987789 · 30.1.6Hexagram 30

Clinging to the real.

Line image

Only lines 2 and 5, which refer to feeling, are active; neither the inner nor the outer reality concerns us, only feeling. It is the nature of feeling to flow continually, but here it cannot flow inwards or outwards and this creates such difficulties as we have with this tao. Feeling is, however, very near to the life force, being our recognition of it, so it is full of vitality also. Vitality and stillness, or feeling the stillness, perhaps expresses the mood of this tao.

Trigram image

This flow is difficult to express to consciousness. It is the flow of stillness, if that can be thought; it is feeling, which is flow, being still (hence the hesitation shown in the two feeling trigrams, Li). Some difficulty arises because in outer consciousness realness is change and that which does not change attracts no attention. This tao is about feeling our inner awareness, so the outer flow is mature and gentle (Sun) and the life force only becomes active again as it enters our inner being in the top trigram Li, through a budding of identity in the third trigram, Tui.

The flow is difficult to experience as well as difficult to express, and for the same reason, it is an unaccustomed experience; this leads to a number of blunders which show in the moving lines.

The Chinese Oracle

Brilliance. Beauty.
Continuance in the way brings rewards.
Success.
Caring for cows. Good fortune.

Comments

The reward of continuing in the way (tao) is in this case feeling the essence of the reality that we know usually only by its effects. This is where the brilliance and the beauty are. The symbol of caring for cows involves us in the cycle of re-birth and feeding what is new; the cow brings fresh nourishment each day and being in life like that brings out the good fortune of the tao.

Manifestations

The pattern
Brightness is part of the transition of the firm and ripened into the new, which has a new brightness.
Brightness depends upon fuel, transition upon brightness, bright new form upon transition.
For humans
Clinging to the real, fitfully,
he shines through the shadows of his form.
Consuming his reality reveals an essence
brighter than his spark of faith.
In nature
From a spark the forest flames.
From the ashes all grows new.
In forms we make
Form transmutes,
welcomes death.

Changing Lines

Line 1 goes yin

life force shows more change

Here, in the tao where feeling alone is active and accepted, the life force emerges. It will emerge into active feeling which will either feel towards activity or towards stillness. The first of these is outwards and against the flow of the tao while the second is inwards to its heart—to feel the stillness as alive, not an absence.

The Chinese Image
Reverence and respect amongst confused directions is no error.

Reverence and respect are attitudes we adopt towards those things we do not fully understand, recognize as something great but somehow beyond us. Our directions are confused because the tao is asking us to change direction; the confusion is no error, the unknowing respect is no error, they are simply factors in our situation.

Line 2 goes yang

intuitive feeling less active

A cycle of feeling is lessening.

The Chinese Image
Yellow light.
Great good fortune.

The yellow light of late afternoon comes as the sun begins to set and the day (outer activity) is fulfilled in its completion. This gentle image is a beautiful symbol for the activity of stillness, the late afternoon sunlight has just that effect on us. Between high noon and night; at the peak of our eye’s sensitivity; yellow stands for activity of the middle way.

Line 3 goes yin

outer world changes more

Here we only know outer activity and confuse this with the inner brilliance when it is time for this outer experience to give way to the realization of inner light.

The Chinese Image
In the light of the setting sun
the young beat their cooking pots
and sing; the old sigh.
Misfortune.

The nourishment of the young and growing is in their experience (their cooking pot) but it has lost its original use, its sense of being real, and has become the rhythm of their song, the habit of it. The old sigh because the future has gone out of life, not being able to see life in stillness. We have a direction which does not continue; the beauty and the brilliance are not there if we see the outer activity as the only real.

Line 4 goes yin

accepting the outer state more

In this tao the outer is inactive and our attention is drawn to the inner which is difficult for identity to grasp; turning back to the outer in this line it is as though we turn our attention to something that is just disappearing.

The Chinese Image
Sudden its coming.
Suddenly it dies away.

Being unable to feel what inner activity is like, because it seems to the outer sense to be a void, we are out of phase with the life force. In this line which deals with outer activity this tao is naturally difficult.

Line 5 goes yang

less awareness of intuition

Giving up our identification with intuitive feeling is to lessen the mind-reality side of feeling, the defining or imaging of it; when we give this up the feeling is left flowing for itself, the inner flows outwards unhampered by images of what it is.

The Chinese Image
Floods of tears.
Piteous sighs.
Good fortune.

The flow of feeling, an outflow of tears and signs, is dis-stress, this is seen by the mind as distress in its negative meaning of discomfort but for the feeling that is being expressed it is relief and good fortune.

