877979 · 44.4.6Hexagram 44

Adapting to circumstances.

Line image

Here the life force is manifesting actively (line 1) and we are not feeling it, not involved in it, not recognizing what it is (lines 2, 3, 4, 5, and 6 are all yang). This unawareness is likely to lead us into misreading our situation.

Trigram image

The only trigram with any activity is that for the emerging life force, Sun, and we do not respond to this circumstance which comes to us in a rather rigid and formed shape. We cannot influence it because it has no changeability and we may not recognize its strength because of its gentleness. We need to remain alert and witness our desires rather than trying to fulfill them.

The Chinese Oracle

Sudden meeting.
The woman is powerful.
Do not marry.

Comments

The meeting is sudden because we are very unaware in this tao, like someone who is very short-sighted and suddenly recognizes something at close range. Feeling (the woman) is powerful and this feeling is emotional feeling that we have stored and now seeks activity, so it is not born out of our present circumstances but is triggered by them. It is useful to allow such feeling but useless to wed ourselves to it.

Manifestations

The pattern
The powerfully mature
has its activity.
Without being influenced
has influence.
For humans
He does not try to change
what is so formed,
but meeting it
he is so drawn
he must himself change.
In nature
The flow of oceans
does not yield to our swimming.
The place of planets
does not shift for our desire.
In forms we make
All forms have archetypes
they tend towards,
yet the archetype has no form.

Changing Lines

Line 1 goes yang

life force shows less change

Here the silence of identity (lines 4, 5, and 6 are yang) ignores the activity of the life force and it ceases to have influence.

The Chinese Image
The wheel is held by a metal brake.
Continuance in the way brings good fortune.
A lean pig leaps about.

The brake is applied; there is nothing we can do about it but follow our circumstances. Any attempt to get out of our circumstances will prove unfortunate so we need simply to experience where we are. A lean pig is an underfed pig and when we are under-stimulated we “leap about” to cause activity.

Line 2 goes yin

intuitive feeling more active

Feeling is our link between the undefined inner and manifest outer; here in this line new activity of feeling is occurring although identity is taking no notice.

The Chinese Image
There are fish in the tank.
It does not benefit the guests.
No error.

Our present identifications (the guests) are not noticing the nourishment available, but this cannot be error, it is just circumstance.

Line 3 goes yin

outer world changes more

In this tao we do not have a true picture of our circumstances and in this line we act out in circumstances of which we are ignorant.

The Chinese Image
No skin on his thighs.
He walks with difficulty.
Keeping alert he makes no error.

Line 4 goes yin

accepting the outer state more

If our increased involvement is with a sense of outer peace all is well, but this is likely to be a search for outer activity and if it is we will search and find none.

The Chinese Image
No fish in the tank.
Misfortune.

The tank which has or has not fish in it is our personal inner being and the fish are our personal identifications in this. Here there are no fish, the process of identifying is inactive in this tao, so if we expect something we are disappointed.

Line 5 goes yin

more awareness of intuition

Our intuition about our circumstances as shown by line 2 is inactive; by accepting this lack of interpretive feeling, we allow life to happen to us.

The Chinese Image
A melon wrapped in leaves is hidden.
Something falls from heaven.

The melons, the gourd family of fruits, have a multitude of seeds in the fruit casing, many possibilities. These possibilities are hidden within the fruit, the fruit is hidden in the leaves, it appears that nothing is there; then suddenly from this nothing (from heaven) there is a happening. This describes how life is when we do not anticipate it.

Line 6 goes yin

our inner being accepts more

By accepting the energy of this tao which flows through emotional channels there is a forcing of their recognition.

The Chinese Image
He approaches with his horns.
Regret but no error.

The way emotion forces its way into recognition is often uncomfortable and causes regret, but it is necessary for it to be expressed so this is not an error.

Secondary HexagramHexagram 48

Bringing out the life within.

