699799 · 44.1.2.3.5.6Hexagram 44

Adapting to circumstances.

Line image

Here the life force is manifesting actively (line 1) and we are not feeling it, not involved in it, not recognizing what it is (lines 2, 3, 4, 5, and 6 are all yang). This unawareness is likely to lead us into misreading our situation.

Trigram image

The only trigram with any activity is that for the emerging life force, Sun, and we do not respond to this circumstance which comes to us in a rather rigid and formed shape. We cannot influence it because it has no changeability and we may not recognize its strength because of its gentleness. We need to remain alert and witness our desires rather than trying to fulfill them.

The Chinese Oracle

Sudden meeting.
The woman is powerful.
Do not marry.

Comments

The meeting is sudden because we are very unaware in this tao, like someone who is very short-sighted and suddenly recognizes something at close range. Feeling (the woman) is powerful and this feeling is emotional feeling that we have stored and now seeks activity, so it is not born out of our present circumstances but is triggered by them. It is useful to allow such feeling but useless to wed ourselves to it.

Manifestations

The pattern
The powerfully mature
has its activity.
Without being influenced
has influence.
For humans
He does not try to change
what is so formed,
but meeting it
he is so drawn
he must himself change.
In nature
The flow of oceans
does not yield to our swimming.
The place of planets
does not shift for our desire.
In forms we make
All forms have archetypes
they tend towards,
yet the archetype has no form.

Changing Lines

Line 1 goes yang

life force shows less change

Here the silence of identity (lines 4, 5, and 6 are yang) ignores the activity of the life force and it ceases to have influence.

The Chinese Image
The wheel is held by a metal brake.
Continuance in the way brings good fortune.
A lean pig leaps about.

The brake is applied; there is nothing we can do about it but follow our circumstances. Any attempt to get out of our circumstances will prove unfortunate so we need simply to experience where we are. A lean pig is an underfed pig and when we are under-stimulated we “leap about” to cause activity.

Line 2 goes yin

intuitive feeling more active

Feeling is our link between the undefined inner and manifest outer; here in this line new activity of feeling is occurring although identity is taking no notice.

The Chinese Image
There are fish in the tank.
It does not benefit the guests.
No error.

Our present identifications (the guests) are not noticing the nourishment available, but this cannot be error, it is just circumstance.

Line 3 goes yin

outer world changes more

In this tao we do not have a true picture of our circumstances and in this line we act out in circumstances of which we are ignorant.

The Chinese Image
No skin on his thighs.
He walks with difficulty.
Keeping alert he makes no error.

Line 4 goes yin

accepting the outer state more

If our increased involvement is with a sense of outer peace all is well, but this is likely to be a search for outer activity and if it is we will search and find none.

The Chinese Image
No fish in the tank.
Misfortune.

The tank which has or has not fish in it is our personal inner being and the fish are our personal identifications in this. Here there are no fish, the process of identifying is inactive in this tao, so if we expect something we are disappointed.

Line 5 goes yin

more awareness of intuition

Our intuition about our circumstances as shown by line 2 is inactive; by accepting this lack of interpretive feeling, we allow life to happen to us.

The Chinese Image
A melon wrapped in leaves is hidden.
Something falls from heaven.

The melons, the gourd family of fruits, have a multitude of seeds in the fruit casing, many possibilities. These possibilities are hidden within the fruit, the fruit is hidden in the leaves, it appears that nothing is there; then suddenly from this nothing (from heaven) there is a happening. This describes how life is when we do not anticipate it.

Line 6 goes yin

our inner being accepts more

By accepting the energy of this tao which flows through emotional channels there is a forcing of their recognition.

The Chinese Image
He approaches with his horns.
Regret but no error.

The way emotion forces its way into recognition is often uncomfortable and causes regret, but it is necessary for it to be expressed so this is not an error.

Secondary HexagramHexagram 51

Shaken in his being.

