679987 · 50.1.3.4Hexagram 50

Integration.

Line image

With lines 3 and 4 both yang the outer world is not our concern just now and the active life force emerges unseen by line 2 and does not change our inner being—line 6 is yang also. Line 5 is actively accepting the quietness of our intuitive feeling so this is the activity that we experience, turning inwards to our feeling and separate from the world.

Trigram image

The life force emerges as structure, as the trigram Sun, and the flow that takes place here is between our identity and our inner being; our identity is expectant of change in the image of Tui and our inner being hesitant in accepting it, having the image of Li. Transition and hesitation lead to an inner ferment or, more gently, an inner dialogue, about changing the firm structure of Sun. These are fundamental issues for us.

The Chinese Oracle

The cauldron.
Greatest good fortune.
Success.

Comments

The Chinese used a great rotund cauldron for cooking the sacrifice, called a Ting. We have a phrase “into the melting pot”, meaning to put our previous ideas into complete reconsideration, and this is the symbolism of the Ting, the sacrificial vessel; greatest good fortune because we are made anew; success because change is brought about when existing structure is sacrificed.

Manifestations

The pattern
Steady unwavering preparation
makes enlightenment possible.
For humans
He persists constantly
in melding together
his life’s ingredients.
This alchemy
transforms his awareness.
In nature
The bird carefully chooses
when building its nest
in which to nurture its young.
In forms we make
Continuous interaction
of individuals in society
nourishes an awareness
of the whole.

Changing Lines

Line 1 goes yang

life force shows less change

The emerging life force ceases to provide new activity for us to identify. Interaction goes on within us (the Ting) acting upon itself; our attitudes change.

The Chinese Image
The Ting is turned upside down
to remove decaying matter.
A concubine for the sake of sons.

To have sons, a re-birth of our line, we must mate. To clear out old ways we have we must invert the sacrificial vessel. In both these we change our judgement of rules as to what is important—that the sacred vessel should be venerated no matter what it contains, or that to take a concubine is an indulgence. This is the root of changing ourselves, we no longer assume what we have previously taken as our law.

Line 2 goes yin

intuitive feeling more active

When feeling is active there is activity within the Ting, for it is we who are the sacrificial cooking pot in this tao. It is within, not dependent upon the other, an internal fermentation which will produce a new compound of ourselves. In this we resolve problems that have seemed insoluble.

The Chinese Image
The Ting is full.
The others are in trouble
and cannot harm me.
Good fortune.

For “the others” some translators have used “the enemy” and others “the comrades”; the important idea is that this is an inner state undisturbed by what goes on outside.

Line 3 goes yin

outer world changes more

Our particular inner activity in this tao is not related to outer activity, hence the image of it going on within a pot, so the increase of outer activity in this line is a distraction from the tao, a misunderstanding of it.

The Chinese Image
The handles of the Ting are changed.
Progress is stopped.
The fat of the pheasant is not eaten.
Regret ends with the coming of rain.
In the end good fortune.

When we embark on outer action our movements are governed by outer factors (we change the outside of the Ting) and the inner changes (the fat of the pheasant) are not experienced. Rain produces new growths, so progress, the lack of which we regret, returns when conditions become suitable again.

Line 4 goes yin

accepting the outer state more

In this tao we have an inactive outer reality; If identity becomes involved there we remove our support of the changes going on within.

The Chinese Image
The legs of the Ting break.
The prince’s meal is spilled
and his person soiled.
Misfortune.

The Ting has three short legs upon which it stands, supporting it off the ground, the world, and these symbolize our connection with the outer. In this line we reject our separation from the outer reality and so start projecting our reality upon it which has the image of spilling ourselves.

Line 5 goes yang

less awareness of intuition

Here we become less involved in the inactivity of intuitive feeling (line 2); as we cease to judge it and so tie it down we can move with the tao (our circumstances) once more.

The Chinese Image
The Ting has yellow handles
with gold rings.
Continuance in the way
brings good fortune.

This change enables the movement of the Ting to be active (yellow handles), we are centred in our inner self and outer value (gold) is one with eternal value (the rings). Continuing with this brings good fortune, which is remaining centred so that, in the image, we carry our Ting always without spilling it—without identifying ourselves outside.

Line 6 goes yin

our inner being accepts more

To be involved in the emerging life force here is to actually be the change that the tao represents; we do not accomplish change, we are changed, we become change itself as our mode of being.

