The stress in this tao is created by the force of the life energy from the inner acting upon rigid form in our lives (in ourselves). Here the activity is lessened and the stress limited.

This is protection by the inner being, rushes are put under something to soften the contact, they are white because there is no selection in this action (white light is all-coloured light).

Here the rigidity itself is loosening, we are starting to feel the life force again and this is the beginning of new feeling.

The old finds a way to flow again, and it was the lack of flow that caused the excess of pressure.

In this tao identity has excessively structured duality; to act out from this projects the stress into our circumstances.

The ridgepole giving way is like our giving out the stress from within us, we give way to it and the consequences to our environment are unfortunate.

Becoming aware of intuitive feeling that is inactive is to be more aware but not to have more feeling.

This is widening awareness, opening up, flowering; then old feeling (from memory) comes to thought, to consciousness. These do not change things, the flowering does not change the tree and the old woman cannot have children, in other words there is no new growth.

Here we give up the struggle and become unaware of the activity pushing us towards change. When we become unaware of forces they overtake us.

To give way to the flow is no error, only uncomfortable; it overcomes the rigidity and so changes us.

The ability to tap the life force depends on where we make our reality, where we sink our well; here it dries up, we have exhausted the possibilities of something yet we still expect life-giving energy from it, so it is time to sink a new well, to seek other sources of nourishment for our life.

Instead of water there is mud. The well is exhausted and no animals, no manifestation, is refreshed by it. The animals know by instinct, but our own intuitive feeling is inactive and ignored in this tao.

Feeling is a flow, and by feeling the life force more in this tao where it is difficult to manifest it we are defining by feeling, creating by feeling. This will create more of our own images and we will not reach the experience of the source which is the quite innocent and inconsequent experience the tao is offering.

Fish, our manifestations in the life force or water, are first defined by feeling; we are hunting them with our feeling, trying to find them. The water level has been raised to the surface by our feeling but it becomes filled with our images and our hunting for manifest reality. Our method is not sound so the pitcher is cracked and leaks.

Here the life force flows in outer activity, but according to trigram Li of the tao our responses are hesitant and cannot take advantage, cannot see the possibilities so that the inhibitions in the situation are not overcome, but there is the possibility.

Access to the water is no longer blocked but we are not tasting it. If the king, our identifying syndrome, were wise it would be shared by the many parts of our identity. The need in this tao is to taste the emerging life force, not to project it outwards.

We have been concerned with the inactivity of our outer reality (line 3) but now we become unconcerned which gives more energy to the other yin line in our receiving experience, line 6; this is attentive to the life force emerging in line 1, so this movement is turning our attention inward to our reception of the life force.

Here we are concerned with our quietness of feeling (the yang line 2); we experience it. To experience the existing inner quietness is to experience the inner being as it is.

This is its natural condition and we taste it, experience it. It is pure because we have not put identifications into it. Here we experience without identifying, and this is what the tao offers.

Our concern in line 6 of this tao has been to experience the emerging life force because of a lack of flow or a lack of “depth” in our experience. The tao is about not being able to reach this inner depth and here in this moving line the tao is ending so we are no longer concerned because we have “found a way”.

What has made it difficult to experience the water was a lack of reach and an inability to hold it; our ability to reach the life force depends on our not turning it into something else that we want; our ability to hold it is our ability to hold our own identifying, our own self, empty.

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.