689969 · 56.1.3.4.5.6Hexagram 56

Search for new reality.

Line image

In this structure we make our reality in feeling (lines 2 and 5 are yin) and we are not involved in the inner reality of our circumstances (line 6 is yang); the outer world does not provide a reality we can “get into” (lines 3 and 4 are both yang) so we feel but do not feel nourished. This feeling leads to a rejection of our present circumstances and the search for new situations; the common name of the hexagram is “the wanderer”, our feelings become like feelers searching for something that would be more real for us.

Trigram image

The life force emerges into stillness (Kên), makes outer structure (Sun), gives hope for a movement (Tui), and is taken hesitantly (Li) by our inner being; we seek to transform our outer reality and find circumstances that feel right for us, so we wander into different situations to find this sense of rightness. This tao comes about when we do not accept the circumstances we are in.

The Chinese Oracle

The wanderer.
Success of what is small.
Continuance brings good fortune.

Comments

The wanderer has given up his fixed home, his established reality, and searches for new experience. He is searching in what is small—in the narrow choosing reality—so his success will be there. He has a need to experience this so that he knows its truths and its limitations, so it is good fortune to persevere in it. There is no ultimate goal there, it is small, it is a passing through, a wandering.

Manifestations

The pattern
Stillness and maturity
searching for the new
leads to continual change.
For humans
He goes from place to place
making changes in each:
searching his death
that will enable him to live,
searching a change in himself.
In nature
When it is very dry
fire ranges across the forest
looking always for new fuel.
In forms we make
The state
engulfs other states
when its own opposition is dead.

Changing Lines

Line 1 goes yang

life force shows less change

When there is no activity from the inner (whole) reality and we are wandering because we are, for now, ignoring the nature of the whole, our wanderings become random, our interest is in the illusion of movement and we do not find here the sense of realness we seek.

The Chinese Image
Entangling in trifling matters
brings misfortune.

We can experience the illusion without being entangled, without believing it to be totally real. Nothing is totally real except the whole, and by its nature identity cannot experience this as part of the smallness. The misfortune is losing touch with the whole.

Line 2 goes yang

intuitive feeling less active

A feeling of unreality gives rise to the idea that circumstances are unsatisfactory and this drives the wanderer on. In this moving line this feeling becomes less active so we can rest a while in ordinary circumstances—these appear to be real again and support identity.

The Chinese Image
The wanderer is safe at an inn
and still has his valuables.
He has a loyal young servant.

An inn is a place for a temporary stay while wandering, and any wanderer’s valuables are his beliefs and principles; so we have settled into our reality and are not searching at the moment. We are helped in this by loyal feeling, a sense of realness that does not desert us; feeling is the servant of identity, providing what it needs to identify amongst; here it is tranquil (yang).

Line 3 goes yin

outer world changes more

With an increase in outer activity the feeling of unreality in it all returns, as it must because the wanderer is not wandering purposelessly but to find a different sense of the real. When we lose our sense of purpose in outer activity it can no longer support our own sense of being real or justified.

The Chinese Image
The inn which housed the wanderer
burns down.
He loses his young servant.
There is danger.

The inn and the young servant are explained in line 2, which makes their context easy to see here. The feeling of danger is of insecurity, danger to feeling worthwhile.

Line 4 goes yin

accepting the outer state more

Now we are interested in the idea of being inactive, doubting that all this wandering is a good idea, so we settle down where we are. Although we are accepting our outer reality as it is, unstimulating, this is not going to change anything, but to treat it as a rest is more real, for our wandering is not completed yet.

The Chinese Image
The wanderer finds shelter and rest.
He has his valuables and axe
but his heart has no joy.

Innerly our valuables are the identifications we have chosen and the axe symbolizes our defence of these; so according to the image we do not change ourselves, and as joy comes only with the flow of change we feel no joy, but we have rest.

Line 5 goes yang

less awareness of intuition

We are less in our feelings of wandering; wandering is not the important thing it was. Innerly wandering is searching for something outside ourselves that feels more satisfying, more nourishing; here we find that this is not the way, and this is itself a new direction for us.

The Chinese Image
He shoots a pheasant,
loses an arrow.
The end brings praise and office.

He gains nourishment (the pheasant) and loses direction (the arrow). His direction was wandering, and exchanging this for nourishment in his present situation is the end of wandering and creates an established presence (office) and recognition (praise).

Line 6 goes yin

our inner being accepts more

When our outer reality becomes unsatisfactory we wander. Here in this line we are accepting wandering as a way of being and this will not be fulfilling for very long because it is not just that we are in a bad place—all outer identification feels lacking.