The Chinese Image
The Ting has rings of jade.
Great good fortune.
Everything is favourable.

Jade has the illusive quality of perfection, of just-so-ness, a quality that cannot quite be captured in words and if so captured does not sing. This quality is similarly undefinable here where we are so centred that we are the centre.

Secondary HexagramHexagram 41

Failure of expectation.

Line image

There is activity outside (line 3) and acceptance of this (line 4); the emerging life force is quiet (line 1) and so is our feeling for this (line 2); so energy is flowing outside and not being replaced from within. In line 5 identity accepts the quietness of feeling, so the tao is about emptying ourselves of activity, not seeking the new.

Trigram image

We become one with the flow of activity outwards, shown by trigrams Chên and K’un, while our inner being (Kên) is observing and not creating new impulses out of this. It is as though we were breathing out without thought for our next breath to come, it will come but for now we need to be in the emptying out so that the new breath comes entirely of itself. It is important not to be goal-seeking here for this retains the old as a plan for the future, when we do this the tao becomes a failure of expectations.

The Chinese Oracle

Decrease with genuine involvement.
Greatest good fortune and no error.
A direction is of advantage.
Two small bowls for the sacrifice.

Comments

Really genuine involvement in emptying out is necessary to make the decrease complete so that it will fill of its own accord, and this self-filling of the life force is the great good fortune. Having a direction we do not need to seek for one, so we need to complete directions we have already started upon. When we sacrifice with two small bowls, one in each hand, we no longer choose, we sacrifice both, and only then is it possible to be empty.

Manifestations

The pattern
Starts with great promise,
grows with vigour,
has no offspring.
Makes way for the new.
For humans
No outcome.
After growth, no activity
of fertility.
No coming together of diversity.
Where has he gone?
Into the stillness.
How did he reach it?
Giving up both.
In nature
The crop fails.
Look what is growing.
In forms we make
Not to expect the unexpected
is the natural failure of those who plan.

Changing Lines

Line 1 goes yin

life force shows more change

As this tao is about finishing off activity, now the emerging life force becomes active again we are talking about the beginnings of a new activity.

The Chinese Image
Going quickly when the work is finished is without error,
but consider the effects of this.

The work is done, the outgoing breath is finished so there is a new breath coming. In practical life there are many breaths taking place together and out of phase so that they interact. Our breathing out in one respect is the breathing in of somebody or something else and if we leave suddenly this is a shock to the shared experience.

Line 2 goes yin

intuitive feeling more active

To feel for finishing off activity is following the tao, but if we feel for making a new course of action it would be out of place.

The Chinese Image
Continuance in the way brings good fortune but to attempt to advance brings misfortune.
Not decrease but increase.

Translators do not agree on the last line, making different sense of this basic idea that they have in common. Our intuitive feeling is normally looking for how to act in our circumstances, so a simple warning that we may be facing the wrong direction seems in keeping.

Line 3 goes yang

outer world changes less

The single aim of completing activity will make the way clear for a new flow.

The Chinese Image
Three going in company will lose one.
One alone finds company.

Three symbolizes transition, change. Change is what the journey is about and during it we may become polarized in choice and so become two and lose our wholeness, one. So if we are trying to be empty, and so whole and symbolically one, as well as choosing, which is symbolically two, we are three and we lose our wholeness, one. If, on the other hand, we are alone in our wholeness and do not choose we have the company of all things.

Line 4 goes yang

accepting the outer state less

The outer state shown by line 3 is active, so here we are accepting this activity less, identifying in it less.

The Chinese Image
Reducing the number of his mistakes,
others come to him in happiness.
no error.

When we are not always choosing our aims, our future, all the other futures we would not choose are available to us; these others arising spontaneously are happiness.

Line 5 goes yang

less awareness of intuition

Here we are no longer watching the feelings we have of the life force, we are trusting it and allowing it to be what it will.

The Chinese Image
There is one who gives him very many tortoise shells and who would not be refused.
Greatest good fortune.

Tortoise shells were used in China for oracle reading. When we are unconcerned whether we are feeling correctly, we feel naturally and flow in the tao; this is the same as having the oracle in abundance.

Line 6 goes yin

our inner being accepts more

Accepting the life force is genuine decrease of separate self; we do not choose and it is choice that separates the one who chooses.