Line 6 goes yin

our inner being accepts more

Accepting the life force is accepting the tao most especially when the tao is about the inner flow of the life force. Here we overcome the separateness of identity in some way by becoming one with the flow—yet these words are not quite right, we include our separateness in the flow without rejecting it; only the separateness of our individuality is rejected. This seems odd to our minds because it is separateness that creates individuality; such paradoxes are common on the borders, where reality has two faces at once.

The Chinese Image
The king goes out to chastise the rebels,
kills the leaders, not the followers.
No error.

Rebels are symbolic of our divisive parts, or separate identification. Thus it is the separators and not the followers that are killed, it is the separation we are doing away with and this is no error.

Secondary HexagramHexagram 62

After reaching a level.

Line image

The two yin lines associated with feeling (2 and 5) are the dominant conscious ones, the outer (lines 3 and 4) being yang and the inner (1 and 6) being outside our awareness. So the activity of which we will be most conscious is feeling. There is a compliance with the life force shown in lines 5 and 6 so we do not take off on initiatives of our own and this is strengthened by the inactivity of our outer world and our disinterest in it.

Trigram image

This is a time for inner activity as shown by the Chên image for our inner being. The emerging energy is not seeking manifestation of activity but of stillness (Kên) and this gives maturity to our outer action (Sun) and a new way to be aware of ourselves (Tui).

The flow which comes from the bottom of the hexagram comes to a halt in the middle (outer reality) and then starts a new flow at the top; this is a movement which ends one mode of experiencing and prepares another. Our troubles with such a flow come from an identity which cannot accept its outer stillness.

The Chinese Oracle

Success of what is small.
Continuance in the way is rewarding.
Small things not great ones
should be entered into,
like bird song on the wing.
Remaining lowly brings good fortune.

Comments

The central part of the hexagram which symbolizes the outer is occupied by Sun and Tui, the gentle and the hopeful, the established and the new, and these are not the energy required for large outer activity.

The inner work being accomplished in this tao is done by the life force and does not show much in outer manifestation, so the little things that can be done become important and keep us away from blocking and diverting the inner flows.

Manifestations

The pattern
Action has given birth to stillness,
consolidation.
From this only small new movement
can arise.
A new start is preparing.
For humans
His ideas are formed.
Through these changes push their way
so he changes but a little as yet.
In nature
The wood of a tree
is solid and firm.
New growth from this
is a small part of the whole.
New growth comes from the root.
In forms we make
The establishment
is not the origin
of social change.

Changing Lines

Line 1 goes yang

life force shows less change

Widening our awareness requires the activity of the life force. Here, unfortunately in our experience, the life force goes into a tranquil phase and the tao of inner change is interrupted; outer activity is not a suitable vehicle for our energies in this tao so we shall do no good by trying to externalize. It is an experience of frustration we do best to witness rather than trying to correct.

The Chinese Image
The flying bird meets misfortune.

Line 2 goes yang

intuitive feeling less active

Intuitive feeling is the vehicle of identity in this tao, so we miss the flow when this feeling becomes less active and concern ourselves with more personal, psychological matters, trying to distinguish what the blockage is.

The Chinese Image
He passes by a reference to his ancestor and meets a reference to his past mother.
He does not reach the prince but meets the minister.
No error.

The ancestor and mother are records of past things, old ways of defining and feeling his reality; the prince is a new way of ruling, a new way of experiencing and we cannot reach this without intuitive feeling; we can only reach the minister who is the organizer of practical matters. There is no error because the cause of all this is not within our control.

Line 3 goes yin

outer world changes more

The tao (our circumstances) favours inner awareness and we avoid this by creating outer activity. When the pressure for change is from our inner reality yet this is transferred to a projection outside, there is a blockage of inner flow which shows itself in activity of our “personal unconscious” and this _will_ be heard, if we do not listen it will force its way into consciousness; accidents are formed in this way.

The Chinese Image
Unless he is very careful someone will strike him from below
(or behind, or an inferior position).
Misfortune.

Line 4 goes yin

accepting the outer state more

To become interested in peaceful outer activity (the yang line 3) gives direction without involvement but to become agitated about its inactivity would neglect the tao and deplete inner energies.

The Chinese Image
No error.
He does not pass him by but accosts him.
Activity is dangerous and continuing caution is required.

The danger of activity is becoming identified in it, making it important, we are aware of (we accost) this syndrome but identifying is a slippery customer.

Line 5 goes yang

less awareness of intuition

We do not wish to feel something; this means there is no flow of energy although the possibility of it is there.

The Chinese Image
Dense clouds from our western land but no rain falls.
The prince shoots and hits one in the cave.