Line image

Line 6 is yin while line 1 is yang, so we change innerly in this tao but not from the activity of the emerging life force. The outer world (line 3) is active, while line 4 shows us to be ignorant about this outer activity. When our outer world is the centre of activity and we ignore this we are likely to meet the unexpected and to be unprepared. “Shock” is the common name of the hexagram.

Trigram image

The strong surge of energy in Chên is met by the immovable Kên. This flow is a severe jolt to the being, which, in its established peace is quite unprepared for such force; it resists and then succumbs (K’an), only to recover again as we recognize and co-ordinate a new reality.

Shock occurs when new experience appears too fast for our co-ordination to deal with it. Feeling cannot come up with a feeling and there may be rejection and disorganization (panic) or withdrawal of feeling (numbness). All this may be fleeting, as when we meet someone suddenly in a doorway, or profound. All this feeling cannot move outwards, cannot be identified, so it moves in our inner being (Chên at the top).

The Chinese Oracle

Shock (thunder), success.
Shock then laughter.
Frightening tumult for 100 miles around.
He does not spill the sacrificial vessel.

Comments

Shock by its nature is sudden and short, followed by relief and laughter. 100 miles around is symbolic of it going the whole distance—it is total in us. The sacrificial vessel is ourself (as in the Ting, hexagram 50), we do not go outwards in shock, we centre very severely, so the self or sacrificial vessel is not externalized, spilt. The movement of the energy in our inner being can make changes there and this is the success the tao offers.

Manifestations

The pattern
The world is shaken
to its foundation.
Unparalleled relief
must follow.
For humans
Shock follows shock
until his reality
itself is shaken.
Then he will laugh from his belly
at his alarm, at his escape,
at his relief;
and examine his weaknesses.
In nature
Lightning tears the air
and all beasts cower.
Strikes at the earth
and they tremble.
Its thunder rolls away,
uncovering the sun
and beautiful normality.
In forms we make
Authority stamps,
shaking its power;
and withdraws,
creating order.

Changing Lines

Line 1 goes yin

life force shows more change

Here we react to shock immediately by stirring our inner peace into activity. We are alert and not taken much off our guard, or the shock is such that it is quickly recognized; either way it is quickly followed by relief.

The Chinese Image
Shock roars
then speaks smilingly.
Good fortune.

Line 2 goes yang

intuitive feeling less active

This is the numbness reaction to shock. Feeling cannot co-ordinate and so does not function, creating a strange separateness but this will pass.

The Chinese Image
Shock signals danger.
He loses his valuables
and climbs nine hills.
He should not go after them,
in seven days he will have them again.

The danger of overload is a danger to our ability to distinguish what is happening to us, a danger to identity itself. When we cannot distinguish because of shock we lose all of value because confusion has no values.
Over nine hills is nine times up and down again, a vacillation about the number nine, which is 3 × 3 or symbolically change which is changing—all is confusion as we try to follow the change but cannot. But it all comes back again at the end of the process, the seven days. This symbolism just describes the shock syndrome.

Line 3 goes yang

outer world changes less

With shock, action becomes confused; but it is action that leads out of shock so instinctive action is an effective outlet; it also involves acting without caution.

The Chinese Image
Thunder (shock) is impetuous;
reacting likewise is not harmful.

It is necessary to move to get out of shock and our lightning-like reflexes operate, knowing in their own way what is needed; but here we control this and do not move.

Line 4 goes yin

accepting the outer state more

Here we are taking possession of the action of shock, using it for our purposes, conscious or unconscious. This is a misunderstanding; shock is by its nature spontaneous and although we may serve our purposes by this means we narrow our reality.

The Chinese Image
Shock in mud.

In mud we get stuck and here we get stuck in shock, using it, entangling with it. Allow shock and it flows out, try to define or use it and it stays.

Line 5 goes yang

less awareness of intuition

This fifth line is our recognition of intuitive feeling. Here the shock to feeling causes withdrawal from it—yet we cannot withdraw successfully from something so evident.

