A feeling of unreality gives rise to the idea that circumstances are unsatisfactory and this drives the wanderer on. In this moving line this feeling becomes less active so we can rest a while in ordinary circumstances—these appear to be real again and support identity.

An inn is a place for a temporary stay while wandering, and any wanderer’s valuables are his beliefs and principles; so we have settled into our reality and are not searching at the moment. We are helped in this by loyal feeling, a sense of realness that does not desert us; feeling is the servant of identity, providing what it needs to identify amongst; here it is tranquil (yang).

Now we are interested in the idea of being inactive, doubting that all this wandering is a good idea, so we settle down where we are. Although we are accepting our outer reality as it is, unstimulating, this is not going to change anything, but to treat it as a rest is more real, for our wandering is not completed yet.

Innerly our valuables are the identifications we have chosen and the axe symbolizes our defence of these; so according to the image we do not change ourselves, and as joy comes only with the flow of change we feel no joy, but we have rest.

We are less in our feelings of wandering; wandering is not the important thing it was. Innerly wandering is searching for something outside ourselves that feels more satisfying, more nourishing; here we find that this is not the way, and this is itself a new direction for us.

He gains nourishment (the pheasant) and loses direction (the arrow). His direction was wandering, and exchanging this for nourishment in his present situation is the end of wandering and creates an established presence (office) and recognition (praise).

Here we react to shock immediately by stirring our inner peace into activity. We are alert and not taken much off our guard, or the shock is such that it is quickly recognized; either way it is quickly followed by relief.

This is the numbness reaction to shock. Feeling cannot co-ordinate and so does not function, creating a strange separateness but this will pass.

The danger of overload is a danger to our ability to distinguish what is happening to us, a danger to identity itself. When we cannot distinguish because of shock we lose all of value because confusion has no values.
Over nine hills is nine times up and down again, a vacillation about the number nine, which is 3 × 3 or symbolically change which is changing—all is confusion as we try to follow the change but cannot. But it all comes back again at the end of the process, the seven days. This symbolism just describes the shock syndrome.

With shock, action becomes confused; but it is action that leads out of shock so instinctive action is an effective outlet; it also involves acting without caution.

It is necessary to move to get out of shock and our lightning-like reflexes operate, knowing in their own way what is needed; but here we control this and do not move.

Here we are taking possession of the action of shock, using it for our purposes, conscious or unconscious. This is a misunderstanding; shock is by its nature spontaneous and although we may serve our purposes by this means we narrow our reality.

In mud we get stuck and here we get stuck in shock, using it, entangling with it. Allow shock and it flows out, try to define or use it and it stays.

This fifth line is our recognition of intuitive feeling. Here the shock to feeling causes withdrawal from it—yet we cannot withdraw successfully from something so evident.

The danger is that we are distracted from outer action needed in response to the shock, “things need doing”. We are wildly seeking but nothing is lost so we need not seek.

This line of our inner being does not accept the shock, it is a matter for our outer coordination to deal with it.

The outer boundary of self, the identified self which has many facets, are the “neighbours” who are disoriented, not the inner self, they look around with frightened eyes for some help but get none and feel let down.

The stress in this tao is created by the force of the life energy from the inner acting upon rigid form in our lives (in ourselves). Here the activity is lessened and the stress limited.

This is protection by the inner being, rushes are put under something to soften the contact, they are white because there is no selection in this action (white light is all-coloured light).

Here the rigidity itself is loosening, we are starting to feel the life force again and this is the beginning of new feeling.

The old finds a way to flow again, and it was the lack of flow that caused the excess of pressure.

In this tao identity has excessively structured duality; to act out from this projects the stress into our circumstances.

The ridgepole giving way is like our giving out the stress from within us, we give way to it and the consequences to our environment are unfortunate.

What we are accepting here in this moving line is the inactivity of our outer world, so there is less stress because we are not struggling with our rigidity. This does not change the rigidity but makes it more manageable and may mask the basic problem.

Reliance on masking the stresses we have would be a weak support.

Becoming aware of intuitive feeling that is inactive is to be more aware but not to have more feeling.

This is widening awareness, opening up, flowering; then old feeling (from memory) comes to thought, to consciousness. These do not change things, the flowering does not change the tree and the old woman cannot have children, in other words there is no new growth.

Here we give up the struggle and become unaware of the activity pushing us towards change. When we become unaware of forces they overtake us.

To give way to the flow is no error, only uncomfortable; it overcomes the rigidity and so changes us.