Line image

The structure is centred on the inner life energy, line 1, which is active. Our interest is in this activity, what will it bring? What is there for us to manifest? This interest and our acceptance of outer stillness in line 4 give the flavour of this tao, it is an inner need to experience the life energy itself, not an outer manifestation of it. The common name of the hexagram is “the well”, the water is often deep down in the well and we are trying to reach it.

Trigram image

The life force emerging in the image of Sun means that it cannot flow of itself, however the “outer world” trigram Tui shows a hope of this flow of activity. Identity in the form of the trigram Li approaches this inner task hesitantly and our inner being, our ongoing personal self, receives no energy for change. Yet we note that as the sixth line is yin there is change in our inner being due to this tao.

From the view we have as identity this is a situation where the outcome is still in doubt; there is activity, line 1, or water in the well, and it is recognized in line 6, but can it be reached?

The Chinese Oracle

The well.
A town may be moved but not a well.
A well keeps its level constant.
People come and go drawing water.
If the rope is too short,
or the pitcher is broken,
misfortune.

Comments

The basis of personality (the place of the town) can be changed but the life force is always the same, it is always there but when we cannot reach it we think it has deserted us and cry misfortune. The image of people coming and going to draw water from the well is quite exact, for it is our coming and going in ourselves (the cycles of our manifestation) that draws the life force—manifests it.

Manifestations

The pattern
At the source it is constant,
ready to give forth;
but it clings to its source.
Too gentle to overcome opposition
without help it cannot flow.
For humans
He is shy
yet has much to give.
When persuaded to flow
he nourishes all around him.
In nature
Not all the animals at the water-hole
have means to reach the water,
but nature grows ways
to achieve necessities.
In forms we make
Obtaining water from a well
takes some effort,
some equipment,
some skill.

Changing Lines

Line 1 goes yang

life force shows less change

The ability to tap the life force depends on where we make our reality, where we sink our well; here it dries up, we have exhausted the possibilities of something yet we still expect life-giving energy from it, so it is time to sink a new well, to seek other sources of nourishment for our life.

The Chinese Image
The bottom of the well is mud.
Animals do not go to an old well.

Instead of water there is mud. The well is exhausted and no animals, no manifestation, is refreshed by it. The animals know by instinct, but our own intuitive feeling is inactive and ignored in this tao.

Line 2 goes yin

intuitive feeling more active

Feeling is a flow, and by feeling the life force more in this tao where it is difficult to manifest it we are defining by feeling, creating by feeling. This will create more of our own images and we will not reach the experience of the source which is the quite innocent and inconsequent experience the tao is offering.

The Chinese Image
Fish and hunting at the well-hole.
The pitcher is cracked and leaks.

Fish, our manifestations in the life force or water, are first defined by feeling; we are hunting them with our feeling, trying to find them. The water level has been raised to the surface by our feeling but it becomes filled with our images and our hunting for manifest reality. Our method is not sound so the pitcher is cracked and leaks.

Line 3 goes yin

outer world changes more

Here the life force flows in outer activity, but according to trigram Li of the tao our responses are hesitant and cannot take advantage, cannot see the possibilities so that the inhibitions in the situation are not overcome, but there is the possibility.

The Chinese Image
The well has been cleaned.
No one uses it
which makes my heart sad.
If the king is wise
the people share good fortune.

Access to the water is no longer blocked but we are not tasting it. If the king, our identifying syndrome, were wise it would be shared by the many parts of our identity. The need in this tao is to taste the emerging life force, not to project it outwards.

Line 4 goes yang

accepting the outer state less

We have been concerned with the inactivity of our outer reality (line 3) but now we become unconcerned which gives more energy to the other yin line in our receiving experience, line 6; this is attentive to the life force emerging in line 1, so this movement is turning our attention inward to our reception of the life force.

The Chinese Image
The well is being tiled.
No error.

Line 5 goes yin

more awareness of intuition

Here we are concerned with our quietness of feeling (the yang line 2); we experience it. To experience the existing inner quietness is to experience the inner being as it is.

