Here the silence of identity (lines 4, 5, and 6 are yang) ignores the activity of the life force and it ceases to have influence.

The brake is applied; there is nothing we can do about it but follow our circumstances. Any attempt to get out of our circumstances will prove unfortunate so we need simply to experience where we are. A lean pig is an underfed pig and when we are under-stimulated we “leap about” to cause activity.

Feeling is our link between the undefined inner and manifest outer; here in this line new activity of feeling is occurring although identity is taking no notice.

Our present identifications (the guests) are not noticing the nourishment available, but this cannot be error, it is just circumstance.

In this tao of forceful outer action, it is important that we assess the outer situation correctly or the force we use will be destructive only. The outer situation depends upon inner energy emerging in this line so we note that this energy is becoming inactive.

The “orders” or the ordering of our action need to take account of the life force. With the life force creating less change, we need to be in firm control of our forcefulness so that it does not go beyond what the situation requires.

Here we expand our awareness of the tao by feeling both inner and outer, both the life force and its outer effects (as the three top lines are all accepting).

The number three, meaning change, here shows that a change in our approach is the outcome, or award, of this moving line.

Here we become less active in a situation which requires activity. We are perhaps applying a rule we have learned which is against aggressive action, some conditioning. No rule applies to all situations and what we need in action is spontaneous response as well as experience to guide us. Experience comes from the dead past whereas the present is alive and changing.

The past is dead, it cannot change to meet circumstances and the warrior requires spontaneous reactions to avert disaster. This is our situation also; our progress depends upon our present awareness, not rules we have learned.

Identity withdraws its interest from the outer world. This is not to say that our activity ceases but that our identification in the activity lessens.

It may serve us better if we are not immersed in the outer battles. We may see more clearly if we are not.

A difficult situation arises as we become less aware that our intuition is not active so that our present reading of our situation is governed solely by rules we learned in the past.

For the inner interpretation, the wild beasts are rampant autonomous feelings which we need to bring under control so that we do not commit errors. The elder is our older (past) experience which is in control of the situation while the younger and present experience is saddled with all these dead ideas or feelings. Continuing in the old way will bring misfortune.

When our inner being, our ongoing self, changes less in this tao the forceful reaction to being blocked has completed itself.

In this context, the man of low ability is one who has little control so that not much cohesion comes to the inner self. The prince, or young king symbolizing new identifications, has to be able to bring our various aspirations into one picture after the disruption.

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.