Now we are interested in the idea of being inactive, doubting that all this wandering is a good idea, so we settle down where we are. Although we are accepting our outer reality as it is, unstimulating, this is not going to change anything, but to treat it as a rest is more real, for our wandering is not completed yet.

Innerly our valuables are the identifications we have chosen and the axe symbolizes our defence of these; so according to the image we do not change ourselves, and as joy comes only with the flow of change we feel no joy, but we have rest.

When our outer reality becomes unsatisfactory we wander. Here in this line we are accepting wandering as a way of being and this will not be fulfilling for very long because it is not just that we are in a bad place—all outer identification feels lacking.

The bird is a symbol of spirit or whole reality and its nest is where it raises its young; our being cannot raise more young (new experience) if we stay in outer identification; the new comes from the inner. At first, being out in defined reality seems clear and to be a solution, but nothing new comes and it becomes a repetition. When the inner is included in our sense of the real, new experience comes fresh each day, like the service of a cow—this we carelessly lose.

The top three lines of the hexagram, being yang, show that our responses are withheld, so this return of activity in the emerging life force is not our anticipation but the natural turn of events.

Here we open our awareness to a quiet inner energy (line 1), we feel quiet and in tune with the tao. In general it is more difficult for our acutely identified form of identity to feel something inactive, for the quieter it gets the less there is for identity to do, but here it is beneficial to learn about this quietness and to persevere with these feelings.

In an inner interpretation the dark man is an unconscious element in us, a feeling (as this is the line of feeling) that has not been defined in consciousness.

The way in which we are ignorant of outer activity in this tao (line 4 is yang) leads to its decrease; in a sense, we are controlling outer activity and miss-seeing the tao, which is to learn from the tao rather than manipulate it. We may think that we are awake but our ignorance makes it more like dream-walking and this not-quite-seeing in the outer world leads to mistaking our situation; we learn, but through making mistakes.

This is symbolic of identity out there on the battlefield of the outer world to learn the lessons needed by his greater self (the overlord). In this greater sense our errors are inevitable and so no error at all.

In this tao the outer state has the only manifest activity. As we become more absorbed in outer activity we lose sight within (insight) and are liable to lose contact with the tao. The third line is yin and to accept the natural activity of the tao is in keeping with it, but to accept it as _our_ activity is to lose the experience that the tao can give us.

The distinction between action and self-involved action is not always easy to make while we are in activity; here we need the caution.

Our direct knowing is inactive in this tao and being aware of this quietness is different to being involved in it and making it our way of being; there is no dividing line to make this difference distinct so we need to be very wary of being absorbed in the quietness until we lose the witnessing of events and also of stimulating feeling into activity.

The trouble would arise if we were not attentive enough and think we were being bold or if we become afraid and fail to tread at all.

Inner change is not yet manifesting in this tao, so it is about being with quietness inside and activity outside. In this moving line we accept learning this by a balance of witnessing with participation which provides a very effective living technique. The balance is dynamic, it is constantly modified and never made into rules to live by. This becomes the art of riding life, responding to its every movement yet never falling into the role of mastering it.

Riding life, never adrift and never entangled is the greatest good fortune.

The stress in this tao is created by the force of the life energy from the inner acting upon rigid form in our lives (in ourselves). Here the activity is lessened and the stress limited.

This is protection by the inner being, rushes are put under something to soften the contact, they are white because there is no selection in this action (white light is all-coloured light).

Here the rigidity itself is loosening, we are starting to feel the life force again and this is the beginning of new feeling.

The old finds a way to flow again, and it was the lack of flow that caused the excess of pressure.

In this tao identity has excessively structured duality; to act out from this projects the stress into our circumstances.

The ridgepole giving way is like our giving out the stress from within us, we give way to it and the consequences to our environment are unfortunate.

What we are accepting here in this moving line is the inactivity of our outer world, so there is less stress because we are not struggling with our rigidity. This does not change the rigidity but makes it more manageable and may mask the basic problem.

Reliance on masking the stresses we have would be a weak support.

Becoming aware of intuitive feeling that is inactive is to be more aware but not to have more feeling.

This is widening awareness, opening up, flowering; then old feeling (from memory) comes to thought, to consciousness. These do not change things, the flowering does not change the tree and the old woman cannot have children, in other words there is no new growth.

Here we give up the struggle and become unaware of the activity pushing us towards change. When we become unaware of forces they overtake us.

To give way to the flow is no error, only uncomfortable; it overcomes the rigidity and so changes us.