The Chinese Image
The well water tastes cool
and pure.

This is its natural condition and we taste it, experience it. It is pure because we have not put identifications into it. Here we experience without identifying, and this is what the tao offers.

Line 6 goes yang

our inner being accepts less

Our concern in line 6 of this tao has been to experience the emerging life force because of a lack of flow or a lack of “depth” in our experience. The tao is about not being able to reach this inner depth and here in this moving line the tao is ending so we are no longer concerned because we have “found a way”.

The Chinese Image
The raising of the water
is open to all.
Greatest good fortune.

What has made it difficult to experience the water was a lack of reach and an inability to hold it; our ability to reach the life force depends on our not turning it into something else that we want; our ability to hold it is our ability to hold our own identifying, our own self, empty.

Nuclear HexagramHexagram 1

Responses to creative potential.

Line image

Here there is no activity to be experienced, all the energy of the life force is in a quiet state which we call potential (or potentially active as we feel activity to be more real and important). The non-active is, however, not only an absence of activity, it is a real state in its own right, an expansion of what we consider to be real; activity on the other hand contracts and sharpens what we experience to be real until we “actualize” a reality, making experience.

This selectivity which is the action of having a point of view forms our identity which in turn selects; thus out of the nothingness of Ch’ien creation comes.

Hexagrams 1 and 2 picture unselective non-doing and unselective doing and so neither has a point of view or pattern; these come from selected mixtures of doing and non-doing.

When we cast this hexagram, we are in a tao of unselective non-doing, so our situation is not cast in a shape and has great possibilities which are not at present actualized. The tao is to experience this state as a real way of being so we should not create activity so as to get out of it as soon as possible. Action will follow of its own volition; here we can experience and practise non-doing and see what it creates.

Trigram image

We cannot distinguish the flow of Ch’ien because there is no point of view here, which is needed to distinguish anything, yet it contains flows in their unmanifest form, or formlessness. It is like the raw material from which our world is formed, or the whole reality in which identity selects paths to travel upon.

Before we make a new path for ourselves, we will do well to savour this time in Ch’ien. We can see from the trigram flow analysis that each of our normally active-seeking functions need to relax their effort; from this silence, we may be able to hear things that our noise would otherwise obscure. In this way, Ch’ien creates without any effort and produces no stress.

The Chinese Oracle

The creative principle.
Sublime success.
Continuance furthers.

Comments

The sublime success of the creative element is its inevitability, so when we are one with this tao there is an inevitability about our actions also. Perseverance is needed in following the tao or we may think that we are creating (indeed we usually do think this) and then we try to lead events instead of following the life force with our actions. Following the tao is a constant theme of the oracle. Following creates the wholeness, leading creates the ten thousand things, but in either case we do not stand aside—we take part in creation.

Manifestations

The pattern
The creative power is ready.
Awaits your sympathy
like a new page.
For humans
His decision, what form evolves.
He is the king,
head of his household.
The world awaits the karma
which is his endowment.
In nature
The sun warms the earth.
What will grow?
Everything there is to flow
and overflow.
In forms we make
The form is not yet.
Riches are liquid, uncrystallized.
The state has power.
Its will is to be something.

Changing Lines

Line 1 goes yin

life force shows more change

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The Chinese Image
Hidden dragon. Do not act.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Line 2 goes yin

intuitive feeling more active

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The Chinese Image
Dragon in the open. It is an advantage to see the great man.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

Line 3 goes yin

outer world changes more

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The Chinese Image
All day the superior man is busy and at night his mind is active. Danger, no error.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

Line 4 goes yin

accepting the outer state more

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The Chinese Image
To and fro on the brink of a chasm.
No error.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Line 5 goes yin

more awareness of intuition

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

The Chinese Image
Dragons flying in the heaven.
It is an advantage to see the great man.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

Line 6 goes yin

our inner being accepts more

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

The Chinese Image
Arrogant dragon. Regret.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.