Rigidity.

Line image

In our inner being, line 6, we accept the activity of change that is available in our circumstances (line 1 is yin), but our intuitive feeling in line 2 is inactive and so is our outer world in line 3; identity is not interested in changing any of this (lines 4 and 5 are yang). This is a picture of stress where there is inner pressure for change but no response from the outer, manifesting self. It is too still, too rigid, has no flexibility.

Trigram image

The energy emerges formed and structured by the trigram Sun, is inactive throughout its manifestation as Ch’ien both for identity and the outer world, and has just a hope of change in Tui for our inner being. Here is a flow only at the very borders of our awareness, everything manifest is held rigid and cannot move, yet the activity of the inner is pushing it to move. When rigid structures are forced to change shape something gives way suddenly.

The Chinese Oracle

Excess.
The ridgepole sags.
Movement is favourable.
Success.

Comments

We recognize excess by the stress it creates, without stress excess is felt as abundance. So here we are in a situation of stress pictured as the ridge of a roof about to give way; the ridge is where the two sides of the roof meet, and the roof is what separates us from the elements—a picture of our duality which “protects” identity from being engulfed in the great unknown reality. This “protection” is threatened, and keeping the polarities of our choices apart is threatened when they become excessive, when we or our society becomes too polarized for the flow of manifestation to happen, for the flow of manifestation is interchange between polarities.

Manifestations

The pattern

From the inner there is no flow.
Action is all inactivity,
Making return a beginning.

For humans

When firm and inflexible,
the only way of moving is to break.
When so gentle it changes nothing,
the only way of living is to die
into a beginning.

In nature

The wood is too ripe for budding,
too rigid for change
until it returns to earth.

In forms we make

No longer supported, must fall.
Falling, finds support.

Changing Lines

Line 1 goes yang

life force shows less change

The stress in this tao is created by the force of the life energy from the inner acting upon rigid form in our lives (in ourselves). Here the activity is lessened and the stress limited.

The Chinese Image

Spreading white rushes underneath.
No error.

This is protection by the inner being, rushes are put under something to soften the contact, they are white because there is no selection in this action (white light is all-coloured light).

❦

Line 2 goes yin

intuitive feeling more active

Here the rigidity itself is loosening, we are starting to feel the life force again and this is the beginning of new feeling.

The Chinese Image

The wizened willow tree
puts out new shoots.
An old man has a young wife.
All is favourable.

The old finds a way to flow again, and it was the lack of flow that caused the excess of pressure.

❦

Line 3 goes yin

outer world changes more

In this tao identity has excessively structured duality; to act out from this projects the stress into our circumstances.

The Chinese Image

The ridgepole sags to breaking point.
Misfortune.

The ridgepole giving way is like our giving out the stress from within us, we give way to it and the consequences to our environment are unfortunate.

❦

Line 4 goes yin

accepting the outer state more

What we are accepting here in this moving line is the inactivity of our outer world, so there is less stress because we are not struggling with our rigidity. This does not change the rigidity but makes it more manageable and may mask the basic problem.

The Chinese Image

The ridgepole has support.
Good fortune.
Reliance on weak support
is unfortunate.

Reliance on masking the stresses we have would be a weak support.

❦

Line 5 goes yin

more awareness of intuition

Becoming aware of intuitive feeling that is inactive is to be more aware but not to have more feeling.

The Chinese Image

The wizened willow flowers.
The old woman takes a husband.
No praise. No blame.

This is widening awareness, opening up, flowering; then old feeling (from memory) comes to thought, to consciousness. These do not change things, the flowering does not change the tree and the old woman cannot have children, in other words there is no new growth.

❦

Line 6 goes yang

our inner being accepts less

Here we give up the struggle and become unaware of the activity pushing us towards change. When we become unaware of forces they overtake us.

The Chinese Image

Fording a river, the water rises over his head.
Misfortune. No error.

To give way to the flow is no error, only uncomfortable; it overcomes the rigidity and so changes us.

Secondary HexagramHexagram 36

Effort through resistance.

