The inner activity shown here draws our motivation inwards and the outer energy is depleted.

Motivated parts of our identity, the people, do not like the situation, but the wide view is that one must go with the cycle and experience all its aspects.

Here we feel the life force less and have some confusion, so we ride life, we ride on the acceptance in this tao which enables us to act without owning the action.

The left side of the body is controlled by the right side of the brain where immediate, whole action dominates; the thigh gives power to the knee joint as we run and leap. These together with injury show that our ability to move instinctively in our circumstances is impaired. We are helped by allowing ourselves to be carried.

In this tao the light, the identification, becomes inner so the Chinese image speaks of the increasing outer activity of this line as a rebel.

The hunt is for identification and the south stands for the high noon of activity, so we have this rebel identification in the outer place; what leads this is the desire to be in control of circumstances and the tao does not support this. If, however, we take outer activity itself as the evil this is excessive.

When there is activity in the emerging life force there is possibility of relationship, there is the beginning of a cycle of relating.

Indeed how can there be error in the beginning if the movement is supported by the life force?

Without active feelings there can be no resonance between ourselves and others (what is other to ourselves). Any relationship that will open our awareness has to be with something or someone different from ourselves.

We need to seek our complement, not our likeness, for feelings to become dynamic and resonate with one another.

The tao is about feeling the resonance of relationship but here we are shy of the contest that polarity involves and transfer our attention to outer activity, doing things rather than feeling them and thinking things out rather than feeling them within us. In this way we miss the change in ourselves that the resonance of feeling would cause.

Weapons are symbolic of our polarity in activity; we hide this polarity which tends to create contest if it is manifest; we mount an easily defended position and so we miss a whole cycle of activity—we have to wait for this challenge to recur (symbolically three years). If we can gather our courage we should go forth and experience consequences instead of hiding from them, and this change is probably more possible than we think.

The outer world is not active in this tao so here we are accepting inactivity on the outside. This enables us to pay attention to our feeling which is what the tao calls for.

Our “wall” is our perimeter, where we find contact with the “other”, so here we find that being on this boundary between ourself and the other, where relationship happens, does not mean contest. Resonance is not battle.

We now open ourselves to our active intuition and thus become aware of our relating, our resonance with others. When this resonance is felt it takes over our attention from the dominance of those parts of ourselves which are normally taking turns in conscious expression; resonance is not owned, it just happens, so whenever resonance takes over, feelings of separation cease.

The crowd of our separations come together into the resonance, which is the happiness of laughter here.

Relationship has its own cycle of change; as we begin to relate, it is from the position of separate identity, so the relationship is about contact and contest, out of this comes an area of shared experience, a resonance, and out of this again comes acceptance of the distance or separateness of the other in which contact and contest are less important while the resonance becomes more important. This third stage is symbolized here as we accept the stillness of the emerging life force of the tao (the lack of contact between polarities).

This is not a needy or desiring relationship so there will be no regret in it.

When beset with polarity we are in stress, choosing yet unable to make a choice and changing our choice even before putting it into effect. Here in this line the life force becomes quiet and this gives choice a rest.

It is the life flow emerging more quietly and lessening the stress, it is not our doing and cannot possibly be an error, but when beset by choice we are always overconscious of error.

Greater activity of our intuitive feeling enables us to find direction in the life force.

Yellow is an active colour (almost in the middle of our visible spectrum), applied to an arrow which indicates a chosen direction—we have chosen an active direction; this direction is between extremes, being given as “one” which is the whole or middle way of unchoosing. This direction ends the vacillation of choice which deprived us of identifying, in the same way a fox deprives man of his nourishment (three foxes because continual change of choice was the problem).

To obtain freedom of flow identity needs to act out without identifying itself in the movement. Here in the line we seem to be confused about this and expect the life force to carry us out of stress without our taking part at all.

We want to be carried yet we do not want to let go; not allowing activity is still controlling it.

To become involved in outer activity is to make it our own; this gives entanglement, not deliverance. Only when we take ourselves out of the equation do we see that it balances.

The toes lead our steps and our steps are our personal way. The friend with trust is the life flow itself; willful activity causes the flow of circumstances to appear untrustworthy.

We are no longer trying to discern the life force and so in a tao of release we allow it to be what it will.

We cannot be released by following something, for we are attached to what we follow. It is necessary to be alone and open to be free; separating from attachment enables us to be free.

Here identity chooses not to choose, which is release as the stress was in the choice.

The hawk sits on a high wall choosing what he will catch. High up is symbolically the head and a wall is a boundary and barrier, so we have been choosing from our position of defining which confines the choice; here the prince (identity) takes a direction (shoots an arrow) which kills the chooser.