699976 · 28.1.2.3.4.6Hexagram 28

Rigidity.

Line image

In our inner being, line 6, we accept the activity of change that is available in our circumstances (line 1 is yin), but our intuitive feeling in line 2 is inactive and so is our outer world in line 3; identity is not interested in changing any of this (lines 4 and 5 are yang). This is a picture of stress where there is inner pressure for change but no response from the outer, manifesting self. It is too still, too rigid, has no flexibility.

Trigram image

The energy emerges formed and structured by the trigram Sun, is inactive throughout its manifestation as Ch’ien both for identity and the outer world, and has just a hope of change in Tui for our inner being. Here is a flow only at the very borders of our awareness, everything manifest is held rigid and cannot move, yet the activity of the inner is pushing it to move. When rigid structures are forced to change shape something gives way suddenly.

The Chinese Oracle

Excess.
The ridgepole sags.
Movement is favourable.
Success.

Comments

We recognize excess by the stress it creates, without stress excess is felt as abundance. So here we are in a situation of stress pictured as the ridge of a roof about to give way; the ridge is where the two sides of the roof meet, and the roof is what separates us from the elements—a picture of our duality which “protects” identity from being engulfed in the great unknown reality. This “protection” is threatened, and keeping the polarities of our choices apart is threatened when they become excessive, when we or our society becomes too polarized for the flow of manifestation to happen, for the flow of manifestation is interchange between polarities.

Manifestations

The pattern
From the inner there is no flow.
Action is all inactivity,
Making return a beginning.
For humans
When firm and inflexible,
the only way of moving is to break.
When so gentle it changes nothing,
the only way of living is to die
into a beginning.
In nature
The wood is too ripe for budding,
too rigid for change
until it returns to earth.
In forms we make
No longer supported, must fall.
Falling, finds support.

Changing Lines

Line 1 goes yang

life force shows less change

The stress in this tao is created by the force of the life energy from the inner acting upon rigid form in our lives (in ourselves). Here the activity is lessened and the stress limited.

The Chinese Image
Spreading white rushes underneath.
No error.

This is protection by the inner being, rushes are put under something to soften the contact, they are white because there is no selection in this action (white light is all-coloured light).

Line 2 goes yin

intuitive feeling more active

Here the rigidity itself is loosening, we are starting to feel the life force again and this is the beginning of new feeling.

The Chinese Image
The wizened willow tree
puts out new shoots.
An old man has a young wife.
All is favourable.

The old finds a way to flow again, and it was the lack of flow that caused the excess of pressure.

Line 3 goes yin

outer world changes more

In this tao identity has excessively structured duality; to act out from this projects the stress into our circumstances.

The Chinese Image
The ridgepole sags to breaking point.
Misfortune.

The ridgepole giving way is like our giving out the stress from within us, we give way to it and the consequences to our environment are unfortunate.

Line 4 goes yin

accepting the outer state more

What we are accepting here in this moving line is the inactivity of our outer world, so there is less stress because we are not struggling with our rigidity. This does not change the rigidity but makes it more manageable and may mask the basic problem.

The Chinese Image
The ridgepole has support.
Good fortune.
Reliance on weak support
is unfortunate.

Reliance on masking the stresses we have would be a weak support.

Line 5 goes yin

more awareness of intuition

Becoming aware of intuitive feeling that is inactive is to be more aware but not to have more feeling.

The Chinese Image
The wizened willow flowers.
The old woman takes a husband.
No praise. No blame.

This is widening awareness, opening up, flowering; then old feeling (from memory) comes to thought, to consciousness. These do not change things, the flowering does not change the tree and the old woman cannot have children, in other words there is no new growth.

Line 6 goes yang

our inner being accepts less

Here we give up the struggle and become unaware of the activity pushing us towards change. When we become unaware of forces they overtake us.

The Chinese Image
Fording a river, the water rises over his head.
Misfortune. No error.

