Rigidity.

Line image

In our inner being, line 6, we accept the activity of change that is available in our circumstances (line 1 is yin), but our intuitive feeling in line 2 is inactive and so is our outer world in line 3; identity is not interested in changing any of this (lines 4 and 5 are yang). This is a picture of stress where there is inner pressure for change but no response from the outer, manifesting self. It is too still, too rigid, has no flexibility.

Trigram image

The energy emerges formed and structured by the trigram Sun, is inactive throughout its manifestation as Ch’ien both for identity and the outer world, and has just a hope of change in Tui for our inner being. Here is a flow only at the very borders of our awareness, everything manifest is held rigid and cannot move, yet the activity of the inner is pushing it to move. When rigid structures are forced to change shape something gives way suddenly.

The Chinese Oracle

Excess.
The ridgepole sags.
Movement is favourable.
Success.

Comments

We recognize excess by the stress it creates, without stress excess is felt as abundance. So here we are in a situation of stress pictured as the ridge of a roof about to give way; the ridge is where the two sides of the roof meet, and the roof is what separates us from the elements—a picture of our duality which “protects” identity from being engulfed in the great unknown reality. This “protection” is threatened, and keeping the polarities of our choices apart is threatened when they become excessive, when we or our society becomes too polarized for the flow of manifestation to happen, for the flow of manifestation is interchange between polarities.

Manifestations

The pattern

From the inner there is no flow.
Action is all inactivity,
Making return a beginning.

For humans

When firm and inflexible,
the only way of moving is to break.
When so gentle it changes nothing,
the only way of living is to die
into a beginning.

In nature

The wood is too ripe for budding,
too rigid for change
until it returns to earth.

In forms we make

No longer supported, must fall.
Falling, finds support.

Changing Lines

Line 1 goes yang

life force shows less change

The stress in this tao is created by the force of the life energy from the inner acting upon rigid form in our lives (in ourselves). Here the activity is lessened and the stress limited.

The Chinese Image

Spreading white rushes underneath.
No error.

This is protection by the inner being, rushes are put under something to soften the contact, they are white because there is no selection in this action (white light is all-coloured light).

❦

Line 2 goes yin

intuitive feeling more active

Here the rigidity itself is loosening, we are starting to feel the life force again and this is the beginning of new feeling.

The Chinese Image

The wizened willow tree
puts out new shoots.
An old man has a young wife.
All is favourable.

The old finds a way to flow again, and it was the lack of flow that caused the excess of pressure.

❦

Line 3 goes yin

outer world changes more

In this tao identity has excessively structured duality; to act out from this projects the stress into our circumstances.

The Chinese Image

The ridgepole sags to breaking point.
Misfortune.

The ridgepole giving way is like our giving out the stress from within us, we give way to it and the consequences to our environment are unfortunate.

❦

Line 4 goes yin

accepting the outer state more

What we are accepting here in this moving line is the inactivity of our outer world, so there is less stress because we are not struggling with our rigidity. This does not change the rigidity but makes it more manageable and may mask the basic problem.

The Chinese Image

The ridgepole has support.
Good fortune.
Reliance on weak support
is unfortunate.

Reliance on masking the stresses we have would be a weak support.

❦

Line 5 goes yin

more awareness of intuition

Becoming aware of intuitive feeling that is inactive is to be more aware but not to have more feeling.

The Chinese Image

The wizened willow flowers.
The old woman takes a husband.
No praise. No blame.

This is widening awareness, opening up, flowering; then old feeling (from memory) comes to thought, to consciousness. These do not change things, the flowering does not change the tree and the old woman cannot have children, in other words there is no new growth.

❦

Line 6 goes yang

our inner being accepts less

Here we give up the struggle and become unaware of the activity pushing us towards change. When we become unaware of forces they overtake us.

The Chinese Image

Fording a river, the water rises over his head.
Misfortune. No error.

To give way to the flow is no error, only uncomfortable; it overcomes the rigidity and so changes us.

Secondary HexagramHexagram 2

Choices amongst activity.

Line image

Here all is activity and acceptance. Everything moves according to its place and there is no question, no complication of hesitation or aim, no attitude is taken up and no stance is maintained. This is a symbolically female mode, not shown in relationship with male as in trigram Li but the elemental female itself of K’un, which flows according to the forces within it in a spontaneous acceptance of movement as its reality.

Structure is not very real to this element, its reality is in the changing flow of the moment as identity experiences where it is but never _knows_ it; to know where you are, you have to stop the movement with an idea, knowing takes an extension of time whereas the purely yin element rides reality in the present, which is time but has no time sequence.

Identity in this mode does not abstract ideas from its experience so it has no structure of idea to confront the experience. We go from one thing to another as it happens, participating in primary manifestation.

Trigram image

Manifestation is all flow and for this to be so, there has to be acceptance of all the circumstances in which we find ourselves. When we accept everything, nothing is held up in the flow and it remains in dynamic balance without stress. Identity does not know itself; it experiences itself but has no concept of what that means—it means only what is experienced

This flowing mode is nearer to our inner source of manifestation than the mode of concepts—we know without knowing why we know—it is an unencumbered way to be and intensely real, being so near to the source of manifestation.

We meet the paradox here that this source of manifestation which we approach in feeling has the male symbol of the creative—the ultimate extreme of idea that arrives at idealessness or non-manifestation. The paradox is resolved when we see the dynamics of yin and yang where the energy flows in and out between the male and female modes; it is one mode really, which manifests in a cyclic form.

The patterns which we humans choose in this flow by our individual natures are the 64 qualified tao or hexagrams. This hexagram of K’un trigrams bears these particularly deep symbolisms because it is one of the extremes of the cyclic movement, but it is nevertheless one of the 64 patterns that we make, and it refers to minor happenings in our lives as well as our very existence itself. We need sometimes to allow ourselves its influence.

The Chinese Oracle

The receptive element brings sublime success. The symbol of a mare.
At first he leads and loses the way, then he follows and is supported.
Friends in the west and south, not in the east and north.
Peaceful continuance is beneficial.

Comments

As in hexagram 1 there is inevitable success in the receptive, but if we start to lead, we lose this tao of being receptive. To be receptive is to allow the self to resonate with the other (the friend). To befriend the height of activity (south, midday, warmth) gives life to the resonance whereas to seek passivity of action (north, night, cold) kills the resonance.

A mare bears the foal, carries man, and is one with nature in a natural and gentle manner—in the receptive, we reject nothing.

Manifestations

The pattern

Simple flow of activity:
unquestioning,
moves unjudged
accepting all things.

For humans

Born from the earth
of its elements.
Return sometimes unprotesting,
resting in the flowing juice of life.

In nature

Onto the earth
warm and chill.
Into the earth
seed, root, love
moving in the magic of water.

In forms we make

The only form he can make
is an empty tube.
The only government
the will of the people.

Changing Lines

Line 1 goes yang

life force shows less change

The life force itself is going into a quiet phase and this will become more evident to us as its manifestation grows outwards. We need to accommodate this, to accept it in this tao of the receptive.

The Chinese Image

Hoarfrost underfoot, ice then comes.

Cold is symbolic of inactivity, so this is to say that inactivity will become more manifest.

❦

Line 2 goes yang

intuitive feeling less active

In this tao, change occurs whether we are feeling it or not—if we feel it, we are aware of our involvement and may even think that we cause the activity, but it is not so except in a very narrow sense; the great tao moves us and accomplishes itself.

The Chinese Image

Straight, wide, great.
Purposeless yet it achieves.

There is no choice of ways so our way is straight, awareness is not limited so it is wide (has a lot of scope) and it is the great tao that is purposeless, yet it achieves (manifests) in everything.

❦

Line 3 goes yang

outer world changes less

In this tao which is all activity there is no chosen coming and going—it encompasses all coming and going. The activity is seen rather as a flow of energy from one part to another—a wider view of many cycles operating. The outer reality expressed by line 3 is our outer world, however, and here in this line the activity is felt as being withdrawn; withdrawn from us and continued elsewhere. We are receptive in this tao, so we are not concerned so much with our part as the activity of the whole.

The Chinese Image

Concealing possibilities is correct.
Outer activities will eventually prosper.

Possibilities, or our own personal aims which we may exercise in the world, are not relevant here in this tao where all are equally received—in other circumstances we can attend to these and bring them to manifestation, but not now when we can experience without choice.

❦

Line 4 goes yang

accepting the outer state less

Cycles of free manifestation flow in phases of activity and tranquility. Our identity does this also and in this tao it does not indicate any manipulation on our part.

The Chinese Image

A tied up sack.
No praise, no blame.

There is no praise or blame because it is the natural state of affairs for cycles to have closed phases.

❦

Line 5 goes yang

less awareness of intuition

Here everything is seen carried in the great tao. We remove our attention from our feelings and they continue to affect the way we are but, as we say, unconsciously.

The Chinese Image

A Yellow undergarment.
Greatest good fortune.

Yellow is active (being near the middle of our visible range of light frequencies) and the undergarment is our unseen clothing or unconscious form; this is what carries us here, so we flow naturally without conscious effort.

❦

Line 6 goes yang

our inner being accepts less

Line 6 is about our inner acceptance of experience, and in this moving line we separate from the great flowing tao and identity believes that it creates and destroys. We have here a birth into identity in some way and we choose and take sides and enter mind reality with our being. We move into the contest between being active or passive and must choose.

The Chinese Image

Dragons fight in the wilderness.
Their blood is black and yellow.

Black is the colour of night and inactivity, while yellow is our most noticeable and so active colour, so this is the nature of the contest.

Nuclear HexagramHexagram 1

Responses to creative potential.

Line image

Here there is no activity to be experienced, all the energy of the life force is in a quiet state which we call potential (or potentially active as we feel activity to be more real and important). The non-active is, however, not only an absence of activity, it is a real state in its own right, an expansion of what we consider to be real; activity on the other hand contracts and sharpens what we experience to be real until we “actualize” a reality, making experience.

This selectivity which is the action of having a point of view forms our identity which in turn selects; thus out of the nothingness of Ch’ien creation comes.

Hexagrams 1 and 2 picture unselective non-doing and unselective doing and so neither has a point of view or pattern; these come from selected mixtures of doing and non-doing.

When we cast this hexagram, we are in a tao of unselective non-doing, so our situation is not cast in a shape and has great possibilities which are not at present actualized. The tao is to experience this state as a real way of being so we should not create activity so as to get out of it as soon as possible. Action will follow of its own volition; here we can experience and practise non-doing and see what it creates.

Trigram image

We cannot distinguish the flow of Ch’ien because there is no point of view here, which is needed to distinguish anything, yet it contains flows in their unmanifest form, or formlessness. It is like the raw material from which our world is formed, or the whole reality in which identity selects paths to travel upon.

Before we make a new path for ourselves, we will do well to savour this time in Ch’ien. We can see from the trigram flow analysis that each of our normally active-seeking functions need to relax their effort; from this silence, we may be able to hear things that our noise would otherwise obscure. In this way, Ch’ien creates without any effort and produces no stress.

The Chinese Oracle

The creative principle.
Sublime success.
Continuance furthers.

Comments

The sublime success of the creative element is its inevitability, so when we are one with this tao there is an inevitability about our actions also. Perseverance is needed in following the tao or we may think that we are creating (indeed we usually do think this) and then we try to lead events instead of following the life force with our actions. Following the tao is a constant theme of the oracle. Following creates the wholeness, leading creates the ten thousand things, but in either case we do not stand aside—we take part in creation.

Manifestations

The pattern

The creative power is ready.
Awaits your sympathy
like a new page.

For humans

His decision, what form evolves.
He is the king,
head of his household.
The world awaits the karma
which is his endowment.

In nature

The sun warms the earth.
What will grow?
Everything there is to flow
and overflow.

In forms we make

The form is not yet.
Riches are liquid, uncrystallized.
The state has power.
Its will is to be something.

Changing Lines

Line 1 goes yin

life force shows more change

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The Chinese Image

Hidden dragon. Do not act.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

❦

Line 2 goes yin

intuitive feeling more active

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The Chinese Image

Dragon in the open. It is an advantage to see the great man.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

❦

Line 3 goes yin

outer world changes more

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The Chinese Image

All day the superior man is busy and at night his mind is active. Danger, no error.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

❦

Line 4 goes yin

accepting the outer state more

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The Chinese Image

To and fro on the brink of a chasm.
No error.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

❦

Line 5 goes yin

more awareness of intuition

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

The Chinese Image

Dragons flying in the heaven.
It is an advantage to see the great man.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

❦

Line 6 goes yin

our inner being accepts more

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

The Chinese Image

Arrogant dragon. Regret.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.