The Chinese Image
The bird burns up its own nest.
First the wanderer laughs
but then weeps and cries out.
He carelessly loses his cow.
Misfortune.

The bird is a symbol of spirit or whole reality and its nest is where it raises its young; our being cannot raise more young (new experience) if we stay in outer identification; the new comes from the inner. At first, being out in defined reality seems clear and to be a solution, but nothing new comes and it becomes a repetition. When the inner is included in our sense of the real, new experience comes fresh each day, like the service of a cow—this we carelessly lose.

Secondary HexagramHexagram 3

Difficulties in beginnings.

Line image

Here we accept our outer world activity (lines 4 and 3) while ignoring our intuitive feeling (lines 5 and 2), so we go into things without preparation and learn from experience. This is not a criticism but just a fact; as our inner being is receptive to this (line 6), and is changed by it. The emerging life force is not in change so this experience is outward-looking.

Trigram image

There is great energy in the emerging life force (Chên) and flowing in the outer world (K’un), but it is stilled by our lack of involvement (Kên); we are at a loss as to how to move (K’an). This situation occurs when we are in unfamiliar circumstances and have to find out how to respond; the common name of the hexagram is “difficulty in beginnings”.

The Chinese Oracle

Difficulty is followed by great success.
Continuance in the way is rewarded.
Remain in the existing, not seeking the new.
To appoint princes brings advantage.

Comments

When something starts, there is the energy of its inception; when this runs out, there is the temptation to seek a new direction, but the energy must now come from our own self. By continuing in our present circumstances we become strong, which is the success.

Princes are the sons of the ruler, the king, and in our reality of distinguishing things the identifying process is our ruler; so appointing princes is to adopt new ways of identifying, new ways of approaching our experience.

Manifestations

The pattern
When the young flows first
with little stamina,
it is overcome by obstacles.
By flowing on it overcomes them.
For humans
New things begin to move.
Difficulties arise in the path.
To halt at difficulty brings out danger.
Perseverance brings on flowing.
In nature
Young growths grow fast, sappy,
and easily hurt against obstacles;
but new shoots are ready
to follow up.
In forms we make
When they first come together
there is a honeymoon,
then a strength of will,
then a compromise
for the sake of travelling together.

Changing Lines

Line 1 goes yin

life force shows more change

Here a need for activity stirs, appearing as a move of fate opening up activity. It is necessary to give strength to this and make it a force, otherwise we cannot gain experience (make mistakes and learn) and come up against the world.

The Chinese Image
The hinderance of hesitation.
Be firm in perseverance.
To appoint princes brings advantage.

The phrase about princes is interpreted in the oracle comments above. The hesitation comes from unawareness of our intuitive feeling of the life force shown in the yang line 5.

Line 2 goes yang

intuitive feeling less active

Our feelings are not recognizing that the challenge of individual activity is necessary and so we lose driving power. This is part of the birth of an individuality; there are still forces within us which are not ready to leave the great tao, the total parent, and become separate. Knowledge of this is not enough by itself, we need to woo the feeling towards taking part before we really join the dance. We _are_ born and need to accept this fully; the beginning is difficult but as we continue it gets easier.

The Chinese Image
No advance.
Horse and carriage not connected.
A chaste maiden is wooed
but refuses; after ten years
she accepts.

The chaste maiden is our feeling which is not at this time accepting a challenge. There is no driving power because the horse, feeling, is not connected to our circumstances which are the carriage of our activity. When we refuse a challenge in this way we cannot advance until we meet a new challenge of this same sort, which is the symbol of a whole cycle of ten years before the maiden accepts.

Line 3 goes yang

outer world changes less

Here we come up against outer world activity, find ourselves without guidelines, and desist. Indeed it is only prudent to do this while we assess the new activity—to rush in with newly-found ego energy is going to create problems.

The Chinese Image
If a hunter hunts without a guide he gets lost in the forest. The superior man sees danger and does not go into it; to do so would bring misfortune.

The superior man is our wide-seeing ability which comes from having many experiences and taking their essence or wisdom into our inner being. In this tao we are in unfamiliar experience but here we can use our existing wisdom to avoid entanglement.

Line 4 goes yang

accepting the outer state less

Here we withdraw our identification from outer activity, perhaps for fear of consequences. To work through this difficulty we need to see our inner need for activity in order to have experience of the world which is what this tao is about.

The Chinese Image
Horse and wagon are disconnected.
Seek union.
Going forward brings good fortune
and actions prosper.

When growing some part of our identity, it halts our progress if we do not identify ourselves with our actions. This identification is part of all growing phases, so union between ourself and our action is needed for our manifestation to prosper.