The Chinese Image
Increase that does not diminish others.
No error.
Continuance in the way brings good fortune.
Having a direction is beneficial.
He has followers but no home.

When we choose we increase what we choose and diminish others, but this increase in acceptance does not do this. If we have a direction we have no need to choose one so it is easier for us. Our home is where we identify and here we do not identify and so have no home, but if we are just part of the life force this is where people identify and we will appear to have followers.

Nuclear HexagramHexagram 43

A peak of accumulation.

Line image

The life force emerges and manifests without activity (lines 1, 2, and 3) and although we accept this stillness in our inner being (line 6) we are not accepting inactivity in our feelings nor in our outer world (lines 5 and 4). So there is a certain amount of stress here towards action, as though we wish to break out of a confined situation; we are watching the emerging life force for signs of movement. The common name of the hexagram is “resolution” or “breakthrough”.

Trigram image

All the trigrams are Ch’ien except the top one and nothing is manifestly active except that the inner is preparing activity (Tui). This flow is beautiful if we are at peace with it, but has dangers and is stressful if we are not; there is energy building up and our outer identity has no role in this, so the danger is from aspects of our identity trying to force the issue in order to gain expression.

The Chinese Oracle

Resolution in proclaiming the truth
at the king’s court. Danger.
Announce it to your own city.
Do not carry arms.
To have direction is favourable.

Comments

The king’s court is peopled by aspects of our identity because we, as identified beings, are ruled by the identifying process, our king. It is necessary that they all know what the situation is so that they do not “carry arms” or try to force their way. If we have direction then we are not looking for one and then the danger does not arise.

Manifestations

The pattern
The power of the creative
withholds action,
building up such a store
it brims over.
For humans
The time of accumulation
reaches its peak.
The time for movement approaches.
Do not squander it
there is power enough.
In nature
The lake has risen,
it must flow out
and water the land.
In forms we make
When the rich and powerful
do not notice
the poor and weak,
catastrophe threatens.

Changing Lines

Line 1 goes yin

life force shows more change

The first sign of inner movement is not the time to make outer action. We should not be too eager or we shall not have the support of the life force and whatever we do will be superficial and unsatisfactory.

The Chinese Image
To set out with a show of strength and then fail is a mistake.

Line 2 goes yin

intuitive feeling more active

Activity is identity’s chosen role; here we feel the inactivity of the life force and fear for our ability to act.

The Chinese Image
Warning cries at night.
Armed, no fear.

In the darkness (activity is the “light” of consciousness) there are calls for light, for activity to avert extinction of our ability to identify, but we are armed with the light of the tao—the movement will come when it comes, we need not fear to miss but we will stay alert, that is how we are armed.

Line 3 goes yin

outer world changes more

Here we are not peaceful enough to withstand the anticipation of the tao and we create outer activity which will divert the life flow.

The Chinese Image
Powerful cheekbones.
Misfortune.
The superior man is resolute
and walks alone splashed with mud.
They speak against him
but he is blameless.

The cheekbones enable us to read determination in another’s face; here there is this power of self-will which is misfortunate in this context because no amount of it can be effective and it produces stress with no flow for its relief. The wide-seeing superior man is just going about his business, not trying to push things, and this is correct in our present circumstances.

Line 4 goes yin

accepting the outer state more

Here we are involving our identity in outer inactivity, which is to say we are worried about it and consider it a problem to be solved; this is an impatience for activity and is not supported by the life force.

The Chinese Image
His thighs are without skin
and walking is difficult.
If he would be led like a sheep
all would be well, but what
is said is not heard.

The muscles of the thigh carry us forward, and here there is no support from the life force if we go forward. If we were following the life force we would not have this problem.

Line 5 goes yin

more awareness of intuition

Our intuitive state is inactive (line 2) so here we become aware of this lack of feeling. This has dangers in this tao because unless we can persevere with quiet feeling, our interest will arouse desire for active feeling; if we create activity with desire we will miss the next movement of circumstances.

The Chinese Image
Ground-clinging plants.
The middle way is free of blame.

The middle way is neither identified outside nor inside, it is non-identified, clinging to the real or wholeness or earth. Staying with what exists, not searching, is the advice contained here.

Line 6 goes yang

our inner being accepts less

This whole tao is a watching for potential to be manifest and this sixth line is the watcher of the emerging life force; if we cease to be alert it will catch us by surprise and we will be out of step with it.

The Chinese Image
No warning.
Misfortune.