Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

When inner energy does not flow we turn to something new in our environment for comfort, stimulation, food for identity.

His desire for continuation is for this identity-feeling to continue, it requires activity, demands experience, or it fears for its validity and existence. This makes it difficult for us to follow the tao when it is inactive.

Feeling is the link between our inner and outer selves (one self in larger terms, but we feel it as two). Persisting in feeling the tao is, here, to have faith that the life force is providing the nourishment we need; this is the continuance in following the tao of which the oracle speaks.

Following the tao is choiceless and when we make no choices we cannot regret them.

Here we cannot endure the inactivity of identity so we act out. Although this gives relief of the pressure to act, the outcome has no inner meaning and so is unsatisfactory.

Even when there is no one judging us, dis-grace is a fact for we have lost our grace, we are clumsy here, not graceful.

Outer activity is potential in this tao, not manifest, but now we are concentrating on this outer place for our sense of activity; we are looking in the wrong place.

We are searching outside for what is inside, but what we seek will come from the inner, from nowhere it will seem, it does not exist out there.

Here we are not awaiting the emergence of the life force so feeling is released from being interpreted; the distinguisher or definer, on the other hand, is less able to operate.

We do not simply remain open to everything, we take attention away from feeling, this narrows conscious identity in its ability to define our circumstance but allows intuitive feeling to be itself.

If we are not accepting the active emerging life force as the source of our next activity there is a tendency to prolong our present outer situation, especially in this tao of long duration.

To insist that activity must always flow tries to replace the natural cyclic reality with an imposed linear one; we distort the cycle to get something we desire. We miss the essence of continuing inner acceptance if we do this.

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.