987987 · 30.1.4Hexagram 30

Clinging to the real.

Line image

Only lines 2 and 5, which refer to feeling, are active; neither the inner nor the outer reality concerns us, only feeling. It is the nature of feeling to flow continually, but here it cannot flow inwards or outwards and this creates such difficulties as we have with this tao. Feeling is, however, very near to the life force, being our recognition of it, so it is full of vitality also. Vitality and stillness, or feeling the stillness, perhaps expresses the mood of this tao.

Trigram image

This flow is difficult to express to consciousness. It is the flow of stillness, if that can be thought; it is feeling, which is flow, being still (hence the hesitation shown in the two feeling trigrams, Li). Some difficulty arises because in outer consciousness realness is change and that which does not change attracts no attention. This tao is about feeling our inner awareness, so the outer flow is mature and gentle (Sun) and the life force only becomes active again as it enters our inner being in the top trigram Li, through a budding of identity in the third trigram, Tui.

The flow is difficult to experience as well as difficult to express, and for the same reason, it is an unaccustomed experience; this leads to a number of blunders which show in the moving lines.

The Chinese Oracle

Brilliance. Beauty.
Continuance in the way brings rewards.
Success.
Caring for cows. Good fortune.

Comments

The reward of continuing in the way (tao) is in this case feeling the essence of the reality that we know usually only by its effects. This is where the brilliance and the beauty are. The symbol of caring for cows involves us in the cycle of re-birth and feeding what is new; the cow brings fresh nourishment each day and being in life like that brings out the good fortune of the tao.

Manifestations

The pattern
Brightness is part of the transition of the firm and ripened into the new, which has a new brightness.
Brightness depends upon fuel, transition upon brightness, bright new form upon transition.
For humans
Clinging to the real, fitfully,
he shines through the shadows of his form.
Consuming his reality reveals an essence
brighter than his spark of faith.
In nature
From a spark the forest flames.
From the ashes all grows new.
In forms we make
Form transmutes,
welcomes death.

Changing Lines

Line 1 goes yin

life force shows more change

Here, in the tao where feeling alone is active and accepted, the life force emerges. It will emerge into active feeling which will either feel towards activity or towards stillness. The first of these is outwards and against the flow of the tao while the second is inwards to its heart—to feel the stillness as alive, not an absence.

The Chinese Image
Reverence and respect amongst confused directions is no error.

Reverence and respect are attitudes we adopt towards those things we do not fully understand, recognize as something great but somehow beyond us. Our directions are confused because the tao is asking us to change direction; the confusion is no error, the unknowing respect is no error, they are simply factors in our situation.

Line 2 goes yang

intuitive feeling less active

A cycle of feeling is lessening.

The Chinese Image
Yellow light.
Great good fortune.

The yellow light of late afternoon comes as the sun begins to set and the day (outer activity) is fulfilled in its completion. This gentle image is a beautiful symbol for the activity of stillness, the late afternoon sunlight has just that effect on us. Between high noon and night; at the peak of our eye’s sensitivity; yellow stands for activity of the middle way.

Line 3 goes yin

outer world changes more

Here we only know outer activity and confuse this with the inner brilliance when it is time for this outer experience to give way to the realization of inner light.

The Chinese Image
In the light of the setting sun
the young beat their cooking pots
and sing; the old sigh.
Misfortune.

The nourishment of the young and growing is in their experience (their cooking pot) but it has lost its original use, its sense of being real, and has become the rhythm of their song, the habit of it. The old sigh because the future has gone out of life, not being able to see life in stillness. We have a direction which does not continue; the beauty and the brilliance are not there if we see the outer activity as the only real.

Line 4 goes yin

accepting the outer state more

In this tao the outer is inactive and our attention is drawn to the inner which is difficult for identity to grasp; turning back to the outer in this line it is as though we turn our attention to something that is just disappearing.

The Chinese Image
Sudden its coming.
Suddenly it dies away.

Being unable to feel what inner activity is like, because it seems to the outer sense to be a void, we are out of phase with the life force. In this line which deals with outer activity this tao is naturally difficult.

Line 5 goes yang

less awareness of intuition

Giving up our identification with intuitive feeling is to lessen the mind-reality side of feeling, the defining or imaging of it; when we give this up the feeling is left flowing for itself, the inner flows outwards unhampered by images of what it is.

The Chinese Image
Floods of tears.
Piteous sighs.
Good fortune.

The flow of feeling, an outflow of tears and signs, is dis-stress, this is seen by the mind as distress in its negative meaning of discomfort but for the feeling that is being expressed it is relief and good fortune.

