789969 · 30.3.4.5.6Hexagram 30

Clinging to the real.

Line image

Only lines 2 and 5, which refer to feeling, are active; neither the inner nor the outer reality concerns us, only feeling. It is the nature of feeling to flow continually, but here it cannot flow inwards or outwards and this creates such difficulties as we have with this tao. Feeling is, however, very near to the life force, being our recognition of it, so it is full of vitality also. Vitality and stillness, or feeling the stillness, perhaps expresses the mood of this tao.

Trigram image

This flow is difficult to express to consciousness. It is the flow of stillness, if that can be thought; it is feeling, which is flow, being still (hence the hesitation shown in the two feeling trigrams, Li). Some difficulty arises because in outer consciousness realness is change and that which does not change attracts no attention. This tao is about feeling our inner awareness, so the outer flow is mature and gentle (Sun) and the life force only becomes active again as it enters our inner being in the top trigram Li, through a budding of identity in the third trigram, Tui.

The flow is difficult to experience as well as difficult to express, and for the same reason, it is an unaccustomed experience; this leads to a number of blunders which show in the moving lines.

The Chinese Oracle

Brilliance. Beauty.
Continuance in the way brings rewards.
Success.
Caring for cows. Good fortune.

Comments

The reward of continuing in the way (tao) is in this case feeling the essence of the reality that we know usually only by its effects. This is where the brilliance and the beauty are. The symbol of caring for cows involves us in the cycle of re-birth and feeding what is new; the cow brings fresh nourishment each day and being in life like that brings out the good fortune of the tao.

Manifestations

The pattern
Brightness is part of the transition of the firm and ripened into the new, which has a new brightness.
Brightness depends upon fuel, transition upon brightness, bright new form upon transition.
For humans
Clinging to the real, fitfully,
he shines through the shadows of his form.
Consuming his reality reveals an essence
brighter than his spark of faith.
In nature
From a spark the forest flames.
From the ashes all grows new.
In forms we make
Form transmutes,
welcomes death.

Changing Lines

Line 1 goes yin

life force shows more change

Here, in the tao where feeling alone is active and accepted, the life force emerges. It will emerge into active feeling which will either feel towards activity or towards stillness. The first of these is outwards and against the flow of the tao while the second is inwards to its heart—to feel the stillness as alive, not an absence.

The Chinese Image
Reverence and respect amongst confused directions is no error.

Reverence and respect are attitudes we adopt towards those things we do not fully understand, recognize as something great but somehow beyond us. Our directions are confused because the tao is asking us to change direction; the confusion is no error, the unknowing respect is no error, they are simply factors in our situation.

Line 2 goes yang

intuitive feeling less active

A cycle of feeling is lessening.

The Chinese Image
Yellow light.
Great good fortune.

The yellow light of late afternoon comes as the sun begins to set and the day (outer activity) is fulfilled in its completion. This gentle image is a beautiful symbol for the activity of stillness, the late afternoon sunlight has just that effect on us. Between high noon and night; at the peak of our eye’s sensitivity; yellow stands for activity of the middle way.

Line 3 goes yin

outer world changes more

Here we only know outer activity and confuse this with the inner brilliance when it is time for this outer experience to give way to the realization of inner light.

The Chinese Image
In the light of the setting sun
the young beat their cooking pots
and sing; the old sigh.
Misfortune.

The nourishment of the young and growing is in their experience (their cooking pot) but it has lost its original use, its sense of being real, and has become the rhythm of their song, the habit of it. The old sigh because the future has gone out of life, not being able to see life in stillness. We have a direction which does not continue; the beauty and the brilliance are not there if we see the outer activity as the only real.

Line 4 goes yin

accepting the outer state more

In this tao the outer is inactive and our attention is drawn to the inner which is difficult for identity to grasp; turning back to the outer in this line it is as though we turn our attention to something that is just disappearing.

The Chinese Image
Sudden its coming.
Suddenly it dies away.

Being unable to feel what inner activity is like, because it seems to the outer sense to be a void, we are out of phase with the life force. In this line which deals with outer activity this tao is naturally difficult.

Line 5 goes yang

less awareness of intuition

Giving up our identification with intuitive feeling is to lessen the mind-reality side of feeling, the defining or imaging of it; when we give this up the feeling is left flowing for itself, the inner flows outwards unhampered by images of what it is.

The Chinese Image
Floods of tears.
Piteous sighs.
Good fortune.

The flow of feeling, an outflow of tears and signs, is dis-stress, this is seen by the mind as distress in its negative meaning of discomfort but for the feeling that is being expressed it is relief and good fortune.