Line image

We feel and accept the quietness of the life force (lines 2 and 6) and of our outer world (line 4). Feeling will be dominant as there is no other activity for us to identify, lines 1 and 3 being yang. So this is about feeling a lack or failure of identification and as this distinguishing we do is the “light” of our intelligence the common name of the hexagram is “darkening of the light”.

Trigram image

With a hesitant emerging energy (Li) which falls to a low in the outside world (K’an) there is not much to please our identifying function (identity), but this dearth of material causes changes in us, perhaps even traumatic ones (Chên) which create a free flow of activity in our inner being (K’un).

The inner and outer views of this tao are very different, it is developing a great movement in our inner being which will be nourishing, but the outer identified experience is a frustration of activity. If we identify ourselves with what we can do, therefore, this will be a hard tao, but if we can go with this inner movement it is very beautiful and approaches a major transition.

The Chinese Oracle

Darkening of the light.
Continuance in the way despite difficulty.
Advantageous realizations.

Comments

The light of identity comes from something to identify, which at present is not available. As in hexagram 29 we must not give ourselves up for lost just because we have lost our freedom; there we lost it in identification with polarity, here we lose it because we are no longer supported by that polarity which was our guiding light for distinguishing the real. Our motivation fails here, our sense of the real, and by continuing, not seeking a new motivation but in “the way” which is being within our present circumstances, we find a beauty we had not expected; it was obscured by the brightness of our personal light. The opportunity here is to find that we can see in the darkness—reality is real even if we do not shine our light upon it (defining it in our own terms).

Manifestations

The pattern

Outward movement of the life force
is opposed but not quenched.
Its work in the opposition itself
is creating life
to the benefit of the world.

For humans

He cannot achieve his purpose,
turns his frustration
to lasting benefit for others.

In nature

Earth-fire under water does not shine.
The seas boil, new islands appear.

In forms we make

Efforts are absorbed
by fluidity of form.
Continuing the effort
enables unexpected forms to appear.

Changing Lines

Line 1 goes yin

life force shows more change

The inner activity shown here draws our motivation inwards and the outer energy is depleted.

The Chinese Image

He flies with drooping wings.
The superior man, in his cycle,
goes without food for three days.
The people speak of it.

Motivated parts of our identity, the people, do not like the situation, but the wide view is that one must go with the cycle and experience all its aspects.

❦

Line 2 goes yang

intuitive feeling less active

Here we feel the life force less and have some confusion, so we ride life, we ride on the acceptance in this tao which enables us to act without owning the action.

The Chinese Image

Injured in the left thigh.
Strength in the horse gives relief.
Success.

The left side of the body is controlled by the right side of the brain where immediate, whole action dominates; the thigh gives power to the knee joint as we run and leap. These together with injury show that our ability to move instinctively in our circumstances is impaired. We are helped by allowing ourselves to be carried.

❦

Line 3 goes yin

outer world changes more

In this tao the light, the identification, becomes inner so the Chinese image speaks of the increasing outer activity of this line as a rebel.

The Chinese Image

The light is darkened
during a hunt to the south.
The rebel leader is captured.
Excess should be avoided.

The hunt is for identification and the south stands for the high noon of activity, so we have this rebel identification in the outer place; what leads this is the desire to be in control of circumstances and the tao does not support this. If, however, we take outer activity itself as the evil this is excessive.

❦

Line 4 goes yang

accepting the outer state less

Our outer world is inactive. We withhold our identification even from this inactivity and experience something that is most inner.

The Chinese Image

He enters the left side of the belly;
reaches mind in darkness.
Leaves the gate and courtyard.

Entering the centre of the instinctive there is no sense at all (no light of reason). Reason in the mind is the contained reality that we leave here; it is not that we become unreasonable but we enter a reality undefined, unfenced, outside the gate and courtyard.

❦

Line 5 goes yang

less awareness of intuition

Here we become less involved because the feeling is too painful. This tao has a transitory nature because outer expression cannot be held for a long time without stress developing from the essential need to manifest, and if this is blocked we must feel less or break through the blockage. This moving line indicates that we cannot easily experience the silence any longer but we have this way of withstanding it by withdrawing attention.