Feeling is the release and flow symbolized by rain; here it is not released because identity is not allowing it; it comes from the west, where the sun sets, showing it to be a dying activity. The prince, our latest identity, has aimed his identifying into the inner darkness, the cave, and has hit something there; he does not know what he hit but he was probably afraid of it.

Line 6 goes yang

our inner being accepts less

We are now less involved in this tao of accepting the inner reality in which we only have a little show outside.

The Chinese Image
He does not meet him but passes him by.
The bird flies from him.
Misfortune.
Natural and intended hurt.

What we avoid meeting is the tao, the circumstances we are in; this splits our reality into outer and inner and the wholeness (the bird, which uses a polarity of wings together) leaves us. Inasmuch as we are aware of this it is an intended hurt, but our awareness is partial.

Nuclear HexagramHexagram 28

Rigidity.

Line image

In our inner being, line 6, we accept the activity of change that is available in our circumstances (line 1 is yin), but our intuitive feeling in line 2 is inactive and so is our outer world in line 3; identity is not interested in changing any of this (lines 4 and 5 are yang). This is a picture of stress where there is inner pressure for change but no response from the outer, manifesting self. It is too still, too rigid, has no flexibility.

Trigram image

The energy emerges formed and structured by the trigram Sun, is inactive throughout its manifestation as Ch’ien both for identity and the outer world, and has just a hope of change in Tui for our inner being. Here is a flow only at the very borders of our awareness, everything manifest is held rigid and cannot move, yet the activity of the inner is pushing it to move. When rigid structures are forced to change shape something gives way suddenly.

The Chinese Oracle

Excess.
The ridgepole sags.
Movement is favourable.
Success.

Comments

We recognize excess by the stress it creates, without stress excess is felt as abundance. So here we are in a situation of stress pictured as the ridge of a roof about to give way; the ridge is where the two sides of the roof meet, and the roof is what separates us from the elements—a picture of our duality which “protects” identity from being engulfed in the great unknown reality. This “protection” is threatened, and keeping the polarities of our choices apart is threatened when they become excessive, when we or our society becomes too polarized for the flow of manifestation to happen, for the flow of manifestation is interchange between polarities.

Manifestations

The pattern
From the inner there is no flow.
Action is all inactivity,
Making return a beginning.
For humans
When firm and inflexible,
the only way of moving is to break.
When so gentle it changes nothing,
the only way of living is to die
into a beginning.
In nature
The wood is too ripe for budding,
too rigid for change
until it returns to earth.
In forms we make
No longer supported, must fall.
Falling, finds support.

Changing Lines

Line 1 goes yang

life force shows less change

The stress in this tao is created by the force of the life energy from the inner acting upon rigid form in our lives (in ourselves). Here the activity is lessened and the stress limited.

The Chinese Image
Spreading white rushes underneath.
No error.

This is protection by the inner being, rushes are put under something to soften the contact, they are white because there is no selection in this action (white light is all-coloured light).

Line 2 goes yin

intuitive feeling more active

Here the rigidity itself is loosening, we are starting to feel the life force again and this is the beginning of new feeling.

The Chinese Image
The wizened willow tree
puts out new shoots.
An old man has a young wife.
All is favourable.

The old finds a way to flow again, and it was the lack of flow that caused the excess of pressure.

Line 3 goes yin

outer world changes more

In this tao identity has excessively structured duality; to act out from this projects the stress into our circumstances.

The Chinese Image
The ridgepole sags to breaking point.
Misfortune.

The ridgepole giving way is like our giving out the stress from within us, we give way to it and the consequences to our environment are unfortunate.

Line 4 goes yin

accepting the outer state more

What we are accepting here in this moving line is the inactivity of our outer world, so there is less stress because we are not struggling with our rigidity. This does not change the rigidity but makes it more manageable and may mask the basic problem.

The Chinese Image
The ridgepole has support.
Good fortune.
Reliance on weak support
is unfortunate.

Reliance on masking the stresses we have would be a weak support.

Line 5 goes yin

more awareness of intuition

Becoming aware of intuitive feeling that is inactive is to be more aware but not to have more feeling.

The Chinese Image
The wizened willow flowers.
The old woman takes a husband.
No praise. No blame.

This is widening awareness, opening up, flowering; then old feeling (from memory) comes to thought, to consciousness. These do not change things, the flowering does not change the tree and the old woman cannot have children, in other words there is no new growth.

Line 6 goes yang

our inner being accepts less

Here we give up the struggle and become unaware of the activity pushing us towards change. When we become unaware of forces they overtake us.

The Chinese Image
Fording a river, the water rises over his head.
Misfortune. No error.

To give way to the flow is no error, only uncomfortable; it overcomes the rigidity and so changes us.