779996 · 43.3.4.5.6Hexagram 43

A peak of accumulation.

Line image

The life force emerges and manifests without activity (lines 1, 2, and 3) and although we accept this stillness in our inner being (line 6) we are not accepting inactivity in our feelings nor in our outer world (lines 5 and 4). So there is a certain amount of stress here towards action, as though we wish to break out of a confined situation; we are watching the emerging life force for signs of movement. The common name of the hexagram is “resolution” or “breakthrough”.

Trigram image

All the trigrams are Ch’ien except the top one and nothing is manifestly active except that the inner is preparing activity (Tui). This flow is beautiful if we are at peace with it, but has dangers and is stressful if we are not; there is energy building up and our outer identity has no role in this, so the danger is from aspects of our identity trying to force the issue in order to gain expression.

The Chinese Oracle

Resolution in proclaiming the truth
at the king’s court. Danger.
Announce it to your own city.
Do not carry arms.
To have direction is favourable.

Comments

The king’s court is peopled by aspects of our identity because we, as identified beings, are ruled by the identifying process, our king. It is necessary that they all know what the situation is so that they do not “carry arms” or try to force their way. If we have direction then we are not looking for one and then the danger does not arise.

Manifestations

The pattern
The power of the creative
withholds action,
building up such a store
it brims over.
For humans
The time of accumulation
reaches its peak.
The time for movement approaches.
Do not squander it
there is power enough.
In nature
The lake has risen,
it must flow out
and water the land.
In forms we make
When the rich and powerful
do not notice
the poor and weak,
catastrophe threatens.

Changing Lines

Line 1 goes yin

life force shows more change

The first sign of inner movement is not the time to make outer action. We should not be too eager or we shall not have the support of the life force and whatever we do will be superficial and unsatisfactory.

The Chinese Image
To set out with a show of strength and then fail is a mistake.

Line 2 goes yin

intuitive feeling more active

Activity is identity’s chosen role; here we feel the inactivity of the life force and fear for our ability to act.

The Chinese Image
Warning cries at night.
Armed, no fear.

In the darkness (activity is the “light” of consciousness) there are calls for light, for activity to avert extinction of our ability to identify, but we are armed with the light of the tao—the movement will come when it comes, we need not fear to miss but we will stay alert, that is how we are armed.

Line 3 goes yin

outer world changes more

Here we are not peaceful enough to withstand the anticipation of the tao and we create outer activity which will divert the life flow.

The Chinese Image
Powerful cheekbones.
Misfortune.
The superior man is resolute
and walks alone splashed with mud.
They speak against him
but he is blameless.

The cheekbones enable us to read determination in another’s face; here there is this power of self-will which is misfortunate in this context because no amount of it can be effective and it produces stress with no flow for its relief. The wide-seeing superior man is just going about his business, not trying to push things, and this is correct in our present circumstances.

Line 4 goes yin

accepting the outer state more

Here we are involving our identity in outer inactivity, which is to say we are worried about it and consider it a problem to be solved; this is an impatience for activity and is not supported by the life force.

The Chinese Image
His thighs are without skin
and walking is difficult.
If he would be led like a sheep
all would be well, but what
is said is not heard.

The muscles of the thigh carry us forward, and here there is no support from the life force if we go forward. If we were following the life force we would not have this problem.

Line 5 goes yin

more awareness of intuition

Our intuitive state is inactive (line 2) so here we become aware of this lack of feeling. This has dangers in this tao because unless we can persevere with quiet feeling, our interest will arouse desire for active feeling; if we create activity with desire we will miss the next movement of circumstances.

The Chinese Image
Ground-clinging plants.
The middle way is free of blame.

The middle way is neither identified outside nor inside, it is non-identified, clinging to the real or wholeness or earth. Staying with what exists, not searching, is the advice contained here.