Line 6 goes yin

our inner being accepts more

Accepting the life force is accepting the tao most especially when the tao is about the inner flow of the life force. Here we overcome the separateness of identity in some way by becoming one with the flow—yet these words are not quite right, we include our separateness in the flow without rejecting it; only the separateness of our individuality is rejected. This seems odd to our minds because it is separateness that creates individuality; such paradoxes are common on the borders, where reality has two faces at once.

The Chinese Image
The king goes out to chastise the rebels,
kills the leaders, not the followers.
No error.

Rebels are symbolic of our divisive parts, or separate identification. Thus it is the separators and not the followers that are killed, it is the separation we are doing away with and this is no error.

Secondary HexagramHexagram 52

A wider view.

Line image

In this structure neither the inner (lines 1 and 6) nor the outer (lines 3 and 4) have activity with acceptance; feeling (lines 2 and 5) becomes the dominant mode, it is the function linking the inner and outer and the primary distinguisher of the life force. We find ourselves feeling without acting inside or outside. The common name of the hexagram is “keeping still” or “contemplation”.

Trigram image

As the life force emerges it tends to become still (Kên) so there is little outer activity (K’an). This stillness causes activity of the identified self (Chên) which itself seeks stillness (Kên). So the flow of the tao is one that causes great change in our personal self, an activity directed at achieving stillness. This is a reversal of the role identity has in its growth phase which has been about action outside in which we identified ourselves and so built our point of view in reality. Here we internalize the identity we have grown, we seek that inner space which is neither identified outside nor inside, where we can be ourselves without noticing it.

The Chinese Oracle

Stillness.
Keeping the back so still
there is no feeling of body.
Walking in the courtyard
he does not see the people.
No error.

Comments

Stillness relates to the idea of an unmoving central core like the centre of a rotating wheel which does not move but is the essential reference point of movement. It is an element in activity which we cannot distinguish and tend to see as unreal. Our backbone is such a reference point for our body, if no message goes out from it no movement arises. The courtyard surrounds the house; instructions from the house cause activity in the courtyard; here we walk in the courtyard, our being is in the place of activity, but we see no people which is to say that we have no concern about what goes on there. It is no error to be with activity while being innerly still; it is the act of dynamic relaxation and perfect poise.

Manifestations

The pattern
Seeking to return
to a peak once known.
The completion
that contains the beginning.
The start that is the end.
For humans
Resisting movement
he avoids beginnings.
Knowing that in the beginning
there was no end
he seeks no end.
Thereby he arrives
at a wider beginning.
In nature
The low reaches upward.
The confines seek to spread.
The fruit of the seed
seeks to become seed.
In forms we make
Cycles begin and end.
Their beginning and ending
has no ending
and no beginning.
This has the form
of encompassing a wider view.

Changing Lines

Line 1 goes yang

life force shows less change

The emerging life force is the source of outer activity, so here we are stilling the beginning of movement. If we continue this throughout the flow, inner and outer, we will remain with our centre.

The Chinese Image
Keeping the toes still.
No error.
Continuance in the way
brings good fortune.

The toes lead the body when we walk, so this stilling of the toes is the beginning of keeping still, we stop the first part to move. This is the way to create stillness, right at the beginning before movement actually starts, so continuing in the way brings good fortune and there is no error.

Line 2 goes yang

intuitive feeling less active

When experience comes to us we taste it with our feeling and then we follow this with decisions about how to behave in our circumstances. Here the stilling effect of the tao is in our feeling so that our usual flow or zest for life lessens; this is only a problem if we resist being still.

The Chinese Image
Keeping the calves still.
He is sad;
cannot assist the one he follows.

The calf muscles lift the body so that we fall into the next step; keeping them still we take no step. If we, identified self, follow something we cannot be still, we cannot assist the stillness by doing something.

Line 3 goes yin

outer world changes more

Here we act out in the tao of keeping still, we are using outside means, outside ideas, to create stillness. When we do this it is like damming a stream; the flow is from inner to outer so outside action cannot create stillness except by restricting some flow.

The Chinese Image
Keeping the loins still.
Stiffening the sacrum.
The heart suffocates.

In our animal world the prime life priority is of the species, a great identity of which all its members are a part. Here we keep the loins still and sacrum stiff and this is the cradle of our reproduction; we stop the flow the “heart” creates. So our way of trying to create stillness from the outside prevents manifestation, the flow of life, and misunderstands stillness; stillness has no wish to move.

Line 4 goes yang

accepting the outer state less

Here we are no longer concerned about outer stillness, we just allow it to be still.

The Chinese Image
Keeping the body still.
No error.

It is the whole body, not a part, that we keep still. If we concentrate on keeping this or that part still the other parts will move unnoticed by us. It is the whole that is still when stillness is achieved.

