When there is no activity from the inner (whole) reality and we are wandering because we are, for now, ignoring the nature of the whole, our wanderings become random, our interest is in the illusion of movement and we do not find here the sense of realness we seek.

We can experience the illusion without being entangled, without believing it to be totally real. Nothing is totally real except the whole, and by its nature identity cannot experience this as part of the smallness. The misfortune is losing touch with the whole.

A feeling of unreality gives rise to the idea that circumstances are unsatisfactory and this drives the wanderer on. In this moving line this feeling becomes less active so we can rest a while in ordinary circumstances—these appear to be real again and support identity.

An inn is a place for a temporary stay while wandering, and any wanderer’s valuables are his beliefs and principles; so we have settled into our reality and are not searching at the moment. We are helped in this by loyal feeling, a sense of realness that does not desert us; feeling is the servant of identity, providing what it needs to identify amongst; here it is tranquil (yang).

When our outer reality becomes unsatisfactory we wander. Here in this line we are accepting wandering as a way of being and this will not be fulfilling for very long because it is not just that we are in a bad place—all outer identification feels lacking.

The bird is a symbol of spirit or whole reality and its nest is where it raises its young; our being cannot raise more young (new experience) if we stay in outer identification; the new comes from the inner. At first, being out in defined reality seems clear and to be a solution, but nothing new comes and it becomes a repetition. When the inner is included in our sense of the real, new experience comes fresh each day, like the service of a cow—this we carelessly lose.

Amongst the forces acting upon the emerging life force is our selection of what we will recognize. In this tao we, as identity, are not recognizing emerging activity and this makes it inactive for us in this moving line. This selection of the particular from the whole is the natural course of growing identity but as it matures experience is gathered into its inner being and, if it remains open, the outer and inner resonate as one.

The superior man is one who experiences more widely, which is also less selectively.

Having a less active feeling about the emerging life force narrows what we can see of it; in this tao it is the best that feeling can do.

The door crack is the narrowing of our viewpoint by the lessening of feeling, symbolically female and hence the woman. Open feeling is at a disadvantage when identity is withdrawn from it (line 5) and especially in this tao of stillness and review.

Less outer activity tends to balance our outer-inner position and so is in keeping with the tao. By acting out less, we see more of what is going on around us.

This is an outer line and we vary our action according to changes in outer circumstances rather than allowing ourselves to be carried by the momentum of our involvements.

We, identity, are less involved in our active outer world and by acting out in a less entangled way we have a wider view.

The king is the identifying process which rules our conscious world, here we contemplate being in this identified world in a new way, not as one identified, who would be a subject of the king, but as a guest, a visitor. The advantage is that we remain centred, not becoming entangled in identifications.

Feeling is of the life force and of its movements which are the tao, so the movement of this line corrects the imbalance that the hexagram pictures and brings our separated parts together.

Becoming aware of our intuitive feelings gives awareness of the flow of the life energy which is the “course of his life”. It is the superior man who does this because it is a widening view.

Realizing what we have been doing always changes our direction. Becoming more involved in the tao of overlooking life gives insight into ourselves and brings about a change in the balance between the viewer and the viewed, when there is full involvement the experiencer and the experience become one.

The stress in this tao is created by the force of the life energy from the inner acting upon rigid form in our lives (in ourselves). Here the activity is lessened and the stress limited.

This is protection by the inner being, rushes are put under something to soften the contact, they are white because there is no selection in this action (white light is all-coloured light).

Here the rigidity itself is loosening, we are starting to feel the life force again and this is the beginning of new feeling.

The old finds a way to flow again, and it was the lack of flow that caused the excess of pressure.

In this tao identity has excessively structured duality; to act out from this projects the stress into our circumstances.

The ridgepole giving way is like our giving out the stress from within us, we give way to it and the consequences to our environment are unfortunate.

What we are accepting here in this moving line is the inactivity of our outer world, so there is less stress because we are not struggling with our rigidity. This does not change the rigidity but makes it more manageable and may mask the basic problem.

Reliance on masking the stresses we have would be a weak support.

Becoming aware of intuitive feeling that is inactive is to be more aware but not to have more feeling.

This is widening awareness, opening up, flowering; then old feeling (from memory) comes to thought, to consciousness. These do not change things, the flowering does not change the tree and the old woman cannot have children, in other words there is no new growth.

Here we give up the struggle and become unaware of the activity pushing us towards change. When we become unaware of forces they overtake us.

To give way to the flow is no error, only uncomfortable; it overcomes the rigidity and so changes us.