897996 · 28.2.4.5.6Hexagram 28

Rigidity.

Line image

In our inner being, line 6, we accept the activity of change that is available in our circumstances (line 1 is yin), but our intuitive feeling in line 2 is inactive and so is our outer world in line 3; identity is not interested in changing any of this (lines 4 and 5 are yang). This is a picture of stress where there is inner pressure for change but no response from the outer, manifesting self. It is too still, too rigid, has no flexibility.

Trigram image

The energy emerges formed and structured by the trigram Sun, is inactive throughout its manifestation as Ch’ien both for identity and the outer world, and has just a hope of change in Tui for our inner being. Here is a flow only at the very borders of our awareness, everything manifest is held rigid and cannot move, yet the activity of the inner is pushing it to move. When rigid structures are forced to change shape something gives way suddenly.

The Chinese Oracle

Excess.
The ridgepole sags.
Movement is favourable.
Success.

Comments

We recognize excess by the stress it creates, without stress excess is felt as abundance. So here we are in a situation of stress pictured as the ridge of a roof about to give way; the ridge is where the two sides of the roof meet, and the roof is what separates us from the elements—a picture of our duality which “protects” identity from being engulfed in the great unknown reality. This “protection” is threatened, and keeping the polarities of our choices apart is threatened when they become excessive, when we or our society becomes too polarized for the flow of manifestation to happen, for the flow of manifestation is interchange between polarities.

Manifestations

The pattern
From the inner there is no flow.
Action is all inactivity,
Making return a beginning.
For humans
When firm and inflexible,
the only way of moving is to break.
When so gentle it changes nothing,
the only way of living is to die
into a beginning.
In nature
The wood is too ripe for budding,
too rigid for change
until it returns to earth.
In forms we make
No longer supported, must fall.
Falling, finds support.

Changing Lines

Line 1 goes yang

life force shows less change

The stress in this tao is created by the force of the life energy from the inner acting upon rigid form in our lives (in ourselves). Here the activity is lessened and the stress limited.

The Chinese Image
Spreading white rushes underneath.
No error.

This is protection by the inner being, rushes are put under something to soften the contact, they are white because there is no selection in this action (white light is all-coloured light).

Line 2 goes yin

intuitive feeling more active

Here the rigidity itself is loosening, we are starting to feel the life force again and this is the beginning of new feeling.

The Chinese Image
The wizened willow tree
puts out new shoots.
An old man has a young wife.
All is favourable.

The old finds a way to flow again, and it was the lack of flow that caused the excess of pressure.

Line 3 goes yin

outer world changes more

In this tao identity has excessively structured duality; to act out from this projects the stress into our circumstances.

The Chinese Image
The ridgepole sags to breaking point.
Misfortune.

The ridgepole giving way is like our giving out the stress from within us, we give way to it and the consequences to our environment are unfortunate.

Line 4 goes yin

accepting the outer state more

What we are accepting here in this moving line is the inactivity of our outer world, so there is less stress because we are not struggling with our rigidity. This does not change the rigidity but makes it more manageable and may mask the basic problem.

The Chinese Image
The ridgepole has support.
Good fortune.
Reliance on weak support
is unfortunate.

Reliance on masking the stresses we have would be a weak support.

Line 5 goes yin

more awareness of intuition

Becoming aware of intuitive feeling that is inactive is to be more aware but not to have more feeling.

The Chinese Image
The wizened willow flowers.
The old woman takes a husband.
No praise. No blame.

This is widening awareness, opening up, flowering; then old feeling (from memory) comes to thought, to consciousness. These do not change things, the flowering does not change the tree and the old woman cannot have children, in other words there is no new growth.

Line 6 goes yang

our inner being accepts less

Here we give up the struggle and become unaware of the activity pushing us towards change. When we become unaware of forces they overtake us.

The Chinese Image
Fording a river, the water rises over his head.
Misfortune. No error.

To give way to the flow is no error, only uncomfortable; it overcomes the rigidity and so changes us.

Secondary HexagramHexagram 52

A wider view.

Line image

In this structure neither the inner (lines 1 and 6) nor the outer (lines 3 and 4) have activity with acceptance; feeling (lines 2 and 5) becomes the dominant mode, it is the function linking the inner and outer and the primary distinguisher of the life force. We find ourselves feeling without acting inside or outside. The common name of the hexagram is “keeping still” or “contemplation”.

Trigram image

As the life force emerges it tends to become still (Kên) so there is little outer activity (K’an). This stillness causes activity of the identified self (Chên) which itself seeks stillness (Kên). So the flow of the tao is one that causes great change in our personal self, an activity directed at achieving stillness. This is a reversal of the role identity has in its growth phase which has been about action outside in which we identified ourselves and so built our point of view in reality. Here we internalize the identity we have grown, we seek that inner space which is neither identified outside nor inside, where we can be ourselves without noticing it.

The Chinese Oracle

Stillness.
Keeping the back so still
there is no feeling of body.
Walking in the courtyard
he does not see the people.
No error.

Comments

Stillness relates to the idea of an unmoving central core like the centre of a rotating wheel which does not move but is the essential reference point of movement. It is an element in activity which we cannot distinguish and tend to see as unreal. Our backbone is such a reference point for our body, if no message goes out from it no movement arises. The courtyard surrounds the house; instructions from the house cause activity in the courtyard; here we walk in the courtyard, our being is in the place of activity, but we see no people which is to say that we have no concern about what goes on there. It is no error to be with activity while being innerly still; it is the act of dynamic relaxation and perfect poise.

Manifestations

The pattern
Seeking to return
to a peak once known.
The completion
that contains the beginning.
The start that is the end.
For humans
Resisting movement
he avoids beginnings.
Knowing that in the beginning
there was no end
he seeks no end.
Thereby he arrives
at a wider beginning.
In nature
The low reaches upward.
The confines seek to spread.
The fruit of the seed
seeks to become seed.
In forms we make
Cycles begin and end.
Their beginning and ending
has no ending
and no beginning.
This has the form
of encompassing a wider view.

Changing Lines

Line 1 goes yang

life force shows less change

The emerging life force is the source of outer activity, so here we are stilling the beginning of movement. If we continue this throughout the flow, inner and outer, we will remain with our centre.

The Chinese Image
Keeping the toes still.
No error.
Continuance in the way
brings good fortune.

The toes lead the body when we walk, so this stilling of the toes is the beginning of keeping still, we stop the first part to move. This is the way to create stillness, right at the beginning before movement actually starts, so continuing in the way brings good fortune and there is no error.

Line 2 goes yang

intuitive feeling less active

When experience comes to us we taste it with our feeling and then we follow this with decisions about how to behave in our circumstances. Here the stilling effect of the tao is in our feeling so that our usual flow or zest for life lessens; this is only a problem if we resist being still.

The Chinese Image
Keeping the calves still.
He is sad;
cannot assist the one he follows.

The calf muscles lift the body so that we fall into the next step; keeping them still we take no step. If we, identified self, follow something we cannot be still, we cannot assist the stillness by doing something.

Line 3 goes yin

outer world changes more

Here we act out in the tao of keeping still, we are using outside means, outside ideas, to create stillness. When we do this it is like damming a stream; the flow is from inner to outer so outside action cannot create stillness except by restricting some flow.

The Chinese Image
Keeping the loins still.
Stiffening the sacrum.
The heart suffocates.

In our animal world the prime life priority is of the species, a great identity of which all its members are a part. Here we keep the loins still and sacrum stiff and this is the cradle of our reproduction; we stop the flow the “heart” creates. So our way of trying to create stillness from the outside prevents manifestation, the flow of life, and misunderstands stillness; stillness has no wish to move.

Line 4 goes yang

accepting the outer state less

Here we are no longer concerned about outer stillness, we just allow it to be still.

The Chinese Image
Keeping the body still.
No error.

It is the whole body, not a part, that we keep still. If we concentrate on keeping this or that part still the other parts will move unnoticed by us. It is the whole that is still when stillness is achieved.

Line 5 goes yang

less awareness of intuition

Our intuitive feeling is active in this tao. Here we, as identity, are less involved in these feelings so we do not project them on to our circumstances. We project when we express what we feel about things.

The Chinese Image
Keeping the jaws still.
Words are in order.
Regret disappears.

The words are not said, yet they are in order. Our words are the outflow of our meaning and if our meaning is in perfect order it cannot be said—we only speak out of incompleteness, then there is something to be said. Here there is no care or regret because there is nothing left over, nothing to be said.

Line 6 goes yin

our inner being accepts more

When we accept stillness into our inner being the next expression of that being is perfectly still although in activity.

The Chinese Image
The most genuine stillness.
Good fortune.
Nuclear HexagramHexagram 1

Responses to creative potential.

Line image

Here there is no activity to be experienced, all the energy of the life force is in a quiet state which we call potential (or potentially active as we feel activity to be more real and important). The non-active is, however, not only an absence of activity, it is a real state in its own right, an expansion of what we consider to be real; activity on the other hand contracts and sharpens what we experience to be real until we “actualize” a reality, making experience.

This selectivity which is the action of having a point of view forms our identity which in turn selects; thus out of the nothingness of Ch’ien creation comes.

Hexagrams 1 and 2 picture unselective non-doing and unselective doing and so neither has a point of view or pattern; these come from selected mixtures of doing and non-doing.

When we cast this hexagram, we are in a tao of unselective non-doing, so our situation is not cast in a shape and has great possibilities which are not at present actualized. The tao is to experience this state as a real way of being so we should not create activity so as to get out of it as soon as possible. Action will follow of its own volition; here we can experience and practise non-doing and see what it creates.

Trigram image

We cannot distinguish the flow of Ch’ien because there is no point of view here, which is needed to distinguish anything, yet it contains flows in their unmanifest form, or formlessness. It is like the raw material from which our world is formed, or the whole reality in which identity selects paths to travel upon.

Before we make a new path for ourselves, we will do well to savour this time in Ch’ien. We can see from the trigram flow analysis that each of our normally active-seeking functions need to relax their effort; from this silence, we may be able to hear things that our noise would otherwise obscure. In this way, Ch’ien creates without any effort and produces no stress.

The Chinese Oracle

The creative principle.
Sublime success.
Continuance furthers.

Comments

The sublime success of the creative element is its inevitability, so when we are one with this tao there is an inevitability about our actions also. Perseverance is needed in following the tao or we may think that we are creating (indeed we usually do think this) and then we try to lead events instead of following the life force with our actions. Following the tao is a constant theme of the oracle. Following creates the wholeness, leading creates the ten thousand things, but in either case we do not stand aside—we take part in creation.

Manifestations

The pattern
The creative power is ready.
Awaits your sympathy
like a new page.
For humans
His decision, what form evolves.
He is the king,
head of his household.
The world awaits the karma
which is his endowment.
In nature
The sun warms the earth.
What will grow?
Everything there is to flow
and overflow.
In forms we make
The form is not yet.
Riches are liquid, uncrystallized.
The state has power.
Its will is to be something.

Changing Lines

Line 1 goes yin

life force shows more change

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The Chinese Image
Hidden dragon. Do not act.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Line 2 goes yin

intuitive feeling more active

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The Chinese Image
Dragon in the open. It is an advantage to see the great man.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

Line 3 goes yin

outer world changes more

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The Chinese Image
All day the superior man is busy and at night his mind is active. Danger, no error.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

Line 4 goes yin

accepting the outer state more

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The Chinese Image
To and fro on the brink of a chasm.
No error.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Line 5 goes yin

more awareness of intuition

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

The Chinese Image
Dragons flying in the heaven.
It is an advantage to see the great man.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

Line 6 goes yin

our inner being accepts more

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

The Chinese Image
Arrogant dragon. Regret.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.