To give way to the flow is no error, only uncomfortable; it overcomes the rigidity and so changes us.

Secondary HexagramHexagram 42

Strength to accomplish challenges.

Line image

In lines 3 and 4 there is an active outer structure in which we are involved, it is supported by feeling but this feeling is not what we consider to be important (lines 2 and 5), it is what we do that has importance. Our inner being is quiet (lines 1 and 6), so here is a pattern of natural outer activity.

Trigram image

The emerging life energy is very forceful (Chên) and this flows freely in the outer world (K’un); identity contemplates this activity Kên without becoming over-involved, and Sun, in the place of our inner being, shows a maturing there.

This flow shows an advantageous time for outer activity because we are not too involved and we do not manipulate and make mistakes. Our inner being is supportive of the outer action and is maturing through the experience. This is an excellent situation for accomplishing what has been planned; its common name is “increase” or “gain”.

The Chinese Oracle

Increase.
Undertakings bring good fortune.
It is favourable to cross the great water.

Comments

Here the inner is increased by outer action. Changes are always involved in these increases so it is favourable to cross the great water—to change our approach to things, allow ourselves to see from new points of view. Widening experience and identity is increase.

Manifestations

The pattern
The flow of life seeks the high,
becoming firm yet gentle,
resisting indulgence.
In seeking the highest
the low is fulfilled.
For humans
Knowing he has power,
he accomplishes great tasks.
Not for himself
but he is strengthened.
In nature
On the mountain
the tree grows strong sinews
while nourishing the slopes.
In forms we make
Seeking the easy
weakens into difficulty.
Working in the difficult
grows an easy strength.

Changing Lines

Line 1 goes yin

life force shows more change

It is fortunate for our outer state when the life force is manifesting activity, it creates a balance of inner and outer activity so that the outer seems to move of its own accord, at other times we seem to have to push very hard to make the smallest movement. In this line our activity will feel right.

The Chinese Image
It is time for great works.
Greatest good fortune and no error.

Line 2 goes yang

intuitive feeling less active

Intuitive feeling is our first activity of distinguishing, we then define an attitude according to the feeling and so distinguish the feeling in terms of mind. It is advantageous in this tao that we should be free of mind attitudes and simply be in the flow, this gives freedom to the magic of the moment.

The Chinese Image
There is one who gives him very many tortoise shells and who would not be refused.
Long continuance in the way brings good fortune.
The king gives sacrifice to heaven. Good fortune.

Tortoise shells are artefacts of magic, and what the tao offers in this line is the magic of the life force providing our feeling with just what it needs. For this to be accepted we need to drop our way of identifying what is happening and then choosing (this is the mode that normally rules us, is our king); if this is not sacrificed the gift is not seen or felt at all. Learning to drop our personal activity takes this long perseverance and is the inner good fortune of the tao.

Line 3 goes yang

outer world changes less

It is more in tune with this tao to reduce our controlling of activity rather than to reduce the activity itself; our outer experience is food to the inner self. Here we make a move intending to do something about an overactive “I am” but “I am” doing it.

The Chinese Image
Unfortunate increase,
sincere and without blame.
Take the middle way and report
to the prince with your seal.

Our seal is that which identifies us and the prince is our identity (the outcome of our ruler which is the identifying process), so here we need to see how we are identifying ourselves, how we are choosing; the middle way is not to choose but to allow.

Line 4 goes yang

accepting the outer state less

Here we choose less amongst the strong flow of outer activity which is this tao; it is in keeping with this flow to go with the outer activity but not to manipulate it.

The Chinese Image
He walks in the middle and reports to the prince.
It is favourable to be an agent
in the removal of the capital.

The capital is the seat of government, the chooser, which is sacrificed in this tao to allow the magic of the life force. For symbols of the seal, the prince, and walking in the middle, see line 3.

Line 5 goes yin

more awareness of intuition

By accepting direct feeling of the life force we are becoming one with our intuitive feeling of this tao about increase.