Line 5 goes yin

more awareness of intuition

In this tao we are actively feeling a new situation; here we open ourselves to this because it is pleasurable in some way. In this learning tao, there is also learning in how to handle pleasurable situations; if we give ourselves to them like a tap fully turned on, the supply is soon exhausted. On the other hand if we confine our participation to a trickle, the experience is too mean. Here the flow of feeling should be open but not under the pressure of the need to develop self.

The Chinese Image
Difficulties with something that is fulfilling. A little perseverance is a good thing but great perseverance is disastrous.

Line 6 goes yang

our inner being accepts less

Here we do not accept a new situation into our ongoing self and so we separate this personal self from our circumstances.

The Chinese Image
Horse and carriage are disconnected.
Blood and tears.

We cannot flow in our experience so symbolically our life-blood (experience) overflows in regretful feeling.

Nuclear HexagramHexagram 28

Rigidity.

Line image

In our inner being, line 6, we accept the activity of change that is available in our circumstances (line 1 is yin), but our intuitive feeling in line 2 is inactive and so is our outer world in line 3; identity is not interested in changing any of this (lines 4 and 5 are yang). This is a picture of stress where there is inner pressure for change but no response from the outer, manifesting self. It is too still, too rigid, has no flexibility.

Trigram image

The energy emerges formed and structured by the trigram Sun, is inactive throughout its manifestation as Ch’ien both for identity and the outer world, and has just a hope of change in Tui for our inner being. Here is a flow only at the very borders of our awareness, everything manifest is held rigid and cannot move, yet the activity of the inner is pushing it to move. When rigid structures are forced to change shape something gives way suddenly.

The Chinese Oracle

Excess.
The ridgepole sags.
Movement is favourable.
Success.

Comments

We recognize excess by the stress it creates, without stress excess is felt as abundance. So here we are in a situation of stress pictured as the ridge of a roof about to give way; the ridge is where the two sides of the roof meet, and the roof is what separates us from the elements—a picture of our duality which “protects” identity from being engulfed in the great unknown reality. This “protection” is threatened, and keeping the polarities of our choices apart is threatened when they become excessive, when we or our society becomes too polarized for the flow of manifestation to happen, for the flow of manifestation is interchange between polarities.

Manifestations

The pattern
From the inner there is no flow.
Action is all inactivity,
Making return a beginning.
For humans
When firm and inflexible,
the only way of moving is to break.
When so gentle it changes nothing,
the only way of living is to die
into a beginning.
In nature
The wood is too ripe for budding,
too rigid for change
until it returns to earth.
In forms we make
No longer supported, must fall.
Falling, finds support.

Changing Lines

Line 1 goes yang

life force shows less change

The stress in this tao is created by the force of the life energy from the inner acting upon rigid form in our lives (in ourselves). Here the activity is lessened and the stress limited.

The Chinese Image
Spreading white rushes underneath.
No error.

This is protection by the inner being, rushes are put under something to soften the contact, they are white because there is no selection in this action (white light is all-coloured light).

Line 2 goes yin

intuitive feeling more active

Here the rigidity itself is loosening, we are starting to feel the life force again and this is the beginning of new feeling.

The Chinese Image
The wizened willow tree
puts out new shoots.
An old man has a young wife.
All is favourable.

The old finds a way to flow again, and it was the lack of flow that caused the excess of pressure.

Line 3 goes yin

outer world changes more

In this tao identity has excessively structured duality; to act out from this projects the stress into our circumstances.

The Chinese Image
The ridgepole sags to breaking point.
Misfortune.

The ridgepole giving way is like our giving out the stress from within us, we give way to it and the consequences to our environment are unfortunate.

Line 4 goes yin

accepting the outer state more

What we are accepting here in this moving line is the inactivity of our outer world, so there is less stress because we are not struggling with our rigidity. This does not change the rigidity but makes it more manageable and may mask the basic problem.

The Chinese Image
The ridgepole has support.
Good fortune.
Reliance on weak support
is unfortunate.

Reliance on masking the stresses we have would be a weak support.

Line 5 goes yin

more awareness of intuition

Becoming aware of intuitive feeling that is inactive is to be more aware but not to have more feeling.

The Chinese Image
The wizened willow flowers.
The old woman takes a husband.
No praise. No blame.

This is widening awareness, opening up, flowering; then old feeling (from memory) comes to thought, to consciousness. These do not change things, the flowering does not change the tree and the old woman cannot have children, in other words there is no new growth.

Line 6 goes yang

our inner being accepts less

Here we give up the struggle and become unaware of the activity pushing us towards change. When we become unaware of forces they overtake us.

The Chinese Image
Fording a river, the water rises over his head.
Misfortune. No error.

To give way to the flow is no error, only uncomfortable; it overcomes the rigidity and so changes us.