Line 6 goes yin

our inner being accepts more

Accepting the life force is accepting the tao most especially when the tao is about the inner flow of the life force. Here we overcome the separateness of identity in some way by becoming one with the flow—yet these words are not quite right, we include our separateness in the flow without rejecting it; only the separateness of our individuality is rejected. This seems odd to our minds because it is separateness that creates individuality; such paradoxes are common on the borders, where reality has two faces at once.

The Chinese Image
The king goes out to chastise the rebels,
kills the leaders, not the followers.
No error.

Rebels are symbolic of our divisive parts, or separate identification. Thus it is the separators and not the followers that are killed, it is the separation we are doing away with and this is no error.

Secondary HexagramHexagram 3

Difficulties in beginnings.

Line image

Here we accept our outer world activity (lines 4 and 3) while ignoring our intuitive feeling (lines 5 and 2), so we go into things without preparation and learn from experience. This is not a criticism but just a fact; as our inner being is receptive to this (line 6), and is changed by it. The emerging life force is not in change so this experience is outward-looking.

Trigram image

There is great energy in the emerging life force (Chên) and flowing in the outer world (K’un), but it is stilled by our lack of involvement (Kên); we are at a loss as to how to move (K’an). This situation occurs when we are in unfamiliar circumstances and have to find out how to respond; the common name of the hexagram is “difficulty in beginnings”.

The Chinese Oracle

Difficulty is followed by great success.
Continuance in the way is rewarded.
Remain in the existing, not seeking the new.
To appoint princes brings advantage.

Comments

When something starts, there is the energy of its inception; when this runs out, there is the temptation to seek a new direction, but the energy must now come from our own self. By continuing in our present circumstances we become strong, which is the success.

Princes are the sons of the ruler, the king, and in our reality of distinguishing things the identifying process is our ruler; so appointing princes is to adopt new ways of identifying, new ways of approaching our experience.

Manifestations

The pattern
When the young flows first
with little stamina,
it is overcome by obstacles.
By flowing on it overcomes them.
For humans
New things begin to move.
Difficulties arise in the path.
To halt at difficulty brings out danger.
Perseverance brings on flowing.
In nature
Young growths grow fast, sappy,
and easily hurt against obstacles;
but new shoots are ready
to follow up.
In forms we make
When they first come together
there is a honeymoon,
then a strength of will,
then a compromise
for the sake of travelling together.

Changing Lines

Line 1 goes yin

life force shows more change

Here a need for activity stirs, appearing as a move of fate opening up activity. It is necessary to give strength to this and make it a force, otherwise we cannot gain experience (make mistakes and learn) and come up against the world.

The Chinese Image
The hinderance of hesitation.
Be firm in perseverance.
To appoint princes brings advantage.

The phrase about princes is interpreted in the oracle comments above. The hesitation comes from unawareness of our intuitive feeling of the life force shown in the yang line 5.

Line 2 goes yang

intuitive feeling less active

Our feelings are not recognizing that the challenge of individual activity is necessary and so we lose driving power. This is part of the birth of an individuality; there are still forces within us which are not ready to leave the great tao, the total parent, and become separate. Knowledge of this is not enough by itself, we need to woo the feeling towards taking part before we really join the dance. We _are_ born and need to accept this fully; the beginning is difficult but as we continue it gets easier.

The Chinese Image
No advance.
Horse and carriage not connected.
A chaste maiden is wooed
but refuses; after ten years
she accepts.

The chaste maiden is our feeling which is not at this time accepting a challenge. There is no driving power because the horse, feeling, is not connected to our circumstances which are the carriage of our activity. When we refuse a challenge in this way we cannot advance until we meet a new challenge of this same sort, which is the symbol of a whole cycle of ten years before the maiden accepts.

Line 3 goes yang

outer world changes less

Here we come up against outer world activity, find ourselves without guidelines, and desist. Indeed it is only prudent to do this while we assess the new activity—to rush in with newly-found ego energy is going to create problems.

The Chinese Image
If a hunter hunts without a guide he gets lost in the forest. The superior man sees danger and does not go into it; to do so would bring misfortune.

The superior man is our wide-seeing ability which comes from having many experiences and taking their essence or wisdom into our inner being. In this tao we are in unfamiliar experience but here we can use our existing wisdom to avoid entanglement.

Line 4 goes yang

accepting the outer state less

Here we withdraw our identification from outer activity, perhaps for fear of consequences. To work through this difficulty we need to see our inner need for activity in order to have experience of the world which is what this tao is about.

The Chinese Image
Horse and wagon are disconnected.
Seek union.
Going forward brings good fortune
and actions prosper.

When growing some part of our identity, it halts our progress if we do not identify ourselves with our actions. This identification is part of all growing phases, so union between ourself and our action is needed for our manifestation to prosper.