The Chinese Image
Shock comes and goes repeatedly.
Danger.
Nothing is lost and things need doing.

The danger is that we are distracted from outer action needed in response to the shock, “things need doing”. We are wildly seeking but nothing is lost so we need not seek.

Line 6 goes yang

our inner being accepts less

This line of our inner being does not accept the shock, it is a matter for our outer coordination to deal with it.

The Chinese Image
Shock creates disorder and terrified eye movements.
Advance brings misfortune.
His neighbours are shocked
but not he himself, no error.
The neighbours criticize him.

The outer boundary of self, the identified self which has many facets, are the “neighbours” who are disoriented, not the inner self, they look around with frightened eyes for some help but get none and feel let down.

Nuclear HexagramHexagram 1

Responses to creative potential.

Line image

Here there is no activity to be experienced, all the energy of the life force is in a quiet state which we call potential (or potentially active as we feel activity to be more real and important). The non-active is, however, not only an absence of activity, it is a real state in its own right, an expansion of what we consider to be real; activity on the other hand contracts and sharpens what we experience to be real until we “actualize” a reality, making experience.

This selectivity which is the action of having a point of view forms our identity which in turn selects; thus out of the nothingness of Ch’ien creation comes.

Hexagrams 1 and 2 picture unselective non-doing and unselective doing and so neither has a point of view or pattern; these come from selected mixtures of doing and non-doing.

When we cast this hexagram, we are in a tao of unselective non-doing, so our situation is not cast in a shape and has great possibilities which are not at present actualized. The tao is to experience this state as a real way of being so we should not create activity so as to get out of it as soon as possible. Action will follow of its own volition; here we can experience and practise non-doing and see what it creates.

Trigram image

We cannot distinguish the flow of Ch’ien because there is no point of view here, which is needed to distinguish anything, yet it contains flows in their unmanifest form, or formlessness. It is like the raw material from which our world is formed, or the whole reality in which identity selects paths to travel upon.

Before we make a new path for ourselves, we will do well to savour this time in Ch’ien. We can see from the trigram flow analysis that each of our normally active-seeking functions need to relax their effort; from this silence, we may be able to hear things that our noise would otherwise obscure. In this way, Ch’ien creates without any effort and produces no stress.

The Chinese Oracle

The creative principle.
Sublime success.
Continuance furthers.

Comments

The sublime success of the creative element is its inevitability, so when we are one with this tao there is an inevitability about our actions also. Perseverance is needed in following the tao or we may think that we are creating (indeed we usually do think this) and then we try to lead events instead of following the life force with our actions. Following the tao is a constant theme of the oracle. Following creates the wholeness, leading creates the ten thousand things, but in either case we do not stand aside—we take part in creation.

Manifestations

The pattern
The creative power is ready.
Awaits your sympathy
like a new page.
For humans
His decision, what form evolves.
He is the king,
head of his household.
The world awaits the karma
which is his endowment.
In nature
The sun warms the earth.
What will grow?
Everything there is to flow
and overflow.
In forms we make
The form is not yet.
Riches are liquid, uncrystallized.
The state has power.
Its will is to be something.

Changing Lines

Line 1 goes yin

life force shows more change

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The Chinese Image
Hidden dragon. Do not act.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Line 2 goes yin

intuitive feeling more active

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The Chinese Image
Dragon in the open. It is an advantage to see the great man.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

Line 3 goes yin

outer world changes more

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The Chinese Image
All day the superior man is busy and at night his mind is active. Danger, no error.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

Line 4 goes yin

accepting the outer state more

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The Chinese Image
To and fro on the brink of a chasm.
No error.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Line 5 goes yin

more awareness of intuition

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

The Chinese Image
Dragons flying in the heaven.
It is an advantage to see the great man.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

Line 6 goes yin

our inner being accepts more

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

The Chinese Image
Arrogant dragon. Regret.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.