Line 5 goes yang

less awareness of intuition

Our intuitive feeling is active in this tao. Here we, as identity, are less involved in these feelings so we do not project them on to our circumstances. We project when we express what we feel about things.

The Chinese Image
Keeping the jaws still.
Words are in order.
Regret disappears.

The words are not said, yet they are in order. Our words are the outflow of our meaning and if our meaning is in perfect order it cannot be said—we only speak out of incompleteness, then there is something to be said. Here there is no care or regret because there is nothing left over, nothing to be said.

Line 6 goes yin

our inner being accepts more

When we accept stillness into our inner being the next expression of that being is perfectly still although in activity.

The Chinese Image
The most genuine stillness.
Good fortune.
Nuclear HexagramHexagram 28

Rigidity.

Line image

In our inner being, line 6, we accept the activity of change that is available in our circumstances (line 1 is yin), but our intuitive feeling in line 2 is inactive and so is our outer world in line 3; identity is not interested in changing any of this (lines 4 and 5 are yang). This is a picture of stress where there is inner pressure for change but no response from the outer, manifesting self. It is too still, too rigid, has no flexibility.

Trigram image

The energy emerges formed and structured by the trigram Sun, is inactive throughout its manifestation as Ch’ien both for identity and the outer world, and has just a hope of change in Tui for our inner being. Here is a flow only at the very borders of our awareness, everything manifest is held rigid and cannot move, yet the activity of the inner is pushing it to move. When rigid structures are forced to change shape something gives way suddenly.

The Chinese Oracle

Excess.
The ridgepole sags.
Movement is favourable.
Success.

Comments

We recognize excess by the stress it creates, without stress excess is felt as abundance. So here we are in a situation of stress pictured as the ridge of a roof about to give way; the ridge is where the two sides of the roof meet, and the roof is what separates us from the elements—a picture of our duality which “protects” identity from being engulfed in the great unknown reality. This “protection” is threatened, and keeping the polarities of our choices apart is threatened when they become excessive, when we or our society becomes too polarized for the flow of manifestation to happen, for the flow of manifestation is interchange between polarities.

Manifestations

The pattern
From the inner there is no flow.
Action is all inactivity,
Making return a beginning.
For humans
When firm and inflexible,
the only way of moving is to break.
When so gentle it changes nothing,
the only way of living is to die
into a beginning.
In nature
The wood is too ripe for budding,
too rigid for change
until it returns to earth.
In forms we make
No longer supported, must fall.
Falling, finds support.

Changing Lines

Line 1 goes yang

life force shows less change

The stress in this tao is created by the force of the life energy from the inner acting upon rigid form in our lives (in ourselves). Here the activity is lessened and the stress limited.

The Chinese Image
Spreading white rushes underneath.
No error.

This is protection by the inner being, rushes are put under something to soften the contact, they are white because there is no selection in this action (white light is all-coloured light).

Line 2 goes yin

intuitive feeling more active

Here the rigidity itself is loosening, we are starting to feel the life force again and this is the beginning of new feeling.

The Chinese Image
The wizened willow tree
puts out new shoots.
An old man has a young wife.
All is favourable.

The old finds a way to flow again, and it was the lack of flow that caused the excess of pressure.

Line 3 goes yin

outer world changes more

In this tao identity has excessively structured duality; to act out from this projects the stress into our circumstances.

The Chinese Image
The ridgepole sags to breaking point.
Misfortune.

The ridgepole giving way is like our giving out the stress from within us, we give way to it and the consequences to our environment are unfortunate.

Line 4 goes yin

accepting the outer state more

What we are accepting here in this moving line is the inactivity of our outer world, so there is less stress because we are not struggling with our rigidity. This does not change the rigidity but makes it more manageable and may mask the basic problem.

The Chinese Image
The ridgepole has support.
Good fortune.
Reliance on weak support
is unfortunate.

Reliance on masking the stresses we have would be a weak support.

Line 5 goes yin

more awareness of intuition

Becoming aware of intuitive feeling that is inactive is to be more aware but not to have more feeling.

The Chinese Image
The wizened willow flowers.
The old woman takes a husband.
No praise. No blame.

This is widening awareness, opening up, flowering; then old feeling (from memory) comes to thought, to consciousness. These do not change things, the flowering does not change the tree and the old woman cannot have children, in other words there is no new growth.

Line 6 goes yang

our inner being accepts less

Here we give up the struggle and become unaware of the activity pushing us towards change. When we become unaware of forces they overtake us.

The Chinese Image
Fording a river, the water rises over his head.
Misfortune. No error.

To give way to the flow is no error, only uncomfortable; it overcomes the rigidity and so changes us.