Line 5 goes yin

more awareness of intuition

In this tao we are actively feeling a new situation; here we open ourselves to this because it is pleasurable in some way. In this learning tao, there is also learning in how to handle pleasurable situations; if we give ourselves to them like a tap fully turned on, the supply is soon exhausted. On the other hand if we confine our participation to a trickle, the experience is too mean. Here the flow of feeling should be open but not under the pressure of the need to develop self.

The Chinese Image
Difficulties with something that is fulfilling. A little perseverance is a good thing but great perseverance is disastrous.

Line 6 goes yang

our inner being accepts less

Here we do not accept a new situation into our ongoing self and so we separate this personal self from our circumstances.

The Chinese Image
Horse and carriage are disconnected.
Blood and tears.

We cannot flow in our experience so symbolically our life-blood (experience) overflows in regretful feeling.

Nuclear HexagramHexagram 28

Rigidity.

Line image

In our inner being, line 6, we accept the activity of change that is available in our circumstances (line 1 is yin), but our intuitive feeling in line 2 is inactive and so is our outer world in line 3; identity is not interested in changing any of this (lines 4 and 5 are yang). This is a picture of stress where there is inner pressure for change but no response from the outer, manifesting self. It is too still, too rigid, has no flexibility.

Trigram image

The energy emerges formed and structured by the trigram Sun, is inactive throughout its manifestation as Ch’ien both for identity and the outer world, and has just a hope of change in Tui for our inner being. Here is a flow only at the very borders of our awareness, everything manifest is held rigid and cannot move, yet the activity of the inner is pushing it to move. When rigid structures are forced to change shape something gives way suddenly.

The Chinese Oracle

Excess.
The ridgepole sags.
Movement is favourable.
Success.

Comments

We recognize excess by the stress it creates, without stress excess is felt as abundance. So here we are in a situation of stress pictured as the ridge of a roof about to give way; the ridge is where the two sides of the roof meet, and the roof is what separates us from the elements—a picture of our duality which “protects” identity from being engulfed in the great unknown reality. This “protection” is threatened, and keeping the polarities of our choices apart is threatened when they become excessive, when we or our society becomes too polarized for the flow of manifestation to happen, for the flow of manifestation is interchange between polarities.

Manifestations

The pattern
From the inner there is no flow.
Action is all inactivity,
Making return a beginning.
For humans
When firm and inflexible,
the only way of moving is to break.
When so gentle it changes nothing,
the only way of living is to die
into a beginning.
In nature
The wood is too ripe for budding,
too rigid for change
until it returns to earth.
In forms we make
No longer supported, must fall.
Falling, finds support.

Changing Lines

Line 1 goes yang

life force shows less change

The stress in this tao is created by the force of the life energy from the inner acting upon rigid form in our lives (in ourselves). Here the activity is lessened and the stress limited.

The Chinese Image
Spreading white rushes underneath.
No error.

This is protection by the inner being, rushes are put under something to soften the contact, they are white because there is no selection in this action (white light is all-coloured light).

Line 2 goes yin

intuitive feeling more active

Here the rigidity itself is loosening, we are starting to feel the life force again and this is the beginning of new feeling.

The Chinese Image
The wizened willow tree
puts out new shoots.
An old man has a young wife.
All is favourable.

The old finds a way to flow again, and it was the lack of flow that caused the excess of pressure.

Line 3 goes yin

outer world changes more

In this tao identity has excessively structured duality; to act out from this projects the stress into our circumstances.

The Chinese Image
The ridgepole sags to breaking point.
Misfortune.

The ridgepole giving way is like our giving out the stress from within us, we give way to it and the consequences to our environment are unfortunate.

Line 4 goes yin

accepting the outer state more

What we are accepting here in this moving line is the inactivity of our outer world, so there is less stress because we are not struggling with our rigidity. This does not change the rigidity but makes it more manageable and may mask the basic problem.

The Chinese Image
The ridgepole has support.
Good fortune.
Reliance on weak support
is unfortunate.

Reliance on masking the stresses we have would be a weak support.

Line 5 goes yin

more awareness of intuition

Becoming aware of intuitive feeling that is inactive is to be more aware but not to have more feeling.

The Chinese Image
The wizened willow flowers.
The old woman takes a husband.
No praise. No blame.

This is widening awareness, opening up, flowering; then old feeling (from memory) comes to thought, to consciousness. These do not change things, the flowering does not change the tree and the old woman cannot have children, in other words there is no new growth.

Line 6 goes yang

our inner being accepts less

Here we give up the struggle and become unaware of the activity pushing us towards change. When we become unaware of forces they overtake us.

The Chinese Image
Fording a river, the water rises over his head.
Misfortune. No error.

To give way to the flow is no error, only uncomfortable; it overcomes the rigidity and so changes us.