The Chinese Image

Darkening of the light
like that of prince Chi.
Persistence although wounded.

Prince Chi lived at a time of outer despotism and he hid his convictions in order to preserve them. Here we do likewise. When wounded we are unable to give battle.

❦

Line 6 goes yang

our inner being accepts less

This tao of inner experience is supported largely by this line 6 accepting the quietness of the emerging life force in line 1. Here this acceptance goes and inner reality is inaccessible to us, the beauty is not seen and the tao takes on its aspect of a blockage to progress.

The Chinese Image

No light, only darkness.
First he rose to heaven
then fell into the earth.

When our inner being fails to accept the implications of wholeness, which include the sacrifice of identifying, we go back to the identified state to start a new cycle of growth, like a seed falling from a flower into the earth. We still need that experience.

Nuclear HexagramHexagram 1

Responses to creative potential.

Line image

Here there is no activity to be experienced, all the energy of the life force is in a quiet state which we call potential (or potentially active as we feel activity to be more real and important). The non-active is, however, not only an absence of activity, it is a real state in its own right, an expansion of what we consider to be real; activity on the other hand contracts and sharpens what we experience to be real until we “actualize” a reality, making experience.

This selectivity which is the action of having a point of view forms our identity which in turn selects; thus out of the nothingness of Ch’ien creation comes.

Hexagrams 1 and 2 picture unselective non-doing and unselective doing and so neither has a point of view or pattern; these come from selected mixtures of doing and non-doing.

When we cast this hexagram, we are in a tao of unselective non-doing, so our situation is not cast in a shape and has great possibilities which are not at present actualized. The tao is to experience this state as a real way of being so we should not create activity so as to get out of it as soon as possible. Action will follow of its own volition; here we can experience and practise non-doing and see what it creates.

Trigram image

We cannot distinguish the flow of Ch’ien because there is no point of view here, which is needed to distinguish anything, yet it contains flows in their unmanifest form, or formlessness. It is like the raw material from which our world is formed, or the whole reality in which identity selects paths to travel upon.

Before we make a new path for ourselves, we will do well to savour this time in Ch’ien. We can see from the trigram flow analysis that each of our normally active-seeking functions need to relax their effort; from this silence, we may be able to hear things that our noise would otherwise obscure. In this way, Ch’ien creates without any effort and produces no stress.

The Chinese Oracle

The creative principle.
Sublime success.
Continuance furthers.

Comments

The sublime success of the creative element is its inevitability, so when we are one with this tao there is an inevitability about our actions also. Perseverance is needed in following the tao or we may think that we are creating (indeed we usually do think this) and then we try to lead events instead of following the life force with our actions. Following the tao is a constant theme of the oracle. Following creates the wholeness, leading creates the ten thousand things, but in either case we do not stand aside—we take part in creation.

Manifestations

The pattern

The creative power is ready.
Awaits your sympathy
like a new page.

For humans

His decision, what form evolves.
He is the king,
head of his household.
The world awaits the karma
which is his endowment.

In nature

The sun warms the earth.
What will grow?
Everything there is to flow
and overflow.

In forms we make

The form is not yet.
Riches are liquid, uncrystallized.
The state has power.
Its will is to be something.

Changing Lines

Line 1 goes yin

life force shows more change

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The Chinese Image

Hidden dragon. Do not act.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

❦

Line 2 goes yin

intuitive feeling more active

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The Chinese Image

Dragon in the open. It is an advantage to see the great man.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

❦

Line 3 goes yin

outer world changes more

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The Chinese Image

All day the superior man is busy and at night his mind is active. Danger, no error.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

❦

Line 4 goes yin

accepting the outer state more

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The Chinese Image

To and fro on the brink of a chasm.
No error.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

❦

Line 5 goes yin

more awareness of intuition

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

The Chinese Image

Dragons flying in the heaven.
It is an advantage to see the great man.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

❦

Line 6 goes yin

our inner being accepts more

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

The Chinese Image

Arrogant dragon. Regret.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.