of this (lines 4 and 5 are yang). This is a picture of stress where there is inner pressure for change but no response from the outer, manifesting self. It is too still, too rigid, has no flexibility.

Trigram image

The energy emerges formed and structured by the trigram Sun, is inactive throughout its manifestation as Ch’ien both for identity and the outer world, and has just a hope of change in Tui for our inner being. Here is a flow only at the very borders of our awareness, everything manifest is held rigid and cannot move, yet the activity of the inner is pushing it to move. When rigid structures are forced to change shape something gives way suddenly.

The Chinese Oracle

Excess.
The ridgepole sags.
Movement is favourable.
Success.

Comments

We recognize excess by the stress it creates, without stress excess is felt as abundance. So here we are in a situation of stress pictured as the ridge of a roof about to give way; the ridge is where the two sides of the roof meet, and the roof is what separates us from the elements—a picture of our duality which “protects” identity from being engulfed in the great unknown reality. This “protection” is threatened, and keeping the polarities of our choices apart is threatened when they become excessive, when we or our society becomes too polarized for the flow of manifestation to happen, for the flow of manifestation is interchange between polarities.

Manifestations

The pattern
From the inner there is no flow.
Action is all inactivity,
Making return a beginning.
For humans
When firm and inflexible,
the only way of moving is to break.
When so gentle it changes nothing,
the only way of living is to die
into a beginning.
In nature
The wood is too ripe for budding,
too rigid for change
until it returns to earth.
In forms we make
No longer supported, must fall.
Falling, finds support.

Changing Lines

Line 1 goes yang

life force shows less change

The stress in this tao is created by the force of the life energy from the inner acting upon rigid form in our lives (in ourselves). Here the activity is lessened and the stress limited.

The Chinese Image
Spreading white rushes underneath.
No error.

This is protection by the inner being, rushes are put under something to soften the contact, they are white because there is no selection in this action (white light is all-coloured light).

Line 2 goes yin

intuitive feeling more active

Here the rigidity itself is loosening, we are starting to feel the life force again and this is the beginning of new feeling.

The Chinese Image
The wizened willow tree
puts out new shoots.
An old man has a young wife.
All is favourable.

The old finds a way to flow again, and it was the lack of flow that caused the excess of pressure.

Line 3 goes yin

outer world changes more

In this tao identity has excessively structured duality; to act out from this projects the stress into our circumstances.

The Chinese Image
The ridgepole sags to breaking point.
Misfortune.

The ridgepole giving way is like our giving out the stress from within us, we give way to it and the consequences to our environment are unfortunate.

Line 4 goes yin

accepting the outer state more

What we are accepting here in this moving line is the inactivity of our outer world, so there is less stress because we are not struggling with our rigidity. This does not change the rigidity but makes it more manageable and may mask the basic problem.

The Chinese Image
The ridgepole has support.
Good fortune.
Reliance on weak support
is unfortunate.

Reliance on masking the stresses we have would be a weak support.

Line 5 goes yin

more awareness of intuition

Becoming aware of intuitive feeling that is inactive is to be more aware but not to have more feeling.

The Chinese Image
The wizened willow flowers.
The old woman takes a husband.
No praise. No blame.

This is widening awareness, opening up, flowering; then old feeling (from memory) comes to thought, to consciousness. These do not change things, the flowering does not change the tree and the old woman cannot have children, in other words there is no new growth.

Line 6 goes yang

our inner being accepts less

Here we give up the struggle and become unaware of the activity pushing us towards change. When we become unaware of forces they overtake us.

The Chinese Image
Fording a river, the water rises over his head.
Misfortune. No error.

To give way to the flow is no error, only uncomfortable; it overcomes the rigidity and so changes us.