Here the silence of identity (lines 4, 5, and 6 are yang) ignores the activity of the life force and it ceases to have influence.

The brake is applied; there is nothing we can do about it but follow our circumstances. Any attempt to get out of our circumstances will prove unfortunate so we need simply to experience where we are. A lean pig is an underfed pig and when we are under-stimulated we “leap about” to cause activity.

If our increased involvement is with a sense of outer peace all is well, but this is likely to be a search for outer activity and if it is we will search and find none.

The tank which has or has not fish in it is our personal inner being and the fish are our personal identifications in this. Here there are no fish, the process of identifying is inactive in this tao, so if we expect something we are disappointed.

Repose in this tao means awaiting a new cycle of activity with calm confidence, but here in this moving line the life force produces inactivity that we do not like (line 6 is accepting activity).

Because we do not like the inactivity of this moment we become busy about it. The misfortune is that we miss the experience of peace in the present and are ill-prepared for the next movement of the life force.

Our intuitive feeling goes into repose, and this is quite in keeping with this tao but we may get stuck in this if we fix our minds on resting.

Rock is the underlying truth of our surface world which we feel here as our feelings go into repose, but we do not feel this for the whole cycle, the whole day, surface activity will again manifest. We need to stay with our present circumstances as they change.

In this tao it is our involvement in outer activity shown by line 4 that is in repose, not the activity itself. Here outer activity is lessened so we are involved in making it less which is still an involvement and not repose; to let it go will enable us to find a new cycle.

Looking upwards is to look away from the matter in hand, looking for something that is not in our circumstances brings remorse because it is not available and we miss what is available (we come to it too late).

As the tao of repose is marked by this line being the only yang line, here we are involving ourselves in a new phase which is the natural development out of the phase of repose.

If, now that repose is ending, we carry our calm confidence on into activity, we can expect the support of others.

As we become less aware of what our intuitive feelings are doing we are more likely to be unaware when there is change, when something new arises, so we are more likely to carry on with old feelings when they have lost their vitality.

This applies to the feelings, but physical illness often accompanies our identifying with stale feelings over a long period.

When we lose interest in a transition while it is happening to us we lose touch with the flow and become confused.

The transition is in us, it happens despite the confusion of identity because identity is not its cause but is what is being affected. As the transition completes itself we see more clearly again.

It is the deep emerging life force that is showing activity, so it is not yet time for us to manifest this—that will come in due course. Having deep knowing that this activity is there helps us to restrain our impatience for action, and holding this like a secret love in our heart is part of the richness of this tao.

The dragon is an ominous symbol, it is a dynamic expression of the life energy which, here, is still hidden from conscious manifestation.

Here, activity begins to show in our feelings, which are our earliest manifestation of the life force, but we need to avoid narrowing this down to action too soon; keep it open and feel, for this is the tao of creation itself and if we do not interpose with our own pattern, we are privileged to know ourselves as part of the inevitable. In practice, we keep our options open.

The life energy is in the open because it is manifesting in our feeling and it benefits us to experience this widely; to see the great man is to attend to our greater awareness. In terms of the oracle greatness is always wideness, including more—it is not power.

In the tao of the creative there is great power and when this comes to manifestation, we may feel overburdened by it if we think it is we who are doing it. This only brings on unnecessary worry, but if we remember that taking part is not taking possession, there is no danger in this line.

The day symbolizes the activity in the world and the night a withdrawal of activity to the inner. The superior man is the one who follows the tao, and the danger to him (to our following the tao) is over-involvement, yet we have to be involved. There is no dividing line here to observe, hence the danger.

Here we interest ourselves in the inactivity of line 3 and we may be tempted to be intentionally inactive, but this is _doing_ and not in keeping with this tao of the creative doing itself. It is necessary to fall effortlessly into the activity of the creative, which is neither being active nor withholding activity.

The chasm is this void that happens when we discount ourselves, trying not to _do_. Here we hesitate to relax because we feel the need to control even our inactivity. Identity feels threatened by not _doing_ and this is part of its nature, not an error or failure on our part.

Here we are identifying ourselves with unchanging feeling (line 2). We have difficulty in identifying with the non-active as there seems to be nothing there.

Dragons are the flow of earth energy—things we normally identify with—and here our identifications are out of place unless heaven itself (Ch’ien) can be felt.

To accept ourselves as the life force and tao is to confuse ourselves with the whole—in the tao of the creative we then think we are the creators.

It is particularly contrary to this tao for us to take charge of things. We are then deprived of the experience of the creative itself; we only experience ourselves.