Line 6 goes yang

our inner being accepts less

This whole tao is a watching for potential to be manifest and this sixth line is the watcher of the emerging life force; if we cease to be alert it will catch us by surprise and we will be out of step with it.

The Chinese Image
No warning.
Misfortune.
Secondary HexagramHexagram 41

Failure of expectation.

Line image

There is activity outside (line 3) and acceptance of this (line 4); the emerging life force is quiet (line 1) and so is our feeling for this (line 2); so energy is flowing outside and not being replaced from within. In line 5 identity accepts the quietness of feeling, so the tao is about emptying ourselves of activity, not seeking the new.

Trigram image

We become one with the flow of activity outwards, shown by trigrams Chên and K’un, while our inner being (Kên) is observing and not creating new impulses out of this. It is as though we were breathing out without thought for our next breath to come, it will come but for now we need to be in the emptying out so that the new breath comes entirely of itself. It is important not to be goal-seeking here for this retains the old as a plan for the future, when we do this the tao becomes a failure of expectations.

The Chinese Oracle

Decrease with genuine involvement.
Greatest good fortune and no error.
A direction is of advantage.
Two small bowls for the sacrifice.

Comments

Really genuine involvement in emptying out is necessary to make the decrease complete so that it will fill of its own accord, and this self-filling of the life force is the great good fortune. Having a direction we do not need to seek for one, so we need to complete directions we have already started upon. When we sacrifice with two small bowls, one in each hand, we no longer choose, we sacrifice both, and only then is it possible to be empty.

Manifestations

The pattern
Starts with great promise,
grows with vigour,
has no offspring.
Makes way for the new.
For humans
No outcome.
After growth, no activity
of fertility.
No coming together of diversity.
Where has he gone?
Into the stillness.
How did he reach it?
Giving up both.
In nature
The crop fails.
Look what is growing.
In forms we make
Not to expect the unexpected
is the natural failure of those who plan.

Changing Lines

Line 1 goes yin

life force shows more change

As this tao is about finishing off activity, now the emerging life force becomes active again we are talking about the beginnings of a new activity.

The Chinese Image
Going quickly when the work is finished is without error,
but consider the effects of this.

The work is done, the outgoing breath is finished so there is a new breath coming. In practical life there are many breaths taking place together and out of phase so that they interact. Our breathing out in one respect is the breathing in of somebody or something else and if we leave suddenly this is a shock to the shared experience.

Line 2 goes yin

intuitive feeling more active

To feel for finishing off activity is following the tao, but if we feel for making a new course of action it would be out of place.

The Chinese Image
Continuance in the way brings good fortune but to attempt to advance brings misfortune.
Not decrease but increase.

Translators do not agree on the last line, making different sense of this basic idea that they have in common. Our intuitive feeling is normally looking for how to act in our circumstances, so a simple warning that we may be facing the wrong direction seems in keeping.

Line 3 goes yang

outer world changes less

The single aim of completing activity will make the way clear for a new flow.

The Chinese Image
Three going in company will lose one.
One alone finds company.

Three symbolizes transition, change. Change is what the journey is about and during it we may become polarized in choice and so become two and lose our wholeness, one. So if we are trying to be empty, and so whole and symbolically one, as well as choosing, which is symbolically two, we are three and we lose our wholeness, one. If, on the other hand, we are alone in our wholeness and do not choose we have the company of all things.

Line 4 goes yang

accepting the outer state less

The outer state shown by line 3 is active, so here we are accepting this activity less, identifying in it less.

The Chinese Image
Reducing the number of his mistakes,
others come to him in happiness.
no error.

When we are not always choosing our aims, our future, all the other futures we would not choose are available to us; these others arising spontaneously are happiness.

Line 5 goes yang

less awareness of intuition

Here we are no longer watching the feelings we have of the life force, we are trusting it and allowing it to be what it will.

The Chinese Image
There is one who gives him very many tortoise shells and who would not be refused.
Greatest good fortune.

Tortoise shells were used in China for oracle reading. When we are unconcerned whether we are feeling correctly, we feel naturally and flow in the tao; this is the same as having the oracle in abundance.

Line 6 goes yin

our inner being accepts more

Accepting the life force is genuine decrease of separate self; we do not choose and it is choice that separates the one who chooses.

The Chinese Image
Increase that does not diminish others.
No error.
Continuance in the way brings good fortune.
Having a direction is beneficial.
He has followers but no home.

When we choose we increase what we choose and diminish others, but this increase in acceptance does not do this. If we have a direction we have no need to choose one so it is easier for us. Our home is where we identify and here we do not identify and so have no home, but if we are just part of the life force this is where people identify and we will appear to have followers.

Nuclear HexagramHexagram 1

Responses to creative potential.

Line image

Here there is no activity to be experienced, all the energy of the life force is in a quiet state which we call potential (or potentially active as we feel activity to be more real and important). The non-active is, however, not only an absence of activity, it is a real state in its own right, an expansion of what we consider to be real; activity on the other hand contracts and sharpens what we experience to be real until we “actualize” a reality, making experience.

This selectivity which is the action of having a point of view forms our identity which in turn selects; thus out of the nothingness of Ch’ien creation comes.

Hexagrams 1 and 2 picture unselective non-doing and unselective doing and so neither has a point of view or pattern; these come from selected mixtures of doing and non-doing.

When we cast this hexagram, we are in a tao of unselective non-doing, so our situation is not cast in a shape and has great possibilities which are not at present actualized. The tao is to experience this state as a real way of being so we should not create activity so as to get out of it as soon as possible. Action will follow of its own volition; here we can experience and practise non-doing and see what it creates.

Trigram image

We cannot distinguish the flow of Ch’ien because there is no point of view here, which is needed to distinguish anything, yet it contains flows in their unmanifest form, or formlessness. It is like the raw material from which our world is formed, or the whole reality in which identity selects paths to travel upon.

Before we make a new path for ourselves, we will do well to savour this time in Ch’ien. We can see from the trigram flow analysis that each of our normally active-seeking functions need to relax their effort; from this silence, we may be able to hear things that our noise would otherwise obscure. In this way, Ch’ien creates without any effort and produces no stress.

The Chinese Oracle

The creative principle.
Sublime success.
Continuance furthers.

Comments

The sublime success of the creative element is its inevitability, so when we are one with this tao there is an inevitability about our actions also. Perseverance is needed in following the tao or we may think that we are creating (indeed we usually do think this) and then we try to lead events instead of following the life force with our actions. Following the tao is a constant theme of the oracle. Following creates the wholeness, leading creates the ten thousand things, but in either case we do not stand aside—we take part in creation.

Manifestations

The pattern
The creative power is ready.
Awaits your sympathy
like a new page.
For humans
His decision, what form evolves.
He is the king,
head of his household.
The world awaits the karma
which is his endowment.
In nature
The sun warms the earth.
What will grow?
Everything there is to flow
and overflow.
In forms we make
The form is not yet.
Riches are liquid, uncrystallized.
The state has power.
Its will is to be something.

Changing Lines

Line 1 goes yin

life force shows more change

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The Chinese Image
Hidden dragon. Do not act.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Line 2 goes yin

intuitive feeling more active

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The Chinese Image
Dragon in the open. It is an advantage to see the great man.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

Line 3 goes yin

outer world changes more

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The Chinese Image
All day the superior man is busy and at night his mind is active. Danger, no error.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

Line 4 goes yin

accepting the outer state more

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The Chinese Image
To and fro on the brink of a chasm.
No error.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Line 5 goes yin

more awareness of intuition

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

The Chinese Image
Dragons flying in the heaven.
It is an advantage to see the great man.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

Line 6 goes yin

our inner being accepts more

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

The Chinese Image
Arrogant dragon. Regret.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.