The Chinese Image
If you come from the heart
and do not question,
greatest good fortune.
Genuine involvement
is the virtue recognized.

Questioning comes from the mind, flow from the feeling. The essence of the flow is to be genuinely in it, we cannot question a flow without stopping it.

Line 6 goes yin

our inner being accepts more

This is no time to get involved in inner stillness (line 1 is yang) when we are in a tao of nourishing outer activity.

The Chinese Image
He increases no one.
Someone strikes him.
He is inconsistent.
Misfortune.

Here we fail to sacrifice the importance of identifying—we identify in the inner stillness—and we miss the middle path, the non-identified state. By trying first the outer and then the inner as our focus we are not being consistent and nothing is furthered; only a shock will change this cycle of choosing, for it fuels itself, so it is as if someone strikes him.

Nuclear HexagramHexagram 1

Responses to creative potential.

Line image

Here there is no activity to be experienced, all the energy of the life force is in a quiet state which we call potential (or potentially active as we feel activity to be more real and important). The non-active is, however, not only an absence of activity, it is a real state in its own right, an expansion of what we consider to be real; activity on the other hand contracts and sharpens what we experience to be real until we “actualize” a reality, making experience.

This selectivity which is the action of having a point of view forms our identity which in turn selects; thus out of the nothingness of Ch’ien creation comes.

Hexagrams 1 and 2 picture unselective non-doing and unselective doing and so neither has a point of view or pattern; these come from selected mixtures of doing and non-doing.

When we cast this hexagram, we are in a tao of unselective non-doing, so our situation is not cast in a shape and has great possibilities which are not at present actualized. The tao is to experience this state as a real way of being so we should not create activity so as to get out of it as soon as possible. Action will follow of its own volition; here we can experience and practise non-doing and see what it creates.

Trigram image

We cannot distinguish the flow of Ch’ien because there is no point of view here, which is needed to distinguish anything, yet it contains flows in their unmanifest form, or formlessness. It is like the raw material from which our world is formed, or the whole reality in which identity selects paths to travel upon.

Before we make a new path for ourselves, we will do well to savour this time in Ch’ien. We can see from the trigram flow analysis that each of our normally active-seeking functions need to relax their effort; from this silence, we may be able to hear things that our noise would otherwise obscure. In this way, Ch’ien creates without any effort and produces no stress.

The Chinese Oracle

The creative principle.
Sublime success.
Continuance furthers.

Comments

The sublime success of the creative element is its inevitability, so when we are one with this tao there is an inevitability about our actions also. Perseverance is needed in following the tao or we may think that we are creating (indeed we usually do think this) and then we try to lead events instead of following the life force with our actions. Following the tao is a constant theme of the oracle. Following creates the wholeness, leading creates the ten thousand things, but in either case we do not stand aside—we take part in creation.

Manifestations

The pattern
The creative power is ready.
Awaits your sympathy
like a new page.
For humans
His decision, what form evolves.
He is the king,
head of his household.
The world awaits the karma
which is his endowment.
In nature
The sun warms the earth.
What will grow?
Everything there is to flow
and overflow.
In forms we make
The form is not yet.
Riches are liquid, uncrystallized.
The state has power.
Its will is to be something.

Changing Lines

Line 1 goes yin

life force shows more change

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The Chinese Image
Hidden dragon. Do not act.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Line 2 goes yin

intuitive feeling more active

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The Chinese Image
Dragon in the open. It is an advantage to see the great man.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

Line 3 goes yin

outer world changes more

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The Chinese Image
All day the superior man is busy and at night his mind is active. Danger, no error.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

Line 4 goes yin

accepting the outer state more

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The Chinese Image
To and fro on the brink of a chasm.
No error.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Line 5 goes yin

more awareness of intuition

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

The Chinese Image
Dragons flying in the heaven.
It is an advantage to see the great man.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

Line 6 goes yin

our inner being accepts more

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

The Chinese Image
Arrogant